The Art of Mending
by Elizabeth Berg
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NATIONAL BESTSELLER • Revelations about a seemingly ordinary mother force her adult children to reexamine their lives in this “absorbing novel about family secrets” (The Dallas Morning News).Laura Bartone anticipates her annual family reunion in Minnesota with a mixture of excitement and wariness. Yet this year’s gathering will prove to be much more trying than either she or her siblings imagined. As soon as she arrives, Laura realizes that something is not right with her sister. show more Forever wrapped up in events of long ago, Caroline is the family’s restless black sheep. When Caroline confronts Laura and their brother, Steve, with devastating allegations about their mother, the three have a difficult time reconciling their varying experiences in the same house. But a sudden misfortune will lead them all to face the past, their own culpability, and their common need for love and forgiveness.
Readers have come to love Elizabeth Berg for the “lucent beauty of [her] prose, the verity of her insights, and the tenderness of her regard for her fellow human” (Booklist). In The Art of Mending, her most profound and emotionally satisfying novel to date, she confronts some of the deepest mysteries of life, as she explores how even the largest sins can be forgiven by the smallest gestures, and how grace can come to many through the trials of one.
BONUS: This edition contains an excerpt from Elizabeth Berg's Once Upon a Time, There Was You.. show less
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I was immediately captivated by this short book about a family suddenly grappling with secrets. The normal, warm, happy life of the narrator and her family is disrupted by an unexpected loss, and in the midst of ther grief, the secrets are revealed, denied, and revealed again. The style flows easily, and it was hard to put down - had I not had work the next day, I would have finished it in on session in the wee hours. My only quibble is that the road toward reconciliation seems to be found too easily.
One thing that puzzled me is the interview with Berg at the end of the book. She and the interviewer agree that the characters are unsympathetic, even unlikeable. I didn't feel that way about the narrator or her immediate family at all. In show more fact, I found myself comfortably identifying with her. show less
One thing that puzzled me is the interview with Berg at the end of the book. She and the interviewer agree that the characters are unsympathetic, even unlikeable. I didn't feel that way about the narrator or her immediate family at all. In show more fact, I found myself comfortably identifying with her. show less
It's been a few days since I finished reading this book. I usually try to do the book review when the book is fresh in my memory but, you know, life has a way of getting out of hand at times.
I loved the writing in this book. I loved this passage from page 210:
When I was in grade school, I, along with the other girls, wrote boys' names on my notebook paper, wrote myself as Mrs. a hundred times in a dreamy script. But I did that in the same way that I wore whatever clothes were in style--I had no real belief that I would ever meet in the middle with someone. And indeed it did take a long time for me to find someone I wanted to marry. But I'm so glad I waited. What I know about Pete and me is that the flame will never go out. I do not show more look up from tossing the salad and think, Oh, God how the hell did I ever get here? I do not look at the back of his head and think, I don't know you at all. I wake up with my pal, and go to sleep with my lover. He still thrills me, not only sexually but because of the way he regards the life that unfolds around him. I am interested in what he says about me and the children and our respective jobs, but I am also interested in what he says about the Middle East and the migratory patterns of monarchs and the amount of nutmeg that should be grated into the mashed potatoes and the impact that being a thwarted artist had on the life of Hitler. I believe Pete is a truly honest and awake and kind individual. If we live more than once, I want to find him again.
That is so exactly how I feel about my marriage that I felt like she had been peering into my thought processes. And there were many instances of the writing being so bang on I had to stop and appreciate it instead of barging on through to get to the end.
That said, I felt let down at the end of the book. I couldn't quite believe that the emotional scene between mother and daughter could just end with brownies and a shopping trip.
In yet another one of those instances of synchronicity that seem to happen with BookCrossing, last night I attended a production of Arthur Miller's play, The Price. It is the story of two brothers who haven't spoken in 18 years because the elder pursued his dream of becoming a doctor while the younger gave up his promising scientific career to become a cop and look after his father who was ruined in the crash of 1929. When they have their encounter there are recriminations and attempted rapprochements but finally the elder stomps out. The younger one realizes that after all these years of wanting to have it out with his brother he is comfortable with the choices he made and what his brother did or does in the future doesn't matter to him. Now that seemed much more satisfying (and likely) an ending than the facile way this author chose to end this book.
