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With her talent for mending things, sixteen-year-old Tanaquil reconstructs a unicorn which, brought to life, lures her away from her desert fortress home and her sorceress mother to find a city by the sea and the way to a perfect world.Tags
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sandstone78 Biting the Sun and the Unicorn trilogy share a desert setting, a young female (or predominantly female, at least) protagonist, and Lee's lush, gorgeous prose.
MyriadBooks "Mother, you must let me go."
"No," said Jaive. And with tiger's eyes she smiled on her daughter.
sandstone78 For the bones of mystical creatures.
Member Reviews
I cannot tell you how many times I have read (and reread, and reread) this book since I was a kid, and it still holds up. And it became painfully obvious how when YA fantasy heroines of the modern era either consciously or unconsciously fashion their heroines after Tanaquil and their journeys after hers that they fall short. Do you want to know why?
It's simple.
Tanaquil's journey, her story, isn't about how she is the most special girl in the world. She's surely special, but at the end, she is not the one taking the crown.That's her sister Lizra's job. Her mother Jaive? Beautiful, terrible, special, dramatic--not our girl. She's just going to take her pet peeve (still my favorite animal companion in all of fiction because it feels so show more real and also I'm a sucker for a cheesy pun) and see all the things she hasn't seen yet.
She is a hero and she does have to work very hard. She comes of age, gains confidence, learns how to handle her mother (a bit, but can anyone handle Jaive really?), learns about herself and her own abilities and her place in the world. She doesn't have to sacrifice herself, but learns how to channel her own special powers to fix what is broken. And that is what makes this a classic of the genre that will remain without equal. show less
It's simple.
Tanaquil's journey, her story, isn't about how she is the most special girl in the world. She's surely special, but at the end, she is not the one taking the crown.
She is a hero and she does have to work very hard. She comes of age, gains confidence, learns how to handle her mother (a bit, but can anyone handle Jaive really?), learns about herself and her own abilities and her place in the world. She doesn't have to sacrifice herself, but learns how to channel her own special powers to fix what is broken. And that is what makes this a classic of the genre that will remain without equal. show less
I enjoyed this coming of age story about a young girl, daughter of a sorceress mother who mostly neglects and ignores her as she seems to have no magic. Instead Tanaquil spends her days wandering the desert around her mother's fortress and digging up fossils, or mending things that belong to her mother's servants and soldiers, though she has started to suspect that they feel sorry for her and are sometimes breaking things to give her something to do. One of the animals who live in the desert - called peeves - has been affected by the leaky magic from her mother's spells and has a rudimentary language. It starts bringing "presents" to Tanaquil and eventually brings a wonderous bone. When Tanaquil persuades it to show her where the peeve show more found it, this triggers a series of events which will lead them both to go out into the world on a journey of both outer and inner discovery.
