Panther in the Basement
by Amos Oz 
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From "a great and true voice of our time" (Washington Post Book World), comes this story of Proffy, a twelve-year-old living in Palestine in 1947. When Proffy befriends a member of the occupying British forces who shares his love of language and the Bible, he is accused of treason by his friends and learns the true nature of loyalty and betrayal. Translated by Nicholas de Lange.Tags
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Erez Israel, 1947: Profus, 12 Jahre alt, hat mit zwei Freunden eine Untergrundorganisation gegründet, deren Ziel es ist, die Briten aus Israel zu vertreiben. Doch zufällig lernt er einen britischen Soldaten kennen den er immer wieder trifft, um sich gegenseitig hebräisch und englisch beizubringen. Profus' Sympathien für den Briten verwirren ihn: Es ist der Feind, ihn kann man nicht mögen, nein, man darf es nicht. Und so macht er sich vor, ihn nur zu treffen um ihn auszuhorchen.
Auch wenn durch das Alter des Protagonisten suggeriert wird, es handle sich um ein Kinderbuch, ist es wohl eher für Jugendliche und Erwachsene, denn erzählt wird es von Profus' Jahrzehnte später, der sein außergewöhnliches Interesse an Sprache, Worten show more und Wissen zum Beruf gemacht hat, was sich in der Schreibweise des Buches niederschlägt (beispielsweise wie er als 12jähriger überlegt, wie erschlagen, verschlagen, beschlagen und übereinanderschlagen zusammenhängen. Oder die 13seitige Beschreibung der Bibliothek seines Vaters, die wie eine Armee dargestellt wird - genial!). Trotz seiner durchaus altersgerechten Träume, Fragen und Interessen (die Untergrundorganisation baut ein U-Boot, das im Lavastrom nach London fahren und dort eine Bombe hochjagen soll ;-)), die mich stets auf's Neue schmunzeln ließen, stellt er sich immer wieder Fragen wie: Wann ist man ein Verräter? Wieso kann der britische Soldat nicht einfach bei uns am Tisch sitzen? Ganz beiläufig taucht auch das Grauen des III. Reiches auf: Wenn erwähnt wird, dass die Familien von Vater und Mutter von Hitler umgebracht wurden. Oder die Schicksale der Nachbarn, die eher am Rande erzählt werden, aber nichtsdestotrotz das Monströse dieser Zeit zeigen. So wechselt man von einer Stimmungslage in die nächste: Man hält bestürzt den Atem an, um dann eine Seite weiter über die Gedanken Profus' zu schmunzeln und im nächsten Kapitel herrliche Beschreibungen wie die über die Bibliothek zu lesen.
Unglaublich gut geschrieben und trotz des zeitweise sehr ernsten Themas einfach schön zu lesen - das war nicht mein letztes Buch von Amos Oz! show less
Auch wenn durch das Alter des Protagonisten suggeriert wird, es handle sich um ein Kinderbuch, ist es wohl eher für Jugendliche und Erwachsene, denn erzählt wird es von Profus' Jahrzehnte später, der sein außergewöhnliches Interesse an Sprache, Worten show more und Wissen zum Beruf gemacht hat, was sich in der Schreibweise des Buches niederschlägt (beispielsweise wie er als 12jähriger überlegt, wie erschlagen, verschlagen, beschlagen und übereinanderschlagen zusammenhängen. Oder die 13seitige Beschreibung der Bibliothek seines Vaters, die wie eine Armee dargestellt wird - genial!). Trotz seiner durchaus altersgerechten Träume, Fragen und Interessen (die Untergrundorganisation baut ein U-Boot, das im Lavastrom nach London fahren und dort eine Bombe hochjagen soll ;-)), die mich stets auf's Neue schmunzeln ließen, stellt er sich immer wieder Fragen wie: Wann ist man ein Verräter? Wieso kann der britische Soldat nicht einfach bei uns am Tisch sitzen? Ganz beiläufig taucht auch das Grauen des III. Reiches auf: Wenn erwähnt wird, dass die Familien von Vater und Mutter von Hitler umgebracht wurden. Oder die Schicksale der Nachbarn, die eher am Rande erzählt werden, aber nichtsdestotrotz das Monströse dieser Zeit zeigen. So wechselt man von einer Stimmungslage in die nächste: Man hält bestürzt den Atem an, um dann eine Seite weiter über die Gedanken Profus' zu schmunzeln und im nächsten Kapitel herrliche Beschreibungen wie die über die Bibliothek zu lesen.
