One Stick Song

by Sherman Alexie

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A collection of poems by contemporary Native-American writer Sherman Alexie.

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I adore Alexie's The Summer of Black Widows, but although this is a slightly more recent collection, it didn't come close to the level of that collection. Here, one of my favorite moments was actually more of an essay than a poem, and on baseball of all things (which I say in surprise since I have zero interest in the sport), whereas the poems felt preoccupied by sex and relationships often presented in the crudest way possible, and repetition often felt like more of a crutch than a tool. I did love the final poetry sequence in the book--one more focused on family and legacy than on sex/sexual relationships or race, unlike many of the others, but it was a rare standout for me. I should emphasize that these themes don't bother me and show more I've often fallen in love with collections that put them front and center, but here the theme just didn't work for me, or perhaps just felt too crude, with many of the poems feeling less poetic than I expected from Alexie. Not a lot of language play, not a lot of gorgeous moments worth rereading, and not a lot of moments that made me stop and catch my breath as I reread a stanza, as happens with the best collections.

I've so loved his other poems, I still look forward to reading more, but I have to admit this collection was a bit of a disappointment.
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Most of the time I find poetry utter garbage. However, a couple of Alexie's poems are profound in a One Stick Song. Like the "every time I venture into the bookstore."

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60+ Works 30,981 Members
Sherman J. Alexie Jr. was born on October 7, 1966. His mother was Spokane Indian and his father was Coeur d'Alene Indian. Alexie grew up on the Spokane Indian Reservation in Wellpinit, Washington. He decided to attend high school off the reservation where he knew he would get a better education. He was the only Indian at the school, and excelled show more academically as well as in sports. After high school, he attended Gonzaga University for two years before transferring to Washington State University, where he graduated with a degree in American studies. He received the Washington State Arts Commission Poetry Fellowship in 1991 and the National Endowment for the Arts Poetry Fellowship in 1992. His collections of poetry included The Business of Fancydancing, First Indian on the Moon, The Summer of Black Widows, One Stick Song, and Face. His first collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, received a PEN/Hemingway Award for Best First Book of Fiction and a Lila Wallace-Reader's Digest Writers' Award. His other short story collections included The Toughest Indian in the World, Ten Little Indians, and War Dances. His first novel, Reservation Blues, received the Before Columbus Foundation's American Book Award and the Murray Morgan Prize. His other novels included Indian Killer, The Absolutely True Diary of a Part-Time Indian, and Flight. He won the Andrew Carnegie Medal for Excellence in Nonfiction in 2018 for You Don't Have to Say You Love Me: A Memoir. Alexie and Jim Boyd, a Colville Indian, collaborated on the album Reservation Blues, which contains the songs from the book of the same name. In 1997, Alexie collaborated with Chris Eyre, a Cheyenne/Arapaho Indian, on a film project inspired by Alexie's work, This is What it Means to Say Phoenix, Arizona, from the short story collection The Lone Ranger and Tonto Fistfight in Heaven. Smoke Signals debuted at the Sundance Film Festival in January 1998, winning two awards: the Audience Award and the Filmmakers Trophy. In 1999 the film received a Christopher Award. (Bowker Author Biography) show less

Classifications

Genres
Poetry, Fiction and Literature
DDC/MDS
811.54Literature & rhetoricAmerican literature in EnglishAmerican poetry20th Century1945-1999
LCC
PS3551 .L35774 .O53Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
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