Tanaquil is resourceful and plucky, with a dryly humorous point of view, and despite falling into danger at times doesn't always have to rely on others to get her out of it. In the course of the story, she matures as she learns more about her relationship with her mother and also with other family members she had never met before. Her skill with mechanisms is integral to the plot and she learns the true secret behind it. And the unicorn of the title is a dangerous, fearsome creature rather than the fluffy and twee portrayal often given to unicorns in other works. Light relief is provided by the peeve, who also becomes a loyal friend. The story has a satisfying ending, which leaves open the possibility of more adventures - and I've just seen on Goodreads that there is at least one sequel. All in all, I thoroughly enjoyed it and am awarding a 5 star rating. show less
Tanaquil is resourceful and plucky, with a dryly humorous point of view, and despite falling into danger at times doesn't always have to rely on others to get her out of it. In the course of the story, she matures as she learns more about her relationship with her mother and also with other family members she had never met before. Her skill with mechanisms is integral to the plot and she learns the true secret behind it. And the unicorn of the title is a dangerous, fearsome creature rather than the fluffy and twee portrayal often given to unicorns in other works. Light relief is provided by the peeve, who also becomes a loyal friend. The story has a satisfying ending, which leaves open the possibility of more adventures - and I've just seen on Goodreads that there is at least one sequel. All in all, I thoroughly enjoyed it and am awarding a 5 star rating. show less
Some might question why I would rate this book Four out of Five Stars, and I will back up my reasoning for this by stating that at first read, it may not seem like it's worth such a rating. The beginning all the way through until nearly the very end is full of chaotic, annoying, even frustrating situations. There are so many things that are all over the place, and that go wrong or annoy the heck out of you in this book, or that make no sense in any logical way possible. Plus the people, with the exception of--ironically--Gork, in my opinion, are all for the most part things to just get in the way and muddle everything up even more. It can be a really annoying read because the entire mood of the book is wrought with high-tension and a show more very tangible line of ire. Every second you can sense an aggression in the characters or situations the story leads you through. And when there's no anger, you're still liable to grit your teeth and try to muscle your way through. Even the way the story reads adds to this, and since this is the only book I've read by Tanith Lee, I'm not sure if this is her writing style, or if she did it on purpose. However, I'm leaning towards the second one for a reason that I will explain shortly. The book for the most part, to sum it up, comes off as a very terse, very aggravating read. There's little sense in it, and the situations you read about are hard to accept, because they're either annoying or revolting or insulting enough to make any sensible person refuse to.
...and then you get to the part of the book's namesake: The Unicorn. It's not your normal fantasy book, because instead of being filled with awe-inspiring magical lands and deeds and High Magic, and blah blah blah, etc.~ You have the world of chaos I described to you above. Indeed, when you first are introduced to the unicorn in the book, it's not a fussy, pretty-pet-me pony-type like you expect, with posies in its hair and all that girly mush (no offense, gals; I like my girly things every so often too~) you expect from what you've heard of unicorns. No, instead you have this powerful, otherworldly, fearsome creature more like a monster than some frilly confection of a girl's imagination. This creature alone strikes an elaborate and shadowy feeling of magic throughout the story, casting a streak of vivid life on the obscenity of the contrived world around it. It's so alien in the scenario of this book that it immediately catches you, and refuses to let you go. You read on for pages wondering where it went, when it'll appear again, what it wants and where it's taking you.
Then you find out. You find out everything. But it doesn't prepare you for the thrilling, beautiful concept that this book throws at you. It's like a fraction's glimpse into something you never expected, and yet makes so much...sense! And just as soon as you've got it, you get thrown yet another curve. And it's almost too much to bear, but through it, the main character, Tanaquil, finds a strength that's no longer grim, no longer stumbling or bitter. She grows in a way that you almost don't notice until at the very end of the book you realize you're seeing someone else talking, and that all the smarts and sarcasm she had before have now gone through possibly the worst and most beautiful fire ever. Knowing what she had to turn her back on would wrench anyone's heart right into their throat, because it's cruel and wonderful, sad and yet has to be the way it ended. And because of that, you realize her mind and her heart have been cured by the flames of that terrible trial, and she's grown out of that stubborn, vengeful child she was at the beginning of the book.
Oh, one other character I must talk about. The Peeve. It's actually the name of a race of little animals with thick, curly fur that live in the desert and like to burrow. I always imagined them as a cross between these really fuzzy doggies, with all their snuffling and snorting, and bone-digging and such. *Laughs* There's one in this book, and it doesn't have a name throughout the entire thing, so while Tanaquil just talks to it directly, the author addresses it "the peeve" and so on. But. IT IS SOOOOOO CUTE. Seriously! I'm a big animal lover, and I've read a TON of fantasy books with different types of animals in them, old and new species alike. But this one... is just... EPIC!!! I am seriously in jaw-dropping, fangirly-squeeing, "I MUST HAVE ONE NOW!!!!!" love with the Peeves! XD They are flippin' hilarious and undeniably cute!!
