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Loading... You Gotta Have Balls (2005)by Lily Brett
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Lily Brett writes a great story! You gotta have balls is a hoot of a book. Edek is larger than life although not young, he’s 87, recently widowed and just arrived in New York from Australia. He survived Auschwitz, how hard can it be to move to the other side of the world. He’s come to be close to his daughter Ruthie ‘I can help you in the business. I can still carry parcels and I can order stuff what you need. I can make things easier for you.’ It’s only been five months and already he’s driving Ruth nuts! Something else needs to be found to fill his days and leave her to work, on her own. Maybe Ruth should be careful what she wishes. Enter Zofia! Zofia is a 60 something firecracker who knows what she wants. Now Edek is always too busy ‘…..doing stuff’ when Ruth rings. I hadn’t pre-read any reviews so when the reason for what I thought an odd title was revealed, I had a good laugh. I fell in love with Edek, Zofia and Ruthie in this endearing tale of family life, big crazy happy life! Ruth Rothwax runs a successful letter-writing business in New York. She is married to Garth, an Australian artist who is away for six months, and Edek, her 87 year-old father moves from Melbourne to New York to help, or should that be hinder, his darling Ruthie in her business. Then a buxom sixty-something with one eye for business and another for Ruth’s father makes an entrance … This is some book, already! It offers laugh-out-loud humour, some fascinating insights into what it is to be a holocaust survivor’s offspring, and presents a large dollop of day-to-day living in New York. Edek is a memorable character. His ‘logic’ is endearing (e.g. because he buys in stationery and office stock for Ruth, he tells people he works in the Stocking Department), but to Ruth, like most grown-up children with quirky parents, the ‘endearing’ is actually annoying. Enter Zofia and Walentyna, the champions of the Polish meatball, ‘bolls’ as Edek calls them, and everybody’s life takes a surprising turn. no reviews | add a review
It hasn't been easy for Ruth Rothwax, the proprietor of a successful letter-writing business, to branch out into a new greeting-card line. Her father, Edek, is driving her crazy at the office. Other women, who she thought would be supportive, are being catty and competitive, behavior Ruth swears that she will never imitate. But then Zofia arrives to turn Ruth's aspirations of sisterly solidarity--and her life--upside down. Fresh off the plane from Poland--a buxom, sixty-something femme fatale with a talent for making meatballs--Zofia wants to open a restaurant. And Edek, Zofia's most passionate admirer, wants his daughter to finance the enterprise. But Ruth knows that gleam in Zofia's eye only too well . . . and she knows it means big trouble for all of them. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:
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In the earlier novel New Yorker Ruth Rothwax, the daughter of two Auschwitz survivors, persuades her father, Edek, to visit Poland with her and return to the place where he lost so many friends and relatives. While in Poland the old man becomes enamored with Zofia, a busty and aggressive Polish woman, whom Ruth instantly dislikes.
Now in the second book Edek has moved to New York City from Australia and "helps" his daughter with her successful letter-writing and greeting card business. Mostly he just gets in the way, and Ruth tries to persuade him to get involved in some activity outside her office. Then suddenly he does, and Ruth becomes more frustrated by his absence than she was when he was purchasing office supplies she didn't need.
The explanation, she learns, is that Zofia and her quiet friend Walentyna have migrated from Poland and moved in with her father. Ruth had thought she was rid of Zofia when they left Poland, but now she is back in their lives, apparently to stay.
Zofia, in her late 60s and about 20 years younger than Edek, turns out to be a terrific cook and a bundle of energy. Zofia, Edek and Walentyna come up with a plan to open a meatball restaurant in an unpromising part of New York City. Edek promises to support the project financially, but since Ruth supports Edek, that means her money will be needed to open the restaurant. She's convinced it can never succeed, but unable to say no to her father, she loans them the money anyway.
While all this is going on, Ruth is trying to start a group for middle-aged and older women to meet and talk about topics, like sex, they might not otherwise talk about, although from the conversations reported in the novel, women of all ages talk about these topics all the time with or without a support group. But if Ruth is so committed to supporting women, why does she have such negative feelings toward Zofia, whom her father obviously adores? Everyone else, including her husband, her children, her friends and her work associates, love Zofia and think the restaurant is a great idea. So why does Ruth feel she must protect her father from her?
Reading the first of these autobiographical novels helps us understand the second. Ruth still blames the Polish people, all of them, for what happened to her family members at Auschwitz. She must somehow soften the deep-seated biases that conflict with her love for her more forgiving father and her wish for his happiness. ( )