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Critique of Judgment (1790)

by Immanuel Kant

Other authors: See the other authors section.

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2,151167,451 (4)11
The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume, first published in 2000, includes: the indispensable first draft of Kant's introduction to the work; an English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views. All in all this edition offers the serious student of Kant a dramatically richer, more complete and more accurate translation.… (more)
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» See also 11 mentions

English (11)  Spanish (2)  Catalan (2)  French (1)  All languages (16)
Showing 1-5 of 11 (next | show all)
É claro que o livro dá a pensar e consolida duas categorias estéticas importantes - o belo e o sublime, e como outras coisas de Kant, está cheio de propostas soluções criativas. Entretanto a terceira crítica pesa um pouco no arranjo não muito convincente, como se a faculdade de julgar fosse espremida entre o entendimento e a razão, e tivesse de se encaixar entre ambos, de cima para baixo (a divisão em os momentos do belo e do sublime passam essa mensagem). Somado a isso, há o fato de que nesse livro fica ainda mais aparente o principal problema do estilo kantiano: as repetições de explicações frequentes mas que habilmente conseguem nos fazer não entender a cada reiteração, como se fosse preciso renovar continuamente a faculdade do (des)entendimento. A cisão do belo com o lógico e consequente papel do gênio ligado a uma espécie de natureza indomitável, além das vagas ideias estéticas são historicamente interessantes, mas precisam de distanciamento na leitura (e não Kant, jardinagem não é um tipo de pintura, mas ok). A exploração do esquematismo (a imaginação como tendo funções produtivas e recognitivas) é instigante; as incursões nas ideias problemáticas da razão é fraca, como algures, mas aqui mais longa, e a pressuposição de uma necessidade de atribuição teleológica à natureza não convince, embora seja astuciosa. Mais que nas outras duas críticas, as 100 páginas introdutórias poderiam vir ao final. ( )
  henrique_iwao | Aug 30, 2022 |
Në këtë periudhë, duke vazhduar traditat natyraliste shkencore të filozofisë materialiste, Kant-i parashtroi një varg idesh hipotezash mbi zhvillimin e natyrës, të cilat i “dhanë fund sundimit absolut të mënyrës metafizike të mendimit në shkencat e natyrës”. Nisur nga ligjet e Kepler-it, të Njuton-it dhe përllogaritjet e Lajbnic-it, ai është, gjithashtu, dhe autori i hipotezave të famshme mbi formimin e planetëve nga mjegullnajat (re grimcash dhe pluhuri), mbi ekzistencën e galaktikave të tjera jashtë galaktikës sonë, mbi ndikimin e baticave dhe zbaticave në rrotullimin e tokës rreth vetes, mbi prejardhjen natyrore të racave të sotme njerëzore, etj
  BibliotekaFeniks | Dec 21, 2021 |
W. Somerset Maugham, The Vagrant Mood, Vintage Classics, 2001 [1952], pp. 131-59, "Reflections on a Certain Book".
  WSMaugham | Jun 12, 2015 |
Not as great as its "older brother" the First Critique (the Critique of Pure Reason), but an interesting book nonetheless and one which presents the strongest imaginable rebuttal to the idea that "good taste is subjective". ( )
  Audacity88 | Jan 21, 2013 |
In college, I was taught as an undergraduate, that Kant united the European Continental and British philosopher and the streams of rationalism and empiricism with their future directions, where in the spirit of Ogden Nash, "If you convinced me and I convinced you, would there not then still be two points of view?" - both traditions changed profoundly, so one could see lines crossing IN Kant's analytical thinking. ( )
1 vote vegetarian | Oct 5, 2011 |
Showing 1-5 of 11 (next | show all)
Med "Kritikk av dømmekraften" avslutter Kant (1724-1804) sitt kritiske prosjekt. Den tredje kritikken danner et bindeledd mellom hans erkjennelseslære og moralfilosofi, og tar for seg dømmekraftens bruk i kunst og vitenskap. I de to første kritikkene trakk han opp fornuftens formale grenser. Det er ... Les mer
Med "Kritikk av dømmekraften" avslutter Kant (1724-1804) sitt kritiske prosjekt. Den tredje kritikken danner et bindeledd mellom hans erkjennelseslære og moralfilosofi, og tar for seg dømmekraftens bruk i kunst og vitenskap. I de to første kritikkene trakk han opp fornuftens formale grenser. Det er verkets første del, "Kritikk av den estetiske dømmekraft", som er oversatt her. Der fremsetter Kant sin estetikk.
 

» Add other authors (47 possible)

Author nameRoleType of authorWork?Status
Kant, ImmanuelAuthorprimary authorall editionsconfirmed
Bernard, J.H.Translatorsecondary authorsome editionsconfirmed
Gregor, Mary J.Forewordsecondary authorsome editionsconfirmed
Kūlis, RihardsTranslatorsecondary authorsome editionsconfirmed
Pluhar, Werner S.Editorsecondary authorsome editionsconfirmed
Pluhar, Werner S.Translatorsecondary authorsome editionsconfirmed
Schmidt, RaymundEditorsecondary authorsome editionsconfirmed
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The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume, first published in 2000, includes: the indispensable first draft of Kant's introduction to the work; an English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views. All in all this edition offers the serious student of Kant a dramatically richer, more complete and more accurate translation.

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