The Book of Light

Divided into three parts, with the first part reflection being poems about childhood and family and survival, ending with that brilliant and famous poem:

won’t you celebrate with me
what i shaped into
a kind of life? i had no model.
born in babylon
both non-white and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay.
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

The second part is entitled lightning bolt , was my favourite part, more outward-looking than the first part yet still self-questioning, self-assessing, with more uncertainty and gloomier than the first part of the collection. And excellent poems such as this show more one:

each morning i pull myself
out of despair

from nights of coals and a tongue
blistered with smiling

the step past the mother bed
is a high step

the walk through the widow’s door
is a long walk

and who are these voices calling
from every mirrored thing

say it coward say it

Then the last part is splendor , mythological and spiritual and very fascinating. I loved this book, a fantastic opening to this new year. show less

I found Lucille Clifton’s The Book of Light interesting, moving, and thought-provoking. Her simple language and clear, clever metaphors delighted the mind and the tongue. Many of her poems touched me personally. Clifton won numerous prizes and two Pulitzer nominations. She clearly deserves all her accolades, in my opinion.

The first poem in the collection which really struck me was “june 20.” Clifton wrote in lines 3-4,

“i will be born in one week
to a frowned forehead of a woman
and a man whose fingers will itch
to enter me.” (Clifton 12)

In a horrific image, the poet, as a fetus, knows what will happen after she is born. The “temporary joy” (line 14) will end because of looming tragedy.

Clifton marked her life, as portrayed in show more her poems, by tragedy. In “sam,” she moans in lines 12-14,

“oh stars
and stripes forever,
what did you do to my father?” (Clifton 14)

The next poem in lines 7-8, Clifton laments his passing into “the company / of husbands fathers sons (Clifton 15). So her father represents a double-edged tragedy for her – his abuse and his death.

Some of the sweet metaphors she uses include one in “thel.” When referring to her friend, the eponymous “thel,” she describes her as a “sweet attic of a woman” (16). This image conjures up a cozy place filled with memories. She packed so much into that one word, “attic.” Another example occurs in “further note to clark.” She refers to this man (Clark Kent, aka Superman) as a “tourist” – from another planet, but also she hints at a man who comes for a visit to her home, but never stays for long.

Interestingly enough, Clifton makes her title part of the first line numerous times, including “thel” (16) “she lived” (20) “if I should” (41).

Two poems that touched me personally were “move” (35-36) and “samson predicts from gaza the philadelphia fire” (37). I lived in Philadelphia when Wilson Goode, the first black mayor of the “City of Brotherly Love” bombed the house Clifton describes. I can still see the helicopter flying over the house, the satchel containing the explosive dropping, the strap waving like some crazed battle flag, as it hit a shed on the roof and exploded in flames. Only one woman survived the fire, and Clifton addresses the second of these poems to her.

In the first of these poems, “move,” I especially appreciate the repetition of the word move as a link between stanzas. “Move” was the name of the back to nature African cult which became the victims of a horrible police action. Each stanza ends with “away” then the link “move.” The final two lines she reverses this order with “move / away” (36). The terror and the horror these men, women, and children must have experienced clearly comes through in Clifton’s simple language.

I could easily list another dozen poems of this thoroughly enjoyable collection. Clifton has all the things I admire in poetry: simple language, clear and concise metaphors, and grains of humor sprinkled through the tragedies she has seen in her life.

--Chiron, 8/27/09 show less