In the end, the greatness of this book is in its ending, when you find out not just what the unicorn wanted Tanaquil to do, but also what happens when Tanaquil follows it into where it leads her. And I'm being very specific here. There is something amazing that happens, but to avoid spoiling the book, I don't want to say it. However, there's something that happens when Tanaquil's in that last place the unicorn leads her to, and when she turns around and looks back behind her, and sees what happened because of the fact that she crossed that threshold...the words that she says to that place, and the way it accepts her words...that's one of the most powerful scenes in the entire book. The power of what she decided, and what she said there in that place, is profound. It's part of the choice she makes, on the very last page or two of the book, when she tells the peeve what she wants to do now. What she's going to do. All the acrid, vicious, aggressiveness of her world and ours is made up for by those last parts of the book. It makes every bad and ireful thing worth it; makes the abrupt, wild, chaotic journey seem like the smallest price to have paid for what she's learned and decided to do now. And I can honestly say it's one of the best endings to a book I've ever read. It's got such hope, maybe a foolish, thin hope, but powerful and unstoppable for someone who saw just what it could be like if it was really accomplished.
*Smiles* You won't know the full meaning of it until you've read this. Trust me, all the annoyances and stupidity and disgust is worth it for the end. It's one of those books, and definitely one of those experiences. It's just so worth it. If you're a fantasy or magic lover at all, you have to give this book a shot. It's probably not the typical magical fairytale you're used to, but it's a great story for feeding the mind with rich, amazing ideas. Bringing in my own personal experience, this is one of the five or six books I read out of hundreds when I was in 7th Grade that always stuck with me. And being a huge Fantasy reader during that time, almost all of them were the same genre as this book. Yet this was one of the very few that I still remember and keep close to my heart even now, nearly ten years later. It has influenced a great deal of my own writing over the years, until it's become a permanent staple of my imagination. *Smiles warmly* And that is the highest compliment I can pay a book and its author.
I still feel it was missing something, and it left me needing more--wanting much, much more. I could never bring myself to say it was "amazing," because there was always an element missing to the characters themselves that made it hard to feel an affinity even for Tanaquil at some points. She was a wonderful character, but maybe it was the style of the book that threw me off. It was very to-the-point and didn't elaborate on the main character in a lot of places where it could have. This made it hard to relate to Tanaquil as closely as I wanted to a lot of times. If there had been more focus on Tanaquil as the main character, this would have been eased and probably made the book a lot more relate-able and even enjoyable. Instead we get a sense that Tanaquil herself is just another character, one that we happen to be following more than the others. That's the only real complaint I have for this book: that Tanaquil as the main character should have been placed into that position a little more relate-ably instead of seeming so distant from the reader. At the same time, I can understand how this would be difficult considering the mood of the story, but I feel that it should have been manageable, and would have greatly improved the book.
Nonetheless! This is a book that is worth the read, and will probably add variety to the typical fantasy books that are out there. Its ideas may come off coarsely, but the ideas themselves are so worth your reading that it well makes up for it with them. Plus, the character is smart, if a little cynical at first. It's a great book for anyone expanding their Fantasy/Magic collections, and will give you a swift, interesting lesson in mood-setting. Pick it up, in the library or on sale, but give it a shot. You may find it more interesting than you bargained for, even if the writing style may sometimes catch you off guard and set you off balance. It's earned the stars I gave it by my book! show less
...and then you get to the part of the book's namesake: The Unicorn. It's not your normal fantasy book, because instead of being filled with awe-inspiring magical lands and deeds and High Magic, and blah blah blah, etc.~ You have the world of chaos I described to you above. Indeed, when you first are introduced to the unicorn in the book, it's not a fussy, pretty-pet-me pony-type like you expect, with posies in its hair and all that girly mush (no offense, gals; I like my girly things every so often too~) you expect from what you've heard of unicorns. No, instead you have this powerful, otherworldly, fearsome creature more like a monster than some frilly confection of a girl's imagination. This creature alone strikes an elaborate and shadowy feeling of magic throughout the story, casting a streak of vivid life on the obscenity of the contrived world around it. It's so alien in the scenario of this book that it immediately catches you, and refuses to let you go. You read on for pages wondering where it went, when it'll appear again, what it wants and where it's taking you.
