Sentences
by Howard Nemerov
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In Sentences, contemporary poet Howard Nemerov adds to his distinguished work a collection of gnomic verses, declarative poems, sonnets after other poets, and sustained lyrics. "In [Sentences], not only has Nemerov continued to accommodate himself to the literary tradition without falling back on parody; he has also . . . extended the resources of blank verse beyond what any modern practitioner, himself included, has managed to. This extension comprises more than a mere prosodic advance; it show more is a rhetorical and imaginative advance. 'By Al Lebowitz's Pool,' 'The Makers,' 'Monet,' and 'A Christmas Storm,' for example, are dazzling in their very naturalness. . . . No one since Frost has done as much to move blank verse from where Wordsworth and Coleridge had left it."—Mary Kinzie, Poetry show lessTags
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58+ Works 687 Members
Nemerov's poetry is known for its wit and intelligence. His poetry is stoical and ironical. In his essays, he has argued against both what he considers to be the slackness of "free form" and the rigidity of prescriptive measures from the past. Nemerov's first book of poetry, The Image and Law (1947), was well received by critics, while The Salt show more Garden (1955) reflects the themes he was to develop in his writing, especially a concern for nature. The Blue Swallows (1967) received mixed reviews but won him the first Roethke Memorial Prize. He also received the Oscar Blumenthal Prize (1958), the Harriet Monroe Memorial Prize (1959), the National Institute and American Academy Award in literature (1961), and the Pulitzer Prize (1978). A lively and uncompromising critic, he has selected for his Poetry and Fiction: Essays of the 1970s emphasizing twentieth-century literature and the contemporary stance of the critic. Journal of the Fictive Life (1965) is Nemerov's somewhat grim introspective search for the conditions that make a writer most creative. He became the third poet laureate of the United States in 1988. (Bowker Author Biography) show less
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- English
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