Show Your Tongue

by Günter Grass

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A record of the author's stay in Calcutta from August 1987 to January 1988. A stunning document in Grass's own words and drawings. Translated by John E. Woods. A Helen and Kurt Wolff Book

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3 reviews
But later over tea, language did treason,
the boy went wrong on me,
became a terrible angel.


This is an intriguing diary/travelogue from one of the masters chronicling a six month stay in Calcutta in 1987-88. The account is larded with sketches by Grass. These afford a haunting atmosphere to the prose descriptions of poverty and merciless weather. There are two occasions when the author and his wife meet other westerners, instantly it doesn't matter whether the counterparts are Italian or Russian: the four together are European---united in the midst of this subcontinental chaos. That made me ponder my own travel experiences with my wife. The lens of prejudice could be something you can't leave behind. It is easy to compare this account show more with the one by Naipaul I read earlier this year. There is much sifting to be considered.

Herr Grass weaves German politics and history into his description. The 19C author Theodor Fontane becomes a companion--as he will again later in Too Far Afield. It is likely the details which will linger. Grass buys some stationary upon which he sketches. A subtle touch indicates that the paper costs a few days wages for many of those he encounters. All the while the author stands gape mouthed at the crowding and the soaring birth rate. This reminded me of Klaus Mann recalling how the literary publication The Dial brought relative prosperity to his family during the years following The Great War. These asides to a grander canvas are appreciated, as is the constant configuring of the Indian goddess Kali into an approach to a geo-political reality. I imagine some could regard that as racist, a new Orientalism, or one with a new press release anyway. Perhaps the scandal of his teen conscription into the SS has undermined the general appreciation for this master. I am curious about the future regard for Gruppe 47.
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Grass describes in drawings and words his 6 months stay in Kolkata. Strong bold drawings in black ink; Grass does not hide his criticism :
“I want him to explain the diffuse Bengali longing for a Führer figure and also why, at the same time, Gandi’s ideas are neglected. […] The English, he says, […] had found a long-established system of control and exploitation, which they took over […] and – once they had thoroughly plundered the vast colony – passed the system on to the ruling (still ruling) Congress Party. […] The middle and upper classes – barely a quarter of the population – were trying very hard to write off the rest …”(50-51) – What’s new? –

Two texts (there must be many others) give a context:
show more Kalkutta - Die Unergründliche (Süddeutsche Zeitung 17. Mai 2010) written with reference to Grass journey, and an outline of the legends and worship surrounding the fierce godess Kālī .

The design and binding of this first US edition (Harcourt Brace Jovanovich) is exemplary except in one – vital – point: the book is glued, not sewn, with the result that one cannot open the pages properly and the images covering both pages (all of them) are cut in the middle. Why does the publishing house make a big effort and then decides to skimp here? (II-14)
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½

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Author Information

Picture of author.
208+ Works 22,783 Members
Günter Wilhelm Grass was born on October 16, 1927 in the Free City of Danzig, which is now Gdansk, Poland. He was a member of the Hitler Youth and at the age of 17, he was drafted into the German army. Near the end of the war, he served as a tank gunner in the 10th SS Panzer Division. He was captured by the Americans and forced to visit the newly show more liberated Dachau concentration camp. After his release from a POW camp in 1946, he worked in a potash mine and as a stonemason's apprentice and studied painting and sculpture in Düsseldorf. His first novel, The Tin Drum, was published in 1959. It was adapted into a film and won the Academy Award for Best Foreign Film in 1979. His other works included Cat and Mouse, Dog Years, From the Diary of a Snail, The Flounder, The Rat, and Crabwalk. He also wrote a memoir entitled Peeling the Onion. He received the Nobel Prize for Literature in 1999. He was also a political activist and liberal provocateur. He advocated for environmental conservation, debt relief for poor countries, and generous policies regarding political asylum. He died on April 13, 2015 at the age of 87. (Bowker Author Biography) show less

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Kaaij, Peter (Translator)

Series

Belongs to Publisher Series

Common Knowledge

Canonical title*
Tongen van schaamte
Original title
Zunge zeigen: Ein Tagebuch in Zeichnungen
Original publication date
1988
People/Characters*
Günter Grass; Ute Grass
Important places
India; Bangladesh; Kolkata, India
Original language*
Duits
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genre
Fiction and Literature
DDC/MDS
838.91403Literature & rhetoricGerman & related literaturesGerman miscellaneous writings1900-1900-19901945-1990Diaries, journals, notebooks, reminiscences
LCC
PT2613 .R338 .Z47713Language and LiteratureGerman, Dutch and Scandinavian literaturesGerman literatureIndividual authors or works1860/70-1960
BISAC

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Members
79
Popularity
399,593
Reviews
2
Rating
½ (3.56)
Languages
9 — Danish, Dutch, English, Finnish, German, Italian, Norwegian (Bokmål), Polish, Spanish
Media
Paper, Ebook
ISBNs
15