Then you find out. You find out everything. But it doesn't prepare you for the thrilling, beautiful concept that this book throws at you. It's like a fraction's glimpse into something you never expected, and yet makes so much...sense! And just as soon as you've got it, you get thrown yet another curve. And it's almost too much to bear, but through it, the main character, Tanaquil, finds a strength that's no longer grim, no longer stumbling or bitter. She grows in a way that you almost don't notice until at the very end of the book you realize you're seeing someone else talking, and that all the smarts and sarcasm she had before have now gone through possibly the worst and most beautiful fire ever. Knowing what she had to turn her back on would wrench anyone's heart right into their throat, because it's cruel and wonderful, sad and yet has to be the way it ended. And because of that, you realize her mind and her heart have been cured by the flames of that terrible trial, and she's grown out of that stubborn, vengeful child she was at the beginning of the book.
Oh, one other character I must talk about. The Peeve. It's actually the name of a race of little animals with thick, curly fur that live in the desert and like to burrow. I always imagined them as a cross between these really fuzzy doggies, with all their snuffling and snorting, and bone-digging and such. *Laughs* There's one in this book, and it doesn't have a name throughout the entire thing, so while Tanaquil just talks to it directly, the author addresses it "the peeve" and so on. But. IT IS SOOOOOO CUTE. Seriously! I'm a big animal lover, and I've read a TON of fantasy books with different types of animals in them, old and new species alike. But this one... is just... EPIC!!! I am seriously in jaw-dropping, fangirly-squeeing, "I MUST HAVE ONE NOW!!!!!" love with the Peeves! XD They are flippin' hilarious and undeniably cute!!
In the end, the greatness of this book is in its ending, when you find out not just what the unicorn wanted Tanaquil to do, but also what happens when Tanaquil follows it into where it leads her. And I'm being very specific here. There is something amazing that happens, but to avoid spoiling the book, I don't want to say it. However, there's something that happens when Tanaquil's in that last place the unicorn leads her to, and when she turns around and looks back behind her, and sees what happened because of the fact that she crossed that threshold...the words that she says to that place, and the way it accepts her words...that's one of the most powerful scenes in the entire book. The power of what she decided, and what she said there in that place, is profound. It's part of the choice she makes, on the very last page or two of the book, when she tells the peeve what she wants to do now. What she's going to do. All the acrid, vicious, aggressiveness of her world and ours is made up for by those last parts of the book. It makes every bad and ireful thing worth it; makes the abrupt, wild, chaotic journey seem like the smallest price to have paid for what she's learned and decided to do now. And I can honestly say it's one of the best endings to a book I've ever read. It's got such hope, maybe a foolish, thin hope, but powerful and unstoppable for someone who saw just what it could be like if it was really accomplished.
*Smiles* You won't know the full meaning of it until you've read this. Trust me, all the annoyances and stupidity and disgust is worth it for the end. It's one of those books, and definitely one of those experiences. It's just so worth it. If you're a fantasy or magic lover at all, you have to give this book a shot. It's probably not the typical magical fairytale you're used to, but it's a great story for feeding the mind with rich, amazing ideas. Bringing in my own personal experience, this is one of the five or six books I read out of hundreds when I was in 7th Grade that always stuck with me. And being a huge Fantasy reader during that time, almost all of them were the same genre as this book. Yet this was one of the very few that I still remember and keep close to my heart even now, nearly ten years later. It has influenced a great deal of my own writing over the years, until it's become a permanent staple of my imagination. *Smiles warmly* And that is the highest compliment I can pay a book and its author.
