The Selected Poetry of Vicente Huidobro
by Vicente Huidobro
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This book is the only major collection of the great Chilean writer Vicente Huidobro's poetry to appear in English. Drawn from his works published from 1917 to 1948 and presented bilingually, the translations are principally by David Guss supplemented with renderings by Stephen Fredman, Carlos Hagen, W. S. Merwi,. Geoffrey O'Brien, David Ossman, Michael Palmer, Jerome Rothenberg, Eliot Weinberger, and Geoffrey Young. Huidobro's masterpiece Alrazor appears almost entire. Huidobro (1893-1948) show more left Santiago for Paris in 1916. There he co-founded the influential Cubist magazine Nord-Su with Guillaume Apollinaire and Pierre Reverdy. He then launched his own poetic movement, Creationism, and wrote as well for a score of avant-garde journals. Author of over forty books - plays. political tracts, novels, manifestos, poetry - he worked with Edgard Varese, Hans Arp, Robert Delauney, Jorge Luis Borges, and other important writers. Besides his translations, editor Guss has provided a biographical essay, Poetry ls a Heavenly Crime," a lucid and helpful introductory overview of Huidobro and his work. " show lessTags
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Virtually unknown in the United States, Huidobro was one of the most important innovators in Latin America poetry of the early twentieth century and an important theoretician of the new art. He lived in Europe for many years, specifically in Paris from 1916 to 1926, where he wrote poetry in French and participated in French poetic movements. He show more proclaimed himself the inventor of the school that he called Creationism, which he considered the foundation of a new way of conceiving art. For Huidobro the mission of the poet was the creation of new poetic realities. Art was totally free and the poem was free of both its poet-creator and the circumstances in which it was created. Huidobro tended to exaggerate and became a center of polemics, but he was one of the first to announce such important avant-garde concepts. His creative work is startling because of the novelty of the metaphors and the formal and verbal experimentation. (Bowker Author Biography) show less
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