However, the journey to the end was well worth it and I would be interested to read more by Elizabeth Berg. show less
I loved the writing in this book. I loved this passage from page 210:
When I was in grade school, I, along with the other girls, wrote boys' names on my notebook paper, wrote myself as Mrs. a hundred times in a dreamy script. But I did that in the same way that I wore whatever clothes were in style--I had no real belief that I would ever meet in the middle with someone. And indeed it did take a long time for me to find someone I wanted to marry. But I'm so glad I waited. What I know about Pete and me is that the flame will never go out. I do not show more look up from tossing the salad and think, Oh, God how the hell did I ever get here? I do not look at the back of his head and think, I don't know you at all. I wake up with my pal, and go to sleep with my lover. He still thrills me, not only sexually but because of the way he regards the life that unfolds around him. I am interested in what he says about me and the children and our respective jobs, but I am also interested in what he says about the Middle East and the migratory patterns of monarchs and the amount of nutmeg that should be grated into the mashed potatoes and the impact that being a thwarted artist had on the life of Hitler. I believe Pete is a truly honest and awake and kind individual. If we live more than once, I want to find him again.
That is so exactly how I feel about my marriage that I felt like she had been peering into my thought processes. And there were many instances of the writing being so bang on I had to stop and appreciate it instead of barging on through to get to the end.
That said, I felt let down at the end of the book. I couldn't quite believe that the emotional scene between mother and daughter could just end with brownies and a shopping trip.
In yet another one of those instances of synchronicity that seem to happen with BookCrossing, last night I attended a production of Arthur Miller's play, The Price. It is the story of two brothers who haven't spoken in 18 years because the elder pursued his dream of becoming a doctor while the younger gave up his promising scientific career to become a cop and look after his father who was ruined in the crash of 1929. When they have their encounter there are recriminations and attempted rapprochements but finally the elder stomps out. The younger one realizes that after all these years of wanting to have it out with his brother he is comfortable with the choices he made and what his brother did or does in the future doesn't matter to him. Now that seemed much more satisfying (and likely) an ending than the facile way this author chose to end this book.
However, the journey to the end was well worth it and I would be interested to read more by Elizabeth Berg. show less
At a family reunion, quilt-maker Laura Bartone discovers a horrible family secret from her odd and difficult younger sister Caroline. Although this novel had moments of emotional resonance, there were far too many moments that felt like simply padding, arbitrary and irrelevant to the story. For instance, the details about a dog quilt that Laura is making for a client who is not even named or seen in the novel seemed entirely superfluous, as did the discussion about the hypochondria of a friend's partner who similarly never makes an appearance. Some offhand observations, such as how Laura's fabric collection, like a hardware store, is satisfying in its completeness, "because everything is there," would have been nicer if they had more show more relevance to the story.
Although some of Laura's relationships were lifelike and realistic, the pastiche of Laura's life never meshed into an organic whole. Laura seems to be on the one hand a good person, a good wife and mother, leading an idyllic life, and on the other a seriously flawed and emotionally inadequate sister. How did she get from point A to point B? This story from sister Caroline's point of view would have made a much more interesting novel.
Most annoying to me were old-fashioned, sexist assumptions about men's and women's natures and gender roles, which turned everyone into a caricature: men who can't talk about their emotions, the really good woman friend who you can share everything with, the ebullient and effusive gay man who runs the fabric store and is going on vacation to—where else?—San Francisco. It's almost as if Elizabeth Berg only had the time or resources to flesh out the relationships central to the plot and everyone else was just a stand-in. Such cheap stereotypes kept me from becoming involved in what was a plot that should have struck very close to home. show less
Although some of Laura's relationships were lifelike and realistic, the pastiche of Laura's life never meshed into an organic whole. Laura seems to be on the one hand a good person, a good wife and mother, leading an idyllic life, and on the other a seriously flawed and emotionally inadequate sister. How did she get from point A to point B? This story from sister Caroline's point of view would have made a much more interesting novel.
Most annoying to me were old-fashioned, sexist assumptions about men's and women's natures and gender roles, which turned everyone into a caricature: men who can't talk about their emotions, the really good woman friend who you can share everything with, the ebullient and effusive gay man who runs the fabric store and is going on vacation to—where else?—San Francisco. It's almost as if Elizabeth Berg only had the time or resources to flesh out the relationships central to the plot and everyone else was just a stand-in. Such cheap stereotypes kept me from becoming involved in what was a plot that should have struck very close to home. show less
One of the best novels for women who grew up in dysfunctional families. Growing up with a damaged mother is not an easy thing, and this book takes you through the emotional storm involved with dealing with such relationships, to the beginning of healing.I've been the "child who wasn't believed" in a dysfunctional family and this book is absolutely true in its depiction of family dynamics.
Book on CD read by Joyce Bean
3.5***
An annual family reunion at the Minnesota State Fair begins a journey of reckoning with the past for Laura and her siblings, Caroline and Steve, when her sister makes a shocking allegation.
I love how Berg writes about family dynamics. Her characters are adults and, for the most part, they act like it. They ponder, discuss, act, react, and find ways to cope with whatever life throughs at them. There are scenes of great tenderness and scenes that are difficult to witness. I sometimes felt as off-kilter as Laura when confronted with an unspeakable truth.
