The Forgetting Room
by Nick Bantock
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Readers are invited to delve into the journal of Armon Hurt, a sad, discontented man who discovers his inner fire. When his artist grandfather dies, leaving him the family home in Spain, Armon travels to Andalusia with the intention of selling the property. Once there, however, he finds a sealed cardboard case containing a small oil painting and a surreal booklet.As he examines these mysterious artifacts, Armon realizes that he is holding both his grandfather's last communication to him and show more a puzzle. He begins to decipher the conundrum, and as each new answer leads to more questions, Armon finds himself painting furiously in his grandfather's old studio -- strangely compelled to create a picture that is somehow linked to his legacy.Featuring paintings, drawings, collages, and paper foldouts, this is no ordinary novel. The Forgetting Room is a handmade treasure, a seamless blend of artistry and language, and a tantalizing read. show lessTags
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Member Reviews
Years ago, I read Bantock’s Griffin and Sabine tetralogy and was thoroughly enchanted by their long-distance courtship. The drawings and postcards and letters provided an air of mystery and a sense of peeking into the private lives of Griffin and Sabine. I lost touch with Bantock, until I came across this volume at a used book sale.
I read it in one sitting – interrupted only by a steaming bowl of Southwestern Stew my wife made last weekend. The Spanish connection was mildly eerie.
This book tells the story of Armin Hurt who travels to Rondo, Spain to dispose of his grandfather’s house, which he inherited on the old man’s death. He was close to his grandfather, but when Armin’s family moved to Chicago, they lost touch. show more Grandfather put a game inside the house with clues, so Armin could, in the words of Rafael’s will, “find his belonging.”
Enchanting, absorbing, full of surprises and neat tricks of the mind, spirit, and body. Bantock has at least two other books, and I must find them. Five stars
--Jim, 12/27/08 show less
I read it in one sitting – interrupted only by a steaming bowl of Southwestern Stew my wife made last weekend. The Spanish connection was mildly eerie.
This book tells the story of Armin Hurt who travels to Rondo, Spain to dispose of his grandfather’s house, which he inherited on the old man’s death. He was close to his grandfather, but when Armin’s family moved to Chicago, they lost touch. show more Grandfather put a game inside the house with clues, so Armin could, in the words of Rafael’s will, “find his belonging.”
Enchanting, absorbing, full of surprises and neat tricks of the mind, spirit, and body. Bantock has at least two other books, and I must find them. Five stars
--Jim, 12/27/08 show less
I was a little bit disappointed in this book. The collage that develops throughout the book was (in my opinion) somewhat overworked, until the painting of a bridge which was the starting point of the work virtually disappears. The process of the creation of the work is interesting, but it is given so much weight that the story, like the bridge, seems to collapse beneath it. The "game" or puzzle left for the protagonist by his grandfather is visually wonderful but again not really compelling as a story. The woman who makes a cameo appearance wanders off again, and so did I.
An artist embarks upon a spiritual journey after inheriting his grandfather's house in Spain.
This isn't Bantock's best work, but it's an interesting read nonetheless. I wasn't too impressed with it after my first reading, but now that I've read it twice I find that I have more of an appreciation for the message behind the admittedly simple story. This is a book about memory, family, art and self discovery. It doesn't offer any big answers, but it poses some interesting questions.
This isn't Bantock's best work, but it's an interesting read nonetheless. I wasn't too impressed with it after my first reading, but now that I've read it twice I find that I have more of an appreciation for the message behind the admittedly simple story. This is a book about memory, family, art and self discovery. It doesn't offer any big answers, but it poses some interesting questions.
Bantock's works are always beautiful. This book is no exception- the puzzle card inside it is gorgeously weird. However, the story suffers. Why?
Because it's less a story than a device for outlining the artist's process and sense of discovery within art. The majority of the book is divided between the main character's reminscences of his grandparents (as he tries to decipher the puzzle they've left behind) and rediscovering his own artistic skills. The solution to the puzzle ends up being somewhat contrived and unsatisfying. The visuals save this book. Typical Nick Bantock, these visuals are stunning.
Because it's less a story than a device for outlining the artist's process and sense of discovery within art. The majority of the book is divided between the main character's reminscences of his grandparents (as he tries to decipher the puzzle they've left behind) and rediscovering his own artistic skills. The solution to the puzzle ends up being somewhat contrived and unsatisfying. The visuals save this book. Typical Nick Bantock, these visuals are stunning.
Charming, somewhat of a puzzle, very well crafted.
Good writing and collages, not big on story, but not boring.
A great tale starring two attractive characters with Bantock's fabulous designs
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Author Information

66+ Works 17,814 Members
Nick Bantock was born in Stourbridge, England on the 14th of July 1949. He went to school in the suburbs of North East London, and from there moved on to an art college in the market town of Maidstone, Kent. At the age of 23, he quit his job in a gambling house and began working as a freelance illustrator. In 16 years he produced approximately 300 show more book covers, including novels by Philip Roth and John Updike. During the winter of 1988 he moved to Vancouver Canada, and two years later started work on his own books. He is most well known for his Griffin and Sabine Trilogy, an artful representation of a long distance romance. His other works include The Artful Dodger: Images and Reflections (2000) - a visual autobiography, and retrospective, Urgent 2nd Class: Creating Curious Collage, Dubious Documents, and Other Art from Ephemera (2004) and Windflower (2006) - with Edoardo Ponti. (Bowker Author Biography) Nick Bantock is the author of numerous illustrated novels, most recently "The Artful Dodger" and the tenth anniversary, limited edition of "Griffin & Sabine". Born in England, he now lives in Vancouver, British Columbia. (Publisher Provided) show less
All Editions
Common Knowledge
- Original publication date
- 1997
- People/Characters
- Armon Hurt; Rafael Hurtago; Marianne Hurtago; Paolo Ete; Francesca Ete
- Important places
- Ronda, Andalusia, Spain
- Dedication
- To My Family
- First words
- From the last will and testament of Rafael Hurtago:
To my grandson, Armon Hurt, I leave my house in
Ronda, Spain, and the uncertainty of its contents.
May he discover his belonging. - Last words
- (Click to show. Warning: May contain spoilers.)I spoke silently with Rafael, telling him that I had decided to return my name to Hurtago.
- Original language
- English US
Classifications
Statistics
- Members
- 786
- Popularity
- 35,262
- Reviews
- 12
- Rating
- (3.85)
- Languages
- English
- Media
- Paper, Audiobook
- ISBNs
- 7
- ASINs
- 1






























































