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Parnassus on Wheels is a novel by Christopher Morley, published in 1917. The Parnassus of the title refers to the mountain that was the home of the Muses in Greek mythology. In the story, Roger Mifflin sells his traveling bookshop to Helen McGill, who tires of looking after Andrew, her ailing brother. Christopher Morley later continued the story of Roger Mifflin in his 1919 novel The Haunted Bookshop..
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bookwoman247 If you are charmed by Parnassus, you will also be charmed by this non-fiction account of the friendship between a New York writer and the manager of a London bookshop, begun in the years just after the war and carried on for 20 - 30 years through letters.
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benjclark "Because Parnassus on Wheels was read aloud to him as a boy, Alan Armstrong always imagined himself as a Merchant Adventurer dealing in books...." - back blurb.
Member Reviews
“When you sell a man a book you don’t sell him just twelve ounces of paper and ink and glue - you sell him a whole new life. Love and friendship and humor and ships at sea by night - there’s all heaven and earth in a book, a real book I mean.”
What a delightful little humorous gem. About a traveling book-salesman, Roger Mifflin, who sells his “business” - an old horse-driven carriage with a lot of books - to 39-year-old Helen McGill - she buys it on a whim partly because she’s tired of taking care of her older brother, Andrew. Off she goes on an adventure of her life - and why not some romance along the way?
This short novel is crammed with life wisdom - mostly delivered by the wonderful Roger Mifflin.
“Oh, silly woman! show more Leave your stove, your pots and pans and chores, even if only for one day! Come out and see the sun in the sky and the river in the distance!” show less
What a delightful little humorous gem. About a traveling book-salesman, Roger Mifflin, who sells his “business” - an old horse-driven carriage with a lot of books - to 39-year-old Helen McGill - she buys it on a whim partly because she’s tired of taking care of her older brother, Andrew. Off she goes on an adventure of her life - and why not some romance along the way?
This short novel is crammed with life wisdom - mostly delivered by the wonderful Roger Mifflin.
“Oh, silly woman! show more Leave your stove, your pots and pans and chores, even if only for one day! Come out and see the sun in the sky and the river in the distance!” show less
Parnassus on Wheels by Christopher Morley ~ 1917. This edition: J.B. Lippincott, 1955. Introduction by John T. Winterich. Illustrations by Douglas Gorsline. Hardcover. 160 pages.
My rating: 9/10. An unexpected story, boisterously told. The point off is for narrator Helen’s continued refrain of “I’m so fat and plain! I’m so dull and unintellectual!” Well, Helen, if you continue to sell yourself short like that, don’t be surprised if people treat you like a doormat. A minor issue, but one that I ground my teeth at a bit. Helen’s actions negated her sorry opinion of herself, by the way.
*****
This is the prequel to the perennially popular 1919 bestseller, The Haunted Bookshop. Though the books share a certain joie de vivre, show more they are quite different in style and presentation. Parnassus on Wheels is much less consciously intellectual; the narrator has a distinctive voice which is exclusive to her story, while Bookshop is a different kettle of fish entirely. I liked them both, in different ways.
Thirty-nine-year-old spinster Helen McGill lives a contented life on the small farm she owns with her brother Andrew. At least, it was contented, a happy contrast from her previous occupation as a governess in the city, which she joyfully left in order to join her brother in his quest for a more congenial way of life to combat his ill-health. The farm was just the ticket; Andrew has been usefully occupied with crops and pigs and mild rural pleasures, while Helen has kept the home fires burning and her chickens productively producing eggs.
But something has happened to change all of that. An elderly great-uncle has died, leaving the two his library, and Andrew, stimulated by the sudden abundance of literature at his disposal, has decided to become a writer himself. He pens an ode to the rural life, Paradise Regained, and sends it off to a New York publisher. The book catches the fancy of the jaded city dwellers everywhere, and Andrew is suddenly a best-selling author. He has started neglecting the farm to hob nob with the urban literati, and between city visits tramps the countryside looking for new material. Happiness and Hayseed follows, and then a book of poems. Through all of this Helen keeps the home fires burning and the farm on an even keel, but she is starting to get rather jaded herself in her role as “rural Xantippe” and “domestic balance-wheel that kept the great writer close to the homely realities of life”, as she has seen herself described by one of Andrew’s doting biographers.
