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Emilia Galotti, by German writer, philosopher, dramatist, and art critic, Gotthold Ephraim Lessing, was originally published in English as translated by Ernest Bell, in 1891. The work is a play in five acts, originally premiering on the 8th of March 1772 in Brunswick. The work is a classic example of German b�rgerliches Trauerspiel (bourgeois tragedy). Emilia Galotti is a drama of the Enlightenment, though it doesn't precisely follow the standard French model of the era. Although love is a show more central theme, in reality Emilia Galotti is primarily a political commentary. The arbitrary style of rule by the aristocracy is placed in stark contrast to the new and enlightened morality of the bourgeoisie. show less

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6 reviews
This is a true classic by one of the greatest authors in all of German literature. It is one of the first examples of a critical view of hereditary aristocracy and its ability to set itself above religion, morals, decency and ethics. Perhaps the only difference between then and now is that “hereditary” has today been replaced with “monetary”. The basic principle, however, is the same.

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18th Century
42 works; 12 members

Author Information

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Author
488+ Works 4,856 Members
Lessing, one of the outstanding literary critics of all time, was "the first figure of European stature in modern German literature." The son of a Protestant pastor, he was educated in Meissen and at Leipzig University, then went to Berlin as a journalist in 1749. While employed as secretary to General Tauentzien (1760--65), he devoted his leisure show more to classical studies. This led to his critical essay Laocoon (1776), in which he attempted to clarify certain laws of aesthetic perception by comparing poetry and the visual arts. He fought always for truth and combined a penetrating intellect with shrewd common sense. He furthered the German theater through his weekly dramatic notes and theories, found mainly in the Hamburg Dramaturgy (1769), which he wrote during his connection with the Hamburg National Theater as critic and dramatist (1768--69). His plays include Miss Sara Sampson (1755), important as the first German prose tragedy of middle-class life; Minna von Barnhelm (1767), his finest comedy and the best of the era; and his noble plea for religious tolerance, Nathan the Wise (1779). (Bowker Author Biography) show less

Some Editions

Breth, Andrea (Director)
Diekhans, Johannes (Herausgeber)
Heider, Martin (Herausgeber)
Lewes, Charles Lee (Translator)

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Common Knowledge

Canonical title
Emilia Galotti
Original title
Emilia Galotti: Ein Trauerspiel in fünf Aufzügen
Original publication date
1772
People/Characters*
Emilia Galotti; Odoardo Galotti; Claudia Galotti; Pirro; Hettore Gonzaga; Marinelli (show all 10); Camillo Rota; Conti; Graf Appiani; Gräfin Orsina
Related movies*
Emilia Galotti (1913 | IMDb); Emilia Galotti (1958 | IMDb); Emilia Galotti (1970 | IMDb); Emilia Galotti (2003 | IMDb); Emilia (2005 | IMDb)
First words*
Der Prinz, an einem Arbeitstische, voller Briefschaften und Papiere, deren einige er durchläuft.
Klagen, nichts als Klagen!
Last words*
(Click to show. Warning: May contain spoilers.)Ist es, zum Unglücke so mancher, nicht genug, dass Fürsten Menschen sind: müssen sich auch noch Teufel in ihren Freund verstellen?
Original language
German
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genre
Fiction and Literature
DDC/MDS
832.6Literature & rhetoricGerman & related literaturesGerman drama1750–1832 : 18th century; classical period; romantic period
LCC
PT2398 .E3 .W5Language and LiteratureGerman, Dutch and Scandinavian literaturesGerman literatureIndividual authors or works1700-ca. 1860/70
BISAC

Statistics

Members
705
Popularity
40,408
Reviews
3
Rating
½ (3.38)
Languages
8 — Dutch, English, French, German, Italian, Portuguese, Spanish, Turkish
Media
Paper, Audiobook, Ebook
ISBNs
62
ASINs
22