I still feel it was missing something, and it left me needing more--wanting much, much more. I could never bring myself to say it was "amazing," because there was always an element missing to the characters themselves that made it hard to feel an affinity even for Tanaquil at some points. She was a wonderful character, but maybe it was the style of the book that threw me off. It was very to-the-point and didn't elaborate on the main character in a lot of places where it could have. This made it hard to relate to Tanaquil as closely as I wanted to a lot of times. If there had been more focus on Tanaquil as the main character, this would have been eased and probably made the book a lot more relate-able and even enjoyable. Instead we get a sense that Tanaquil herself is just another character, one that we happen to be following more than the others. That's the only real complaint I have for this book: that Tanaquil as the main character should have been placed into that position a little more relate-ably instead of seeming so distant from the reader. At the same time, I can understand how this would be difficult considering the mood of the story, but I feel that it should have been manageable, and would have greatly improved the book.
Nonetheless! This is a book that is worth the read, and will probably add variety to the typical fantasy books that are out there. Its ideas may come off coarsely, but the ideas themselves are so worth your reading that it well makes up for it with them. Plus, the character is smart, if a little cynical at first. It's a great book for anyone expanding their Fantasy/Magic collections, and will give you a swift, interesting lesson in mood-setting. Pick it up, in the library or on sale, but give it a shot. You may find it more interesting than you bargained for, even if the writing style may sometimes catch you off guard and set you off balance. It's earned the stars I gave it by my book! show less
This was a quick read, without the usual fantastic details that Tanith's books usually contain, but I liked it all the same. There were fantastic elements, but focus was mainly on the journey of Tanaquil, the teenage daughter of a sorceress. She's bored in her mother's palace, ignored, friendless, and a dissapointment to her mother because she's not a sorceress. She does have the power to mend things, however, and when she puts together the beautiful bones of a unicorn, it comes to life and leads her from her mother's palace. From there she journeys to a new city with her pet peeve (a talking pet squirrel-cat-thing).
I felt there could have been more character development, but given the lenght of the story (only about 130 pages), I was show more happy. The plot was good and the pace moved along nicely. I have the other two books in the series, and will be reading those soon. show less
I felt there could have been more character development, but given the lenght of the story (only about 130 pages), I was show more happy. The plot was good and the pace moved along nicely. I have the other two books in the series, and will be reading those soon. show less
I remember this fantasy vividly from my childhood, or at least the first "book," with Tanaquil, the fortress, the peeve and the bones of the unicorn. Re-reading it now I seem to have completely forgotten about the rest of the story so that's probably why it doesn't quite live up to the first part for me. But overall this was definitely worth a re-read as an adult. Tanith Lee has a unique voice in fantasy, one that I appreciate very much. Her prose is vivid, fresh and alluring. I look forward to reading the subsequent installments in this series.
I liked it better in the first half. A story about a girl, with a neglectful mother, that puts together the bones of a unicorn that comes to life seemed to have potential, but then it turned into a story I didn't expect or cared for. It's still a quick read with some funny moments so it was enjoyable overall.
(Amy) I've owned this book for years and never got around to reading it - it's a very common story around here, I'm afraid. But I did finally remember it, and lo, it has been read and thoroughly enjoyed.
It's a tidy little fantasy with a peculiarly classic feel for something less than two decades old. The book tells the story of Tanaquil (yikes, what a name), the daughter of a powerful sorceress (about as well-rounded a character as the average shadow puppet, by the way). Tanaquil hates it at her mother's home, and when circumstances take her away, she's not sorry to bid it farewell. The eponymous unicorn is a somewhat menacing character, seen mostly in glimpses. As for the protagonist, she's likeable enough but, despite having actual show more motivations and even a smidgen of character growth, does not seem particularly real. Oddly enough, the most compelling character in the whole thing is a Gurgi-like animal, a desert critter known as a peeve, whose species has some time back been infected with the ambient magic of the sorceress' home and so acquired the power of speech. If it weren't for him, I think I would class this book as "fun but forgettable fantasy", but the peeve made me laugh out loud to often to relegate its home to such a category. Still, don't expect too much from the story, even by YA standards (but then, I do tend to expect a lot from YA, so take that with the appropriate dose of salt).