Helen is ripe for rebellion, and when her chance to shake her brother up a bit comes she seizes it with both hands. Andrew is out one day, when up drives a horse-drawn van, with the following legend painted on its side:
R. MIFFLIN’S
TRAVELLING PARNASSUS
GOOD BOOKS FOR SALE
SHAKESPEARE, CHARLES LAMB, R.L.S.
HAZLITT, AND ALL OTHERS
The driver of the van, one Roger Mifflin, is looking for Andrew McGill. He presents Helen with his card:
ROGER MIFFLIN’S
TRAVELLING PARNASSUS
Worthy friends, my wain doth hold
Many a book, both new and old:
Books, the truest friends of man,
Fill this rolling caravan.
Books to satisfy all uses,
Golden lyrics of the Muses,
Books on cookery and farming,
Novels passionate and charming,
Every kind for every need
So that he who buys may read.
What librarian can surpass us?
Helen chuckles, and is immediately interested. She does, after all, appreciate a good book herself, though not to the excess her brother has shown. And Roger Mifflin has a business proposition of sorts. The van is a travelling bookshop, and he thinks it would be just the thing for Andrew to take over. Roger announces his intention of selling his business, lock, stock, horse Peg (short for Pegasus), and all.
Helen, imagining an even more complete neglect of the farm should her brother take on this attractive offer, is aghast. She tries to send Mifflin on his way, with no success.
The two joust back and forth, and Helen gets the gleam of an idea. She will purchase the travelling bookstore, and leave Andrew to watch the farm. She has some money saved, and turn-about is fair play, after all…
The deed is duly done, and, leaving the Swedish hired lady in charge, Helen hits the road with Roger along to show her the ropes. Needless to say, Andrew is flabbergasted at his sister’s sudden whim, and sets out in hot pursuit.
Hi-jinks ensue for numerous chapters, until a satisfyingly romantic conclusion is reached.
A grand little romp of a book, something of a period piece, but happy and playful, and well worth the short few hours it takes to gobble it up.
Lippincott’s 1955 edition, which I was lucky enough to stumble upon in Langley last week, has the extra bonus of a very informative explanatory foreword by John Winterich, which added greatly to my understanding and enjoyment of both Parnassus on Wheels and The Haunted Bookshop - I believe it was written to accompany the omnibus volume of both stories which I’ve seen listed on ABE - though this is a stand-alone volume. Clever line illustrations by Douglas Gorsline added an extra fillip to the tale.
*****
After I’d read Parnassus, I stumbled upon a little bit of interesting news regarding Christopher Morley’s inspiration for the story. Turns out that this novel is a send-up of another contemporary novelist of best-selling “rural odes”, one Ray Stannard Baker, writing under the pseudonym David Grayson. Baker-Grayson’s 1907 book, Adventures in Contentment, was immensely popular and gained a large following of people yearning after “the simple life”; it was followed by eight other volumes. Though Baker himself lived a completely urban lifestyle, as a hard-hitting newspaper reporter and journalist, his alter-ego “Grayson” fictionally left the city for the peaceful rural life of a small farm, where he was joined by his sister “Harriet”; the two enjoyed a rural idyll centered on the simple pleasures of country life and wholesome labour. show less
My rating: 9/10. An unexpected story, boisterously told. The point off is for narrator Helen’s continued refrain of “I’m so fat and plain! I’m so dull and unintellectual!” Well, Helen, if you continue to sell yourself short like that, don’t be surprised if people treat you like a doormat. A minor issue, but one that I ground my teeth at a bit. Helen’s actions negated her sorry opinion of herself, by the way.
