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The Amber Spyglass by Philip Pullman
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The Amber Spyglass (2000)

by Philip Pullman

Other authors: See the other authors section.

Series: His Dark Materials (3)

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English (238)  French (2)  Spanish (2)  Italian (1)  Swedish (1)  German (1)  Portuguese (Portugal) (1)  Croatian (1)  All languages (247)
Showing 1-5 of 238 (next | show all)
a disappointing, too science-fictiony, end to the fantastic HDM trilogy. ( )
  lxydis | May 11, 2013 |
3.5 stars ( )
  bonniemarjorie | May 7, 2013 |
See this review and more on The Moonlight Library!

The Amber Spyglass is the third and final book in the His Dark Materials trilogy and tells the closing chapter of Lyra and Will’s tale – and also that of Dr Mary Malone, a few random miniature spies that ride dragonflies, Mrs Coulter and Lord Asriel, a pair of gay angels, and a priest who sets off to murder Lyra. It’s a big cast, but that’s okay, because it’s an epic fantasy.

It’s a huge story, and frustrating at first because the whole thing is handed over to Will, our resident Gary-Stu who is amazing at everything and a perfect match for Lyra. Our formerly kick-ass barbarian child is in an enforced slumber courtesy of Mrs Coulter, and Will must rescue her before he does anything else, like lend his awesome magical knife skills to Lord Asriel’s army in an attempt to overthrow God.

The thing that annoys me the most about this book is that Pullman has clearly tried to create a world where religion is evil and all that, but it’s not an atheist book like so many are led to believe. There is a God, there is an afterlife, there are angels – it’s simply that nothing is how the modern Christian church has led anyone to believe. To be a truly atheist novel there would be no God, or afterlife, or anything like that.

Mrs Coulter’s character comes alive with all kinds of intriguing backstabbing conniving wiliness. She’s an amazing character, and one I never truly appreciated before this. It’s so hard to cast her in shades of black and white when she’s clearly (now, to me) all kinds of grey. It’s not as simple as her love for Lyra redeems her, because we clearly see her behaving in a non-loving manner towards Lyra. She’s a very complicated character and a lot of the time I couldn’t tell if she was telling the truth or not. Did she really love Lyra? Were her intentions really honourable?

As for Lyra and Will – well I don’t think it’s a very good love story. For a start they are only twelve or thirteen, way too young for an epic kind of love that supposedly saves the worlds. Romantic love is a very grown up concept because adults have mature bodies and minds. Lyra and Will have only just hