Clarissa; or, The History of a Young Lady, Volume 2 of 4 (Everyman's Library)

by Samuel Richardson

Clarissa, or the History of a Young Lady (Collections and Selections — Volume 2 of 4)

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My heart fluttered with the hope and the fear of seeing my mother and with the shame and grief of having given her so much uneasiness. But it needed not: she was not permitted to come. But my aunt was so good as to return yet not without my sister; and taking my hand made me sit down by her.

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A printer and bookseller who wrote love letters for servant girls as an apprentice, studied nights to improve himself, and married the boss's daughter, Samuel Richardson undertook at age 50 to write a book of sample courtesy notes, marriage proposals, job applications, and business letters for young people. While imagining situations for this show more book, he recalled an old scandal and developed it into Pamela, or Virtue Rewarded (1740--44), a novel about a servant girl whose firmness, vitality, literacy, and superior intelligence turn her master's lust into a decorous love that leads to their marriage. All of Pamela's virtues of fresh characterization, immediacy (what Richardson called "writing to the moment" of the character's consciousness), and the involvement of the reader in the character's intense and fluctuating fantasies, together with a much more focused seriousness, a more varied and differentiated cast of letter writers, and a more fundamental examination of moral and social issues, make his second novel, Clarissa Hawlowe (1747--48), a masterpiece. Although anyone who reads this huge novel for its plot may hang himself (as Richardson's friend Samuel Johnson said), readers have been fascinated by the complex conflict between Clarissa Harlowe and Robert Lovelace, two of the most fully realized characters, psychologically and socially, in all of literature. Like such great successors as Rousseau (see Vol. 3), an acknowledged follower of Richardson, Dostoevsky (see Vol. 2), and D. H. Lawrence, Richardson understands and shows us, in Diderot's (see Vols. 2 and 4) appreciative image, the black recesses of the cave of the mind. Although Richardson's last novel, Sir Charles Grandison (1753--54), like Pamela Part II , mainly undertakes comic delineation of manners, it also examines the serious issues of love between a Protestant and a Catholic, and experiments technically with flashbacks, with stenographic reports, and most assertively with a pure hero, a male Clarissa of irresistible charm and power. At its best, Richardson's work fuses the epistolary technique, the use of dramatic scenes, the traditions of religious biography, and the elements of current romantic fiction to achieve precise analysis, an air of total verisimilitude, and a vision of a world of primal psychological forces in conflict. (Bowker Author Biography) show less

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Canonical title
Clarissa; or, The History of a Young Lady, Volume 2 of 4 (Everyman's Library) (Everyman's Library)
Original publication date
1748
First words
My dear Father and Mother, We arrived here last night, highly pleased with our journey, and the occasion for it.
Last words
(Click to show. Warning: May contain spoilers.)For it is easy to imagine, how cheerfully, and how gracefully, his benelovent lady discharged a command so well suited to her natural generosity.
Disambiguation notice
Volume 2 of 4

Classifications

Genres
Fiction and Literature, General Fiction
DDC/MDS
823.6Literature & rhetoricEnglish & Old English literaturesEnglish fiction1745-1799
BISAC

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20
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Rating
(4.00)
Languages
English
Media
Paper
ISBNs
4