Last Year at Marienbad

by Alain Robbe-Grillet

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WITH AN INTRODUCTION BY ALAIN ROBBE-GRILLET.CONTAINS 48 BLACK AND WHITE PHOTOGRAPHS.A man tells a woman that they have met before - that they became lovers but then agreed to separate for a year. The year is now up, and he has come back for her. At first, she remembers nothing, but as he relates their past together, real or imaginary, snapshots of memory appear - and she begins to believe him. As more details begin to re-emerge from the woman's mind, the reader is shunted backwards and show more forwards between the past and the present, the actual and the illusory, that which is seen and that which is only glimpsed and guessed at.The director Alain Resnais was already famous for films such as Hiroshima, Mon Amour when he asked Alain Robbe-Grillet - the author of several seminal novels, including Jealousy and The Voyeur, and the leader of the Nouveau Roman school - to write a script for him. The result was Last Year at Marienbad, a film that, as well as winning the Golden Lion at the 1961 Venice Film Festival, has enthralled the critics, fascinated the public and become one of the greatest cult classics of modern cinema. show less

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A landmark that showed what cinema can do when not tied down by plot To unravel the narrative tangle of such a singular film means to reflect about the so-called meta-narrative. Alain Resnais intentionally produced a strange as well as superb fusion between form and content. Any movie lover must remain ecstatic before his images, because of the many, continuous and never accidental findings that give rise to an undeniable rhetoric full of meanings. Why am I invited to walk through those corridors and gardens? The point is that I surrender to the evidence that I feel absolutely abducted, fascinated by mere transiting travelling through rhythmic codas, repeated voice-over in fragmentary ways, and the Baroque sets that accompany them, with show more the camera always in motion, always in a very clear direction. All this features a kind of aesthetic invitation whereby Resnais shocks us by contrasting the lavish to the staging of the inane . The sublime and the abysmal merge into each frame, physically and spiritually, immutably, defying the rules of reason and time. show less
Dec 5, 2024 (Edited)Portuguese (Brazil)

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Author Information

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58+ Works 5,329 Members
Writer and filmmaker Alain Robbe-Grillet was born in Brest, France in 1922. Robbe-Grillet's first novel, The Erasers (1953) is considered to be one of the first books of the nouveau roman, or new novel, in which external reality is more important than character or plot. His other works included The Voyeur (1955), Jealousy (1957) and Djinn (1981). show more He worked in the film industry as a writer, actor and director. He died at the age of 85 on February 18, 2008. (Bowker Author Biography) show less

All Editions

重彦, 蓮実 (Afterword)
退二郎, 天沢 (Afterword)

Some Editions

重彦, 蓮実 (Translator)
退二郎, 天沢 (Translator)
Howard, Richard (Translator)
Hughes, Robert (Picture editor)
Kuhlman, Roy (Cover designer)

Work Relationships

Common Knowledge

Canonical title*
去年マリエンバートで 不滅の女
Original title
"L'Année dernière à Marienbad", "L'Immortelle"
Original publication date
1969-02-14
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

DDC/MDS
791.437Arts & recreationRecreation, sports, and performing artsPublic performancesMotion pictures, radio, television, podcastingMotion picturesFilms; screenplays
LCC
PN1997 .R595Language and LiteratureLiterature (General)Literature (General)DramaMotion picturesPlays, scenarios, etc.
BISAC

Statistics

Members
221
Popularity
146,184
Reviews
1
Rating
(4.05)
Languages
5 — Chinese, English, French, Italian, Japanese
Media
Paper, Ebook
ISBNs
10
ASINs
13