*****
This is the prequel to the perennially popular 1919 bestseller, The Haunted Bookshop. Though the books share a certain joie de vivre, show more they are quite different in style and presentation. Parnassus on Wheels is much less consciously intellectual; the narrator has a distinctive voice which is exclusive to her story, while Bookshop is a different kettle of fish entirely. I liked them both, in different ways.
Thirty-nine-year-old spinster Helen McGill lives a contented life on the small farm she owns with her brother Andrew. At least, it was contented, a happy contrast from her previous occupation as a governess in the city, which she joyfully left in order to join her brother in his quest for a more congenial way of life to combat his ill-health. The farm was just the ticket; Andrew has been usefully occupied with crops and pigs and mild rural pleasures, while Helen has kept the home fires burning and her chickens productively producing eggs.
But something has happened to change all of that. An elderly great-uncle has died, leaving the two his library, and Andrew, stimulated by the sudden abundance of literature at his disposal, has decided to become a writer himself. He pens an ode to the rural life, Paradise Regained, and sends it off to a New York publisher. The book catches the fancy of the jaded city dwellers everywhere, and Andrew is suddenly a best-selling author. He has started neglecting the farm to hob nob with the urban literati, and between city visits tramps the countryside looking for new material. Happiness and Hayseed follows, and then a book of poems. Through all of this Helen keeps the home fires burning and the farm on an even keel, but she is starting to get rather jaded herself in her role as “rural Xantippe” and “domestic balance-wheel that kept the great writer close to the homely realities of life”, as she has seen herself described by one of Andrew’s doting biographers.
Helen is ripe for rebellion, and when her chance to shake her brother up a bit comes she seizes it with both hands. Andrew is out one day, when up drives a horse-drawn van, with the following legend painted on its side:
R. MIFFLIN’S
TRAVELLING PARNASSUS
GOOD BOOKS FOR SALE
SHAKESPEARE, CHARLES LAMB, R.L.S.
HAZLITT, AND ALL OTHERS
The driver of the van, one Roger Mifflin, is looking for Andrew McGill. He presents Helen with his card:
ROGER MIFFLIN’S
TRAVELLING PARNASSUS
Worthy friends, my wain doth hold
Many a book, both new and old:
Books, the truest friends of man,
Fill this rolling caravan.
Books to satisfy all uses,
Golden lyrics of the Muses,
Books on cookery and farming,
Novels passionate and charming,
Every kind for every need
So that he who buys may read.
What librarian can surpass us?
Helen chuckles, and is immediately interested. She does, after all, appreciate a good book herself, though not to the excess her brother has shown. And Roger Mifflin has a business proposition of sorts. The van is a travelling bookshop, and he thinks it would be just the thing for Andrew to take over. Roger announces his intention of selling his business, lock, stock, horse Peg (short for Pegasus), and all.
Helen, imagining an even more complete neglect of the farm should her brother take on this attractive offer, is aghast. She tries to send Mifflin on his way, with no success.
The two joust back and forth, and Helen gets the gleam of an idea. She will purchase the travelling bookstore, and leave Andrew to watch the farm. She has some money saved, and turn-about is fair play, after all…
The deed is duly done, and, leaving the Swedish hired lady in charge, Helen hits the road with Roger along to show her the ropes. Needless to say, Andrew is flabbergasted at his sister’s sudden whim, and sets out in hot pursuit.
Hi-jinks ensue for numerous chapters, until a satisfyingly romantic conclusion is reached.
A grand little romp of a book, something of a period piece, but happy and playful, and well worth the short few hours it takes to gobble it up.
Lippincott’s 1955 edition, which I was lucky enough to stumble upon in Langley last week, has the extra bonus of a very informative explanatory foreword by John Winterich, which added greatly to my understanding and enjoyment of both Parnassus on Wheels and The Haunted Bookshop - I believe it was written to accompany the omnibus volume of both stories which I’ve seen listed on ABE - though this is a stand-alone volume. Clever line illustrations by Douglas Gorsline added an extra fillip to the tale.
