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Loading... The Girl Who Played with Fire (Millennium Series) (original 2006; edition 2011)by Stieg Larsson (Author)
Work InformationThe Girl Who Played with Fire by Stieg Larsson (2006)
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Crackerjack suspense, interesting characters and good writing, a rare and welcome commodity in this genre. I am eagerly awaiting the last book in the series. Anyone heading over the Pond? ( ) This book was frankly really disappointing. After a strong start in the Girl with the Dragon Tattoo, the series seems to have taken a turn towards bored, fairly contrived plotlines. There was very little mystery or suspense in this book, and much of it was spent watching uninteresting characters puttering around trying to "solve" a crime by arguing with one another about whether Salander is a "good person." Blomkvist in particular is a fairly illogical character in this book, basically putting his entire life on hold in order to follow through on his conviction that a strange girl who he knew for a couple months (who then disappeared and stopped talking to him for over a year), must be innocent. Futhermore, the stories of many of the minor characters in the book, including Miriam, Paulo, Berger, Bublanski, etc. were all kind of random, uninteresting, and didn't have almost anything to do with the story. I appreciate setting the stage, but somehow that is all this book was - it lost the mystery, thrill, and intrigue of the previous novel. In this fast-paced, explosive book, the second in the trilogy, we finally get to know Lisbeth Salander. The book's first part has The Girl touring Europe and the Caribbean—relaxing, spending her newfound fortune, and trying to forget the only man she’s ever loved, Mikael Blomkvist, hotshot journalist and part owner of Millennium magazine. It’s not until she returns home to Sweden that things turn ugly. While Salander was gone, Mikael and his team at the office had been working with a writer on a tell-all book about an illegal sex trafficking ring that would expose well-known men in the police department and government as “johns.” However, before the book can be published, three people connected to it are savagely murdered. On her return, Salander unknowingly sets herself up to be the object of the most extensive manhunt in Sweden. She easily evades detectives but is forced to get involved when her friend, Miriam Wu, is severely beaten. Using her considerable skills, she tries to get to the bottom of the murders until she realizes her past is at the core, and things quickly spiral into a fight for survival. The Girl Who Played with Fire had big shoes to fill after the first novel—The Girl with the Dragon Tattoo—made such a big splash. I would say this second book grabs you differently. It may not be as electrifying as the first, but it fulfilled my need to understand this complicated, mysterious, iconic character, Lisbeth Salander.
When a novel moves or affects me deeply, I think about it when I’m walking around. I don’t find myself thinking about The Girl Who Played With Fire, but while I was reading it, I was useless until I got to the end. In retrospect, my experience of the book, like it’s characters, seems unreal. As, of course, it was. When Larsson gets down to the business of telling a story, he tells a nerve-tingling tale. For all the complications of the melodramatic story, which advances at a brisk, violently cinematic clip in Reg Keeland’s translation, it’s clear where Larsson’s strongest interests lie — in his heroine and the ill-concealed attitudes she brings out in men. Mr. Larsson’s two central characters, Salander and Blomkvist, transcend their genre and insinuate themselves in the reader’s mind through their oddball individuality, their professional competence and, surprisingly, their emotional vulnerability. Lisbeth Salander se ha tomado un tiempo: necesita apartarse del foco de atención y salir de Estocolmo. Trata de seguir una férrea disciplina y no contestar a las llamadas y mensajes de un Mikael que no entiende por qué ha desaparecido de su vida sin dar ningún tipo de explicación. Las heridas del amor las cura Lisbeth en soledad, aunque intente despistar el desencanto con el estudio de las matemáticas y ciertos felices placeres en una playa del Caribe. ¿Y Mikael? El gran héroe, el súper Blomkvist, vive buenos momentos en Millennium, con las finanzas de la revista saneadas y reconocimiento profesional de colegas y medios. Ahora tiene entre manos un reportaje apasionante que le propone una pareja, Dag y Mia, sobre el tráfico y prostitución de mujeres provenientes del Este. Las vidas de nuestros dos protagonistas parecen haberse separado por completo, y mientras... una muchacha, atada a una cama soporta un día y otro día las horribles visitas de un ser despreciable, y sin decir una palabra, sueña con una cerilla y un bidón de gasolina, con la forma de provocar el fuego que acabe con todo. Belongs to SeriesMillennium (2) Belongs to Publisher SeriesColumna (774) Heyne Allgemeine Reihe (43317) Is contained inContainsHas the adaptationHas as a student's study guideAwardsDistinctionsNotable Lists
On the eve of publisher Mikael Blomkvist's story about sex trafficking between Eastern Europe and Sweden, two investigating reporters are murdered. And even more shocking for Mikael Blomkvist: the fingerprints found on the murder weapon belong to Lisbeth Salander--the troubled, wise-beyond-her-years genius hacker who came to his aid years before. No library descriptions found.
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Google Books — Loading... GenresMelvil Decimal System (DDC)839.738Literature German and related languages Other Germanic literatures Swedish literature Swedish fiction 2000-LC ClassificationRatingAverage:
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