Fatal Interview: Sonnets

by Edna St. Vincent Millay

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In this new volume, Miss Millay shows herself an ardent lover of life and beauty. Here, in a matchless sonnet sequence, is enshrined the quintessence of her emotional and artistic power. She brings to the classic form new color and new splendor. Here are sonnets from Millay's most popular period. Woman of Today labelled Millay as the "outstanding young poet" of her time.

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Much of the poetry I have been reading in the last several months has been late 20th century or later, with its freer form of writing. I discovered this volume of Millay while searching for something else on my shelves and decided to read it since it had been years since I have any of her works and she is a favorite of mine. I really enjoyed these Shakespearian style sonnets, with the discipline imposed by the mandatory rhyme scheme and set pattern of three quatrains and a final couplet. In almost all of the sonnets Millay’s handling of the form was outstanding. I found that by reading each sonnet twice—once to myself to get the shape and syntax and then aloud to hear the poetry-- greatly enhanced my enjoyment of these beautiful and show more haunting poems. The layout of the book also added to that pleasure as each sonnet was allotted its own page of a heavy weight paper with a woven texture that made each poem stand out on its own.

Opposite the title page Millay gives us the origin of the title of this work:

“By our first strange and fatal interview,
By all desires which thereof did ensue” John Donne

A cycle of fifty-two (LII) sonnets, Fatal Interview lets us glimpse the progress of a passionate illicit love affair from the point of view of the woman. We experience the ecstasy of the beginning, the gradual dawning of realization that she loves much more deeply than he, and then the waning of the affair. The order of the sonnets lets us see the confusion and mixed emotions of the narrator as the affair progresses, her doubts and well as her utter devotion. About half way through the cycle I suddenly thought that this is a perfect introduction to the novel I plan to start reading next month, Anna Karenina! Below is the sonnet that triggered that thought:

XXII

Now by this moon, before this moon shall wane
I shall be dead or I shall be with you!
No moral concept can outweigh the pain
Past rack and wheel this absence puts me through;
Faith, honour, pride, endurance, what the tongues
Of tedious men will say, or what the law—
For which of these do I fill up my lungs
With brine and fire at every breath I draw?
Time, and to spare, for patience by and by,
Time to be cold and time to sleep alone;
Let me no more until the hour I die
Defraud my innocent senses of their own.
Before this moon shall darken, say of me:
She’s in her grave, or where she wants to be.
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129+ Works 6,676 Members
Edna St. Vincent Millay 1892-1950 Edna St. Vincent Millay, American poet, dramatist, lyricist, lecturer, and playwright, was born on February 22, 1892 in Rockland, Maine, and educated at Barnard College and at Vassar College, where she earned her B. A. (Her poem "Renascence" won fourth place in a contest and was published in The Lyric Year in show more 1912; this resulted in a scholarship to Vassar.) Millay's first volume of poetry, "Renascence and Other Poems," was published in 1917. In 1923, "The Ballad of the Harp-Weaver" won her a Pulitzer Prize in Poetry. Other works include: "A Few Figs from Thistles;" "Sonnets in American Poetry," "A Miscellany," "The Lamp and the Bell" and "There Are No Islands Any More." Millay also wrote the libretto for "The King's Henchman," one of the few American grand operas. Edna St. Vincent Millay married Eugen Jan Boissevain in 1923. Shortly after, they purchased a farm in upstate New York, which they called Steepletop. Millay lived here for the rest of her life, composing some of her finest work in a little shack separate from the main house. Boissevain died in 1949. Millay died of a heart attack in her home on October 19, 1950. (Bowker Author Biography) show less

Edna St. Vincent Millay has a Legacy Library. Legacy libraries are the personal libraries of famous readers, entered by LibraryThing members from the Legacy Libraries group.

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Common Knowledge

Original publication date
1931
Dedication
To Elinor Wylie
When I think of you,
I die, too.
In my throat, bereft
Like yours, of air,
No sound is left,
Nothing is there
To make a word of grief.

Classifications

Genres
Poetry, Fiction and Literature
DDC/MDS
811.5Literature & rhetoricAmerican literature in EnglishAmerican poetry20th Century
LCC
PS3525 .I495 .F3Language and LiteratureAmerican literatureAmerican literatureIndividual authors1900-1960

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English
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Paper, Ebook
ISBNs
1
ASINs
14