*****
After I’d read Parnassus, I stumbled upon a little bit of interesting news regarding Christopher Morley’s inspiration for the story. Turns out that this novel is a send-up of another contemporary novelist of best-selling “rural odes”, one Ray Stannard Baker, writing under the pseudonym David Grayson. Baker-Grayson’s 1907 book, Adventures in Contentment, was immensely popular and gained a large following of people yearning after “the simple life”; it was followed by eight other volumes. Though Baker himself lived a completely urban lifestyle, as a hard-hitting newspaper reporter and journalist, his alter-ego “Grayson” fictionally left the city for the peaceful rural life of a small farm, where he was joined by his sister “Harriet”; the two enjoyed a rural idyll centered on the simple pleasures of country life and wholesome labour. show less
I can’t remember the last time I enjoyed a book this much. It’s written in a loping, laconic style reminiscent of Mark Twain, yet makes a serious point: good books should not be embalmed in five-foot shelves nor be the exclusive preserve of an urban, educated elite.
That, at any rate, is the conviction of Roger Mifflin, a short, bald, red-bearded firebrand who peddles books with missionary zeal from a horse-drawn wagon on rural backroads up and down the east coast. There’s an ironic twist to this democratic vision, though: he once lectured in Camden, N. J., where he maintained that Tennyson was a greater poet than Whitman (the poet who lived in their midst).
Yet Mifflin is afflicted by loneliness and decides to sell out to the show more author he admires most, Andrew McGill, a rustic rhapsodist modeled on “David Grayson” (the pseudonym of Roy Stannard Baker). He pulls up at McGill’s farm, and to prevent this, McGill’s sister and housekeeper Helen purchases the rig herself and sets off with Mifflin on the first adventure of her life.
So what is a good book? Let Helen tell us: “A good book ought to have something simple about it. And, like Eve, it ought to come from somewhere near the third rib: there ought to be a heart beating in it. A story that’s all forehead doesn’t amount to much.” That may not be the last word on the subject, but it’s a pretty good one. show less
That, at any rate, is the conviction of Roger Mifflin, a short, bald, red-bearded firebrand who peddles books with missionary zeal from a horse-drawn wagon on rural backroads up and down the east coast. There’s an ironic twist to this democratic vision, though: he once lectured in Camden, N. J., where he maintained that Tennyson was a greater poet than Whitman (the poet who lived in their midst).
Yet Mifflin is afflicted by loneliness and decides to sell out to the show more author he admires most, Andrew McGill, a rustic rhapsodist modeled on “David Grayson” (the pseudonym of Roy Stannard Baker). He pulls up at McGill’s farm, and to prevent this, McGill’s sister and housekeeper Helen purchases the rig herself and sets off with Mifflin on the first adventure of her life.
So what is a good book? Let Helen tell us: “A good book ought to have something simple about it. And, like Eve, it ought to come from somewhere near the third rib: there ought to be a heart beating in it. A story that’s all forehead doesn’t amount to much.” That may not be the last word on the subject, but it’s a pretty good one. show less
This is a pilot for a new feel-good tv series:
Opening Credits:
It is a glorious morning on a deserted track somewhere in the rural Midwest. Rolling on the lane is a long gypsy-type wagon being pulled by a great big horse. On the open seat upfront holding the reins is a cheery man of middle years with kind brown eyes who is laughing gently in a conversational kind of way with a fat, rather plain but very jolly lady. They are wearing clothes the era when cars and wagons shared the roads, 1917.
The Action:
The woman and her older brother have been happily managing their isolated farm together until the brother publishes a book and the success makes him uppity in the extreme and while he swans around being famous, she is left at home running the farm. This is seriously annoying his sister.
A travelling salesmen, selling books, comes to her door saying he is not just selling books but also his travelling bookstore and would her brother, the famous author, be interested in it? He wants to leave bookselling to go back to the city to write his book.
He shows her this wonderful, magical wagon full of all the necessities for life on the road and shelves and shelves of books. She jumps at the chance and deciding to spend her life savings and take over the business herself and leaving notes for her brother telling him to look after himself. She closes the front door behind her, jumps on to the seat next to the bookseller and off they go.