Unglaublich gut geschrieben und trotz des zeitweise sehr ernsten Themas einfach schön zu lesen - das war nicht mein letztes Buch von Amos Oz! show less
Amos Oz may be the first author of literary fiction who truly became an author I'd return to again and again. I'm not sure what made me first pick his work up; in high school, I mostly read horror, suspense, and the occasional SFF, as well as a scattering of poetry and plays. How Amos Oz made it onto my bookshelves, I have no idea, but from the moment I discovered his prose, I wanted more.
His talent for the nuances of relationships, dialogue, and description are wonderful, and this work is no different. Here, the focus is on a 12-year-old boy, and the childhood remembered from the vantage point of adulthood. Nothing like the other novels I've read from him, and still a gorgeously told tale which is rich with believable drama and nuance, show more as well as the magic of childhood.
I'm not sure this is the first work I'd recommend for readers who haven't read Oz before, as it is a bit out of the norm in terms of subject and, to a lesser extent, style, but I did very much enjoy it. show less
His talent for the nuances of relationships, dialogue, and description are wonderful, and this work is no different. Here, the focus is on a 12-year-old boy, and the childhood remembered from the vantage point of adulthood. Nothing like the other novels I've read from him, and still a gorgeously told tale which is rich with believable drama and nuance, show more as well as the magic of childhood.
I'm not sure this is the first work I'd recommend for readers who haven't read Oz before, as it is a bit out of the norm in terms of subject and, to a lesser extent, style, but I did very much enjoy it. show less
Rather than a novel, this reads like a series of vignettes about a child's view of British-occupied Palestine on the verge of becoming the state of Israel. It's written as an adult's reminiscence of youth and as such gets a little disconnected and at times prophesying, but in a plausible way; an adult looking back will remember moments which later turn out to be meaningful and tie them into a pattern, rather than remember a blow-by-blow plot. Oz' rendition of “Proffi”'s feelings about life and thoughts about the politics of the time reads as a 12-year-old's, albeit a rather precocious one, and his ability to bring Israel of 1947 to life for the reader is simply stunning.
Proffy is a 12-year-old Jewish child in British-occupied Palestine before the establishment of the state of Israel. When his two friends, Ben Hur and Chita, find out that he’s been keeping company with Sergeant Stephen Dunlop, a British solder, they bring Proffy to trial and accuse him of being a “low-down traitor” and not at all the underground resistance fighter he professes to be.
PANTHER IN THE BASEMENT presents a child’s view of the political situation in 1947 Palestine. It questions who the enemy truly is and whether one’s enemy can be a friend at the same time or possibly later. Oz does a great job of bringing politics down to its simplest form as he examines how three children view the enemy differently. There is an show more element of danger introduced through Proffy’s parents who are, in fact, involved with the resistance movement against the British, although they try to keep their son feeling safe and secure. Here’s an interesting story, brimming with nostalgia, sometimes purposely going off on tangents, but eventually coming to a warm, moving conclusion. show less
PANTHER IN THE BASEMENT presents a child’s view of the political situation in 1947 Palestine. It questions who the enemy truly is and whether one’s enemy can be a friend at the same time or possibly later. Oz does a great job of bringing politics down to its simplest form as he examines how three children view the enemy differently. There is an show more element of danger introduced through Proffy’s parents who are, in fact, involved with the resistance movement against the British, although they try to keep their son feeling safe and secure. Here’s an interesting story, brimming with nostalgia, sometimes purposely going off on tangents, but eventually coming to a warm, moving conclusion. show less
This is an interesting story about a young boy living in Jerusalem who "befriends" a soldier, part of the British occupying force before Israel became a recognized country. I put befriends in quotation marks because Proffi, the boy, really wants to ferret out information from the soldier, which might be useful to his little "resistance" group (which has nothing to do with the real Underground). But the other members of his group find him out and brand him a traitor.
