The Village Spinster
by Laura Matthews
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Fiction. Romance. Historical Fiction. Clarissa Driscoll teaches drawing, pianoforte and dancing to the children of the local gentry. But she was once the Earl of Kinsford's equal in society, and she refuses to let him browbeat her about her involvement in the lives of his sister and brother. If Clarissa is a tad eccentric, well, the earl is a bit overbearing. Their battle of wills plays out against a sister who sustains a riding accident, a step-mama who is more than eccentric, a brother who show more has kidnapped a dog, and a cousin whose in-laws are driving him to despair. Nothing two strong-willed people can't sort out-if they first address their own roiling emotions. Regency Romance by Laura Matthews; originally published by Signet. show lessTags
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This was a fun sweet read. Clarissa has come down in the world, forced to leave the manor house and move into a small cottage in the village where she gives lessons in painting and music to local gentry. I liked her resourcefulness and her refusal to take the local lord seriously because she remembers him from when they were children. I found the romance a bit unconvincing for reasons I can't quite put my finger on, but there was a lot of enjoyable humour here: Clarissa's absent companion, Aria's recurrent bouts of disorientation every time she might be getting well enough to go home and so on. A plot reminiscent of Georgette Heyer, although she would have been even funnier.
Next on the list is [The Village Spinster] by [[Laura Matthews]]. While this one was an improvement over [Plain Jane] by [[Marion Chesney]] and [Beth] by [[Barbara Hazard]], it was disappointing (again with the frown!) in comparison to her other works. I like [The Seventh Suitor] a great deal (definitely in my top ten Regency romance list), and [Holiday in Bath] is charming. This story does have its moments, though, and is a bit of a romp.
Our heroine Clarissa Driscoll has come down in the world. In the wake of her late father's gambling debts (to the neighboring landowner and father of our hero), she is forced to leave the fine family manor and take up residence in a local village cottage. She supports herself in large part by giving show more lessons to the younger half-siblings and wards of the current Earl of Kinsford, our hero. As a lady by breeding and training, she has all of the necessary accomplishments to rely on: dancing, drawing, music, etc. The brother and sister are teenagers with little parental supervision since their mother is a shut in hypochondriac and their older brother is too busy with his political career in London, so they get into some trouble. The Earl of Kinsford comes home and immediately butts head with Clarissa, since he feels she's meddling and maybe even coddling his wards.
The romance basically consists of pissing matches between the two of them as the earl tries to exert his authority and the spinster dances between asserting herself and not offending the person who is essentially her patron. There is an obligatory sprained ankle and concussion (of his half-sister) that forces them to keep interacting with each other, as the injured girl cannot be moved for a few days after the accident, and guess whose cottage was closest. Moreover, the girl decides to play matchmaker and hams up her head injury to keep them interacting. Throw in a distant (married) male cousin who keeps dropping by to visit Clarissa and consequent jealousy of Kinsford, combined with residual guilt that her current impoverishment is the result of his father's actions, and this book is all about negative emotions and fiery dialogue. I must say the climactic scene is hilarious, with every character in the story (a total of 8) ending up in the cottage together for a variety of reasons. The dialogue was well-written, even if the characters were annoying, and the pace certainly moved along. Overall, an okay read but not a keeper. show less
Our heroine Clarissa Driscoll has come down in the world. In the wake of her late father's gambling debts (to the neighboring landowner and father of our hero), she is forced to leave the fine family manor and take up residence in a local village cottage. She supports herself in large part by giving show more lessons to the younger half-siblings and wards of the current Earl of Kinsford, our hero. As a lady by breeding and training, she has all of the necessary accomplishments to rely on: dancing, drawing, music, etc. The brother and sister are teenagers with little parental supervision since their mother is a shut in hypochondriac and their older brother is too busy with his political career in London, so they get into some trouble. The Earl of Kinsford comes home and immediately butts head with Clarissa, since he feels she's meddling and maybe even coddling his wards.
The romance basically consists of pissing matches between the two of them as the earl tries to exert his authority and the spinster dances between asserting herself and not offending the person who is essentially her patron. There is an obligatory sprained ankle and concussion (of his half-sister) that forces them to keep interacting with each other, as the injured girl cannot be moved for a few days after the accident, and guess whose cottage was closest. Moreover, the girl decides to play matchmaker and hams up her head injury to keep them interacting. Throw in a distant (married) male cousin who keeps dropping by to visit Clarissa and consequent jealousy of Kinsford, combined with residual guilt that her current impoverishment is the result of his father's actions, and this book is all about negative emotions and fiery dialogue. I must say the climactic scene is hilarious, with every character in the story (a total of 8) ending up in the cottage together for a variety of reasons. The dialogue was well-written, even if the characters were annoying, and the pace certainly moved along. Overall, an okay read but not a keeper. show less
I assume I read this a long time ago but I don't remember it at all. It's very light but enjoyable. Laura Matthews writes well. Keeper.
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