End of Pilot
Further episodes will include dialogue between the bookseller and the spinster laying out their lives. He is a city man, a professor who wants to write a book and is passionate about their ability to change lives for the better. She's a bit of a disappointed spinster who counts her successes in hens' eggs and loaves baked.
Plots would include:
1. Making the first sale.
2. The caravan being stolen and the bookseller turns out to be handy with his fists.
3. Drama over the cheque for payment being cancelled by the pissed-off brother.
3. A bank scene, an arrest, and a false imprisonment.
Then we get into love, the stranger with a get-out-of-jail-free-card. The inevitable marriage and then the final winning over the brother.
Can't you just see it? It was just made for tv. The late Mike Landon would have been perfect casting.
Brilliant, lovely, heart-warming book. Beautifully-written without any suspense at all. Each rather obvious episode gives warning of what is to come next and the whole thing unfolds in a pastoral, slower-times, comfy, apple-pie kind of way. A nice book to read if you have a touch of flu and are sipping a hot toddy curled up on the sofa. show less
Opening Credits:
It is a glorious morning on a deserted track somewhere in the rural Midwest. Rolling on the lane is a long gypsy-type wagon being pulled by a great big horse. On the open seat upfront holding the reins is a cheery man of middle years with kind brown eyes who is laughing gently in a conversational kind of way with a fat, rather plain but very jolly lady. They are wearing clothes the era when cars and wagons shared the roads, 1917.
The Action:
The woman and her older brother have been happily managing their isolated farm together until the brother publishes a book and the success makes him uppity in the extreme and while he swans around being famous, she is left at home running
A travelling salesmen, selling books, comes to her door saying he is not just selling books but also his travelling bookstore and would her brother, the famous author, be interested in it? He wants to leave bookselling to go back to the city to write his book.
He shows her this wonderful, magical wagon full of all the necessities for life on the road and shelves and shelves of books. She jumps at the chance and deciding to spend her life savings and take over the business herself and leaving notes for her brother telling him to look after himself. She closes the front door behind her, jumps on to the seat next to the bookseller and off they go.
End of Pilot
Further episodes will include dialogue between the bookseller and the spinster laying out their lives. He is a city man, a professor who wants to write a book and is passionate about their ability to change lives for the better. She's a bit of a disappointed spinster who counts her successes in hens' eggs and loaves baked.
Plots would include:
1. Making the first sale.
2. The caravan being stolen and the bookseller turns out to be handy with his fists.
3. Drama over the cheque for payment being cancelled by the pissed-off brother.
3. A bank scene, an arrest, and a false imprisonment.
Then we get into love, the stranger with a get-out-of-jail-free-card. The inevitable marriage and then the final winning over the brother.
Can't you just see it? It was just made for tv. The late Mike Landon would have been perfect casting.
Brilliant, lovely, heart-warming book. Beautifully-written without any suspense at all. Each rather obvious episode gives warning of what is to come next and the whole thing unfolds in a pastoral, slower-times, comfy, apple-pie kind of way. A nice book to read if you have a touch of flu and are sipping a hot toddy curled up on the sofa. show less
Helen McGill is the long-suffering sister of the “Sage of Redfield”, her brother Andrew. For more than 15 years Helen has kept house for Andrew at Sabine Farm. Andrew, however, is more interested in his literary pursuits than in farming and apparently he has the knack, for his first two publications have made him famous. When Roger Mifflin arrives at the farm one morning with his horse-drawn travelling bookshop, the eponymous Parnassus on Wheels, looking to offer Andrew the chance of a lifetime, Helen is afraid that her unappreciative brother will abandon her and jump at the opportunity to purchase said Parnassus in order to go wandering about the countryside in the ongoing quest for material for his next book. Helen won’t have show more that. So she purchases the Parnassus herself and leaves her brother to his fate. Setting off with ‘Perfesser’ Mifflin, who has agreed to show her the rudiments of the trade, she is bound for adventure, literary and otherwise, or whatever else a nearly-forty, fat, housewife can find. Little does she suspect that what she will find is love.