Recommended for the 8-14 age range, or anyone who's looking for an unchallenging way to spend an hour or three.
(http://weblog.siliconcerebrate.com/zenos-library/2009/01/black_unicorn_tanith_lee.html) show less
It's a tidy little fantasy with a peculiarly classic feel for something less than two decades old. The book tells the story of Tanaquil (yikes, what a name), the daughter of a powerful sorceress (about as well-rounded a character as the average shadow puppet, by the way). Tanaquil hates it at her mother's home, and when circumstances take her away, she's not sorry to bid it farewell. The eponymous unicorn is a somewhat menacing character, seen mostly in glimpses. As for the protagonist, she's likeable enough but, despite having actual show more motivations and even a smidgen of character growth, does not seem particularly real. Oddly enough, the most compelling character in the whole thing is a Gurgi-like animal, a desert critter known as a peeve, whose species has some time back been infected with the ambient magic of the sorceress' home and so acquired the power of speech. If it weren't for him, I think I would class this book as "fun but forgettable fantasy", but the peeve made me laugh out loud to often to relegate its home to such a category. Still, don't expect too much from the story, even by YA standards (but then, I do tend to expect a lot from YA, so take that with the appropriate dose of salt).
Recommended for the 8-14 age range, or anyone who's looking for an unchallenging way to spend an hour or three.
(http://weblog.siliconcerebrate.com/zenos-library/2009/01/black_unicorn_tanith_lee.html) show less
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Tanith Lee, September 19, 1947 - May 24, 2015 Tanith Lee was born on September 19, 1947 in London, England, the daughter of ballroom dancers. She attended various primary schools and had a variety of jobs, from file clerk and assistant librarian to shop assistant and waitress. Lee attended an art college for one year, but felt she would be better show more writing her ideas than painting them. Her first professional sale was "Eustace," a 90 page vignette which appeared in The Ninth Pan Book of Horror Stories in 1968. While Lee was working as an assistant librarian, she wrote a children's story that was accepted for publication. Others of her stories were also bought but never published. In 1971, Macmillan published "The Dragon Hoard," another children's book, which was followed by "Animal Castle" and "Princess Hynchatti and Other Stories" in 1972. Lee was looking for a British publisher for her book "The Birthgrave," but was denied at every House she went. She then wrote to American publisher DAW, known for it's fantasy and horror selections, who immediately accepted her manuscript and published the book in 1975. Thus began a partnership between the two that lasted till 1989 and resulted in 28 books. After the publication of her third book by DAW, Lee quit her job and became a full-time freelance writer. Lee has been nominated for the World Fantasy Award, the August Derleth Award and the Nebula. She has had more than 40 novels published, along with over 200 short stories. Lee died peacefully in her sleep after a long illness on May 24, 2015. (Bowker Author Biography) show less
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Common Knowledge
- Original title
- Black Unicorn
- Original publication date
- 1991
- People/Characters
- Tanaquil; Peeve
- Dedication
- To Louise Cooper, maker of stories, singer of unicorns.
- First words
- The first thing Tanaquil saw almost every morning on waking was her mother's face.
- Last words
- (Click to show. Warning: May contain spoilers.)It lifted up its pointed face from the darkness and announced in victory: "Found it. Found a bone."
- Blurbers
- Card, Orson Scott
- Original language*
- Englisch
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
Classifications
- Genres
- Fiction and Literature, Fantasy, Teen, Young Adult
- DDC/MDS
- 823.914 — Literature & rhetoric English & Old English literatures English fiction 1900- 1901-1999 1945-1999
- LCC
- PZ7 .L5149 .B — Language and Literature Fiction and juvenile belles lettres Fiction and juvenile belles lettres Juvenile belles lettres
- BISAC
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- 26,348
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- 14
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- (3.74)
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