Ultimately the siblings will join together to confront their shared past and work to move forward, with reckoning, forgiveness and love.
Joyce Bean show more does a wonderful job of narrating the audiobook. She brings Berg’s words to life. show less
3.5***
An annual family reunion at the Minnesota State Fair begins a journey of reckoning with the past for Laura and her siblings, Caroline and Steve, when her sister makes a shocking allegation.
I love how Berg writes about family dynamics. Her characters are adults and, for the most part, they act like it. They ponder, discuss, act, react, and find ways to cope with whatever life throughs at them. There are scenes of great tenderness and scenes that are difficult to witness. I sometimes felt as off-kilter as Laura when confronted with an unspeakable truth.
Ultimately the siblings will join together to confront their shared past and work to move forward, with reckoning, forgiveness and love.
Joyce Bean show more does a wonderful job of narrating the audiobook. She brings Berg’s words to life. show less
Laura Bartone, a 50-something married mother of two, returns to her hometown for an annual family gathering with her parents, brother, and sister. When Laura's younger sister Caroline asks for a meeting with Laura and their brother Steve, the reunion begins to take on a different tone from past events. Caroline surfaces emotional events from their childhood, which differ greatly from Laura and Steve's experiences.
The Art of Mending explores family relationships; specifically, how children's views of past events affect their journey to adulthood, and the nature of adult parent-child relationships. Its title is a metaphor for healing, taken from a passage discussing the domestic pleasures of ironing and mending:
...there's an art to show more mending: If you're careful, the repair can actually add to the beauty of the thing, because it is testimony to its worth (p. 14)
Berg writes lovely descriptive prose. Yet while this book held promise, it did not live up to my expectations. The characters lacked depth, and none were particularly likeable. The plot was formulaic and predictable. Worst of all, this book was manipulative, blatantly tugging at the reader's heartstrings. I can do without that ... show less
The Art of Mending explores family relationships; specifically, how children's views of past events affect their journey to adulthood, and the nature of adult parent-child relationships. Its title is a metaphor for healing, taken from a passage discussing the domestic pleasures of ironing and mending:
...there's an art to show more mending: If you're careful, the repair can actually add to the beauty of the thing, because it is testimony to its worth (p. 14)
Berg writes lovely descriptive prose. Yet while this book held promise, it did not live up to my expectations. The characters lacked depth, and none were particularly likeable. The plot was formulaic and predictable. Worst of all, this book was manipulative, blatantly tugging at the reader's heartstrings. I can do without that ... show less
I really enjoyed this story and the authenticity of humanity inside the chapters. The author did a great job of portraying grief and mess that comes along with it.
When I finished the last chapter, however, I was left confused at the lack of conclusion. In fact, the first thing I did when I finished the sentence was say "What? That's it?". Oh well, I guess it was left up to the imagination.
When I finished the last chapter, however, I was left confused at the lack of conclusion. In fact, the first thing I did when I finished the sentence was say "What? That's it?". Oh well, I guess it was left up to the imagination.
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Elizabeth Berg was born December 2, 1948 and educated at the University of Minnesota and at St. Mary's College. Elizabeth Berg's first novel was "Durable Goods". "Talk Before Sleep" was a 1996 Abby Honor Book & a "New York Times" bestseller. "Range of Motion", "The Pull of the Moon", & "Joy School" were all critically acclaimed bestsellers. In show more 1996, she won the New England Booksellers Award for body of work. In 1997, she won the NEBA Award in fiction, and in 2000 became the author of an Oprah Book Club selection. Her book, The Dream Lover, is a New York Times 2015 bestseller. (Bowker Author Biography) show less
Common Knowledge
- Original publication date
- 2004-04-13
- People/Characters
- Kitty Heaney; Tish Heaney; Louise Heaney; Tommy Heaney; Binks Heaney; Billy Heaney
- Epigraph
- Out beyond ideas of wrongdoing and rightdoing
There is a field. I'll meet you there.
--Rumi
Anyone's childhood can be an act of disablement if
rehearsed and replayed and squinted at in a certain light.
--C... (show all)arol Shields, from Unless
The foxes were having their pups . . . if a stranger
appeared near the pens, if anything too startling or
disruptive occurred, they might decide to kill them.
Nobody knew whether they did this out of blind irritation,
or out of roused and terrified maternal feeling.
--Alice Munro, from Lives of Girls and Women - Dedication
- For those who find
forgiveness by way
of the truth
and for those
who find the truth
by way of forgiveness - First words
- It is a photograph of a staircase that I took with my Brownie camera over forty years ago.
- Last words
- (Click to show. Warning: May contain spoilers.)She said, "We can make another one. We have a lot of days left to go."
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