The story has no ending, at least not a definitive one. And the views of the child narrator are limiting; for example, we never learn what the child's true name is - he's only called "Proffi," which is a nickname he's earned because of his bookish nature (he's like a show more professor). Still, it's an interesting read, and some of the themes contained within the novel (what "traitor" means, the use of animals as metaphors, etc) are thought-provoking. show less
The story has no ending, at least not a definitive one. And the views of the child narrator are limiting; for example, we never learn what the child's true name is - he's only called "Proffi," which is a nickname he's earned because of his bookish nature (he's like a show more professor). Still, it's an interesting read, and some of the themes contained within the novel (what "traitor" means, the use of animals as metaphors, etc) are thought-provoking. show less
Oz, Amos Childhood and youth.
Jerusalén, 1947. Los soldados británicos patrullan las calles, y las balas y las bombas ocurren todas las noches. Atrapado en el fervor y el malestar contra las fuerzas de ocupación, Proffy, de 12 años, sueña con ser un luchador clandestino. Pero alguno de sus sueños son menos heróicos. La tentación acecha en todas partes para el joven que quiere ser un hombre, y a traición no se queda atrás.
Feb 9, 2023Spanish
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Author Information

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Amos Oz was born Amos Klausner in Jerusalem on May 4, 1939. As a young teenager, he moved to Kibbutz Hulda, where he completed his secondary education and worked on a farm. After he completed mandatory military service in 1961, the kibbutz assembly sent him to study at the Hebrew University of Jerusalem, where he received a B.A. in philosophy and show more literature. After graduation, he moved back to Hulda, where he wrote, did farm work, did guard and dining-room duty, and taught in the kibbutz high school. He fought in the 1967 and 1973 wars and spent a year as a visiting fellow at Oxford University. He wrote novels, collections of short fiction, works of nonfiction, and essays. His novels included My Michael, Black Box, and The Gospel According to Judas. His memoir, A Tale of Love and Darkness, was adapted into a movie in 2016. His last book, Dear Zealot, was made up of three essays on the theme of fanaticism. He was an advocate for peace and believed in a two-state solution, meaning the establishment of a Palestinian state alongside Israel. In the late 1970s, he helped found Peace Now. He received several awards including the Goethe Prize, the French Knight's Cross of the Légion D'Honneur, and the Israel Prize. He died after a short battle with cancer on December 28, 2018 at the age of 79. (Bowker Author Biography) show less
Some Editions
Awards and Honors
Awards
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Belongs to Publisher Series
Meulenhoff editie (1648)
Gallimard, Folio (4032)
Common Knowledge
- Canonical title*
- Panther im Keller
- Original title
- פנתר במרתף
- Original publication date
- 1998
- People/Characters*
- Profus; Ben Hur; Chita
- Important places
- Jerusalem
- Related movies
- The Little Traitor (2007 | IMDb)
- Dedication*
- Für Dean, Nadav und Alon
- First words
- I have been called a traitor many times in my life.
- Last words*
- (Click to show. Warning: May contain spoilers.)Oder umgekehrt, wenn ich geschwiegen hätte, hätte ich sie dann verraten?
- Publisher's editor*
- Siruela
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
Classifications
- Genres
- Fiction and Literature, General Fiction
- DDC/MDS
- 892.436 — Literature & rhetoric Literatures of other languages Afro-Asiatic literatures Jewish, Israeli, and Hebrew Hebrew fiction 1947–2000
- LCC
- PJ5054 .O9 .Z46613 — Language and Literature Oriental languages and literatures Oriental philology and literature Hebrew Literature Individual authors and works
- BISAC
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