Christopher Morley’s writing is delightfully rustic and pacey. There is a humour here that borders on but does not partake of satire. It’s more like opera buffa. And just as fun. show less
Christopher Morley’s writing is delightfully rustic and pacey. There is a humour here that borders on but does not partake of satire. It’s more like opera buffa. And just as fun. show less
Originally published in 1917, Christopher Morley's Parnassus on Wheels recounts the story of spinster Helen McGill, who, having grown tired of looking after her celebrity-author brother, decides that it is time to embark upon an adventure of her own. Overweight, "severely practical by nature," and somewhat distrustful of readers, Helen seems as first glance to be an odd choice to become an itinerant bookseller. But when the charming and eccentric Roger Mifflin shows up at her farmhouse door with an offer to sell his "Traveling Parnassus" - a horse-drawn book-wagon - she unexpectedly takes to the New England roads.
Helen's adventures with the Parnassus (named, I assume, in honor of the Greek mountain that was said to be the home of the show more Muses), and with Roger, make for an entertaining read. I would not describe this as a brilliant book, although its survival over the years gives it something of the status of a second-string classic. It does however, provide a highly enjoyable few hours of reading. As someone, moreover, who has spent half her life in one bookstore or another, it was refreshing to see the profession described in such glowing (and elevated!) terms... show less
Helen's adventures with the Parnassus (named, I assume, in honor of the Greek mountain that was said to be the home of the show more Muses), and with Roger, make for an entertaining read. I would not describe this as a brilliant book, although its survival over the years gives it something of the status of a second-string classic. It does however, provide a highly enjoyable few hours of reading. As someone, moreover, who has spent half her life in one bookstore or another, it was refreshing to see the profession described in such glowing (and elevated!) terms... show less
This is a cheap and cheerful little tale about the beauty of reading and the personal agency that can come from literacy. As such, it can't help but feel a little didactic sometimes - in fact, in its strongest moments, Morley might as well be delivering a monologue about the power of books. The funny thing is how that basically runs counter to Morley's own assertion that the very best books have a lot of heart and very little "forehead"; this story is certainly very sweet, but it seems to have an intellectual, teachy motivation behind it that's a little hard to ignore. Worse, it makes it hard to make an emotional connection with the book. There are aspects of "Parnassus" - the unconventional buddy/romance pairing, the travelogue, the show more encounters with ordinary people on the road - that are reminiscent of movies 20 years later (most obviously, "It Happened One Night"); a 1930s comedy, however, even at its most screwball, would generally be more endearing. "Parnassus on Wheels" is a pleasant little read, but it doesn't really stick with you. show less
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Common Knowledge
- Canonical title*
- La llibreria ambulant
- Original title
- Parnassus on Wheels
- Original publication date
- 1917
- People/Characters
- Roger Mifflin; Helen McGill; Andrew McGill
- Dedication
- To H. B. F. and H. F. M.
"Trusty, dusky, vivid, true" - First words
- I wonder if there isn't a lot of bunkum in higher education?
- Quotations
- "Lord!" he said, "when you sell a man a book you don't sell him just twelve ounces of paper and ink and glue—you sell him a whole new life. Love and friendship and humour and ships at sea by night—there's all heaven and e... (show all)arth in a book, a real book I mean. Jimmy! If I were the baker or the butcher or the broom huckster, people would run to the gate when I came by—just waiting for my stuff. And here I go loaded with everlasting salvation—yes, ma'am, salvation for their little, stunted minds—and it's hard to make 'em see it."
"That's what this country needs -- more books!"
"Talkers never write. They go on talking."
A good book ought to have something simple about it. And, like Eve, it ought to come from somewhere near the third rib: there ought to be a heart beating in it. A story that's all forehead doesn't amount to much. - Last words
- (Click to show. Warning: May contain spoilers.)"Not on your life!" said the Professor.
- Publisher's editor*
- Viena Edicions
- Original language*
- Anglès
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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