The Double Life Is Twice as Good: Essays and Fiction
by Jonathan Ames
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Wildly original novelist, essayist, and performance artist Jonathan Ames delivers a hilarious, risqué, and loveable selection of articles, essays, and fiction, including several previously unpublished pieces. In The Double Life Is Twice as Good, fans will be treated to a deft and charming compilation of Ames's journalism, personal essays, and short fiction. Featuring illuminating profiles of Marilyn Manson and Lenny Kravitz, his adventures at a goth festival in the Midwest, a story written show more for Esquire on a napkin, as well as a comic strip collaboration with graphic artist Nick Bertozzi, Ames's unique style and personality-driven humor shines throughout this wickedly funny collection. Also included is the short story, "Bored to Death," a Raymond Chandler-esque tale about a struggling writer-turned-detective who becomes quickly embroiled in the search for a missing college co-ed, which inspired the HBO series of the same name. Described by The Portland Oregonian as "an edgier David Sedaris," Ames will have you hooked with this brilliant collection. show lessTags
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Member Reviews
I really wanted to like this book from the moment that my friend Rebecca grabbed it off of a shelf at the venerable City Lights (that's right, I dropped that name) and said, "This is the book that Bored to Death was based on!" (Bored to Death, for the uninitiated, is a mystery-comedy series that used to run on HBO that has now been cancelled. The main character is a fictionalized Jonathan Ames. I think it is the second-funniest show ever after, of course, the ne plus ultra that is Arrested Development.)
Sadly, for the most part, this collection left me wishing there was more to it. Bored-to-Death-the-short-story is almost nothing like Bored-to-Death-the-TV-show. You can recognize traces of the pilot episode, but it is played like a show more Raymond Chandler novel and played extremely straight. After that, it breaks down into Journalism, Personal Essays, and Short Stories.
Journalism is easily the best section of the three, with Ames taking weird, wonderful trips to a Goth convention, the US Open, the Meatpacking District of New York City, and hanging out with Marilyn Manson and Lenny Kravitz. Personal Essays is the weakest, with some occasional amusing bits, but it's mostly painfully recycled content from other places. (I believe I mentioned this in my review for William Gibson's Distrust That Particular Flavor but it bears repeating: if I want to read the foreword for another book, I would be reading that book. Short Stories has some good pieces in it, but they mostly seem like thinly fictionalized Personal Essays (i.e. stories about people that Ames has slept with).
All in all, I should probably be rating this book lower, but I'm willing to give it the third star based on the strength of the Journalism section alone. I'm not sure if I'd grab this off the shelf at City Lights again, but if it turned up in a used-book bin, I would recommend giving it at least a shot if you're not familiar with Ames. show less
Sadly, for the most part, this collection left me wishing there was more to it. Bored-to-Death-the-short-story is almost nothing like Bored-to-Death-the-TV-show. You can recognize traces of the pilot episode, but it is played like a show more Raymond Chandler novel and played extremely straight. After that, it breaks down into Journalism, Personal Essays, and Short Stories.
Journalism is easily the best section of the three, with Ames taking weird, wonderful trips to a Goth convention, the US Open, the Meatpacking District of New York City, and hanging out with Marilyn Manson and Lenny Kravitz. Personal Essays is the weakest, with some occasional amusing bits, but it's mostly painfully recycled content from other places. (I believe I mentioned this in my review for William Gibson's Distrust That Particular Flavor but it bears repeating: if I want to read the foreword for another book, I would be reading that book. Short Stories has some good pieces in it, but they mostly seem like thinly fictionalized Personal Essays (i.e. stories about people that Ames has slept with).
All in all, I should probably be rating this book lower, but I'm willing to give it the third star based on the strength of the Journalism section alone. I'm not sure if I'd grab this off the shelf at City Lights again, but if it turned up in a used-book bin, I would recommend giving it at least a shot if you're not familiar with Ames. show less
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ThingScore 25
Amid the continuing skirmish over truthfulness in memoir, Ames poses the inverse question of an author’s responsibility to readers: just because it is true, should it be published? Much of his collection rests on the hope that readers will not ask this question, or that they will be too battered into sympathetic submission by Ames’s mix of self-absorption and self-doubt to answer it show more honestly. show less
added by jlelliott
Author Information

30+ Works 2,889 Members
Jonathan Ames is a contributing writer to the New York Press and a comic monologist in the tradition of Spalding Gray. His first novel I Pass Like Night was published in 1989 and led to feature articles about Ames in USA Today and Vanity Fair. Ames has performed at PS 122, Fez, the Nuyorican Poets' Cafe and the New York Public Library. His work show more has been anthologized in the Henfield Foundation Anthology and in an anthology edited by Joyce Carol Oates. He has worked as a taxi driver, au pair, fiction writing teacher and model. He grew up in Orange, New Jersey, and currently resides in New York. (Bowker Author Biography) Jonathan Ames lives in Brooklyn, New York. (Bowker Author Biography) show less
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