1,000 Recordings to Hear Before You Die

This is fantastic, within the bounds of how fantastic a work like this can be. Tom Moon is very well-seasoned, and of course I immediately jumped to the types of music I know best - opera, folk, classical - and found that I agreed with almost all of his choices. Sometimes he may challenge me (the LuPone "Sweeney Todd" over the Lansbury?) but rarely did I disagree (the right Wagners, the ideal "Porgy and Bess", a great "Pelleas", and so on). More to the point, by providing a range of suggestions with each album, he effectively expands the book's scope to 3 or 4,000 recordings, and allows you to delve more.

Of course no-one will agree with all of his choices, or with best recordings by an artist or composer, but that's the perils of show more making a decision. Moon here has shown an open-mindedness to music genres that has me keen to explore everything I've missed. There's a Spotify playlist, which I think is official, to go with it.

If there's a flaw for me, it's that I think he could use an introduction. Maybe 40 pages: a 15-page history of music, and then 2-3 pages on each genre, just the most basic of primers. This is, of course, an absurd proposition on some level. How can anyone explain a genre so quickly, and how do we teach how to "read" music in this way? Problem is: I think it's necessary. As an opera lover, I agree with all of Moon's choices (even if I could fill a book on 1,000 opera recordings alone) but many of these are moderate-to-advanced level, not for amateurs. These are the best recordings, but they may not be obvious to a newcomer to opera. Particularly works like "Pelleas" or "Wozzeck". Even an attempt at explaining some of the major evolutions of the artform, and things to listen for, may have been good. For me, with genres I'm completely uncertain of (e.g. rock) I would have appreciated the same. But, this is the age of the internet, so I'm sure I will find someone's blog to guide me. A+ show less

This is a well-written synopsis of great recordings by someone who loves music. The arrangement is useful in that it points you to related recordings within a genre. It is arranged alphabetically by performance artist, which as the author points out, can lead to some very interesting and diverse individuals turning up beside each other. It's a great reference tool to develop or broaden a music collection or your listening history.

1000 essays on exceptional recordings. Those that I have listened to have hyponotized me John Adams' setting of Emily Dickinson's "Because I Could Not Stop for Death" from his "Harmonium". The review are well-developed, often contain a photo of the artist and end with a data sidebar, which includes one of my favorite categories--"Next Stop". My next stop was the major minimalist, Steve Reich, whose "Different Trains" blew me away with the sound collage of clips from track and depot. Especially powerful was the war-time European train--heading, I imagined, for Dachau.
Lest the book seem weighted on the heavy side, its first entry (they are alphabetical) is Abba's "Gold".
The articles are very redable and Moon comes off as a fine person show more with intelligence and artistic sensibility.

How do I find "italics" and "underscore"? show less

1000 essays on exceptional recordings. Those that I have listened to have hyponotized me John Adams' setting of Emily Dickinson's "Because I Could Not Stop for Death" from his "Harmonium". The review are well-developed, often contain a photo of the artist and end with a data sidebar, which includes one of my favorite categories--"Next Stop". My next stop was the major minimalist, Steve Reich, whose "Different Trains" blew me away with the sound collage of clips from track and depot. Especially powerful was the war-time European train--heading, I imagined, for Dachau.
Lest the book seem weighted on the heavy side, its first entry (they are alphabetical) is Abba's "Gold".
The articles are very redable and Moon comes off as a fine person show more with intelligence and artistic sensibility.

How do I find "italics" and "underscore"? show less

As individuals with highly eclectic musical taste, my husband and I rarely encounter anyone who enjoys as much musical variety. In Tom Moon's 1,000 Recordings to Hear Before You Die, we may have met our match. Encompassing everything from Baroque to reggae to classic rock - and just about any other genre you can think of - this book will definitely introduce you to a wide variety of styles, composers/artists, and recordings. It's even organized in alphabetical order, so these highly-varied genres are juxtaposed against one another, side-by-side!

Some of the "recordings" listed are entire albums; others are individual songs. Where entire albums are recommended, the author specifies "key tracks" to listen to. In many instances, related show more recommendations are made. Brief descriptions let you know what to expect and why the recording is memorable. (Genres are specified, so if you're unfamiliar with an album/piece, you will know what you're getting yourself into!)

My only complaint is that where songs have lyrics, the content is not really discussed. Given that the book's focus is on the music, it's understandable, but it would be nice to know whether the recordings are appropriate to play for my children. All in all, we have been impressed with the overall collection, and look forward to getting to know some new music. show less

There’s a lot of music in here. I mostly appreciated the jazz entries. When reading about artists I am very familiar with, I mostly disagreed with his choices of the best album to represent the artist. Ry Cooder, The Meters, Cannonball Adderley and Aaron Neville are four that I remember disagreeing with.

I think a book like this just isn't going to get much reaction. When it comes to music - people like what they like. I think he did a great job of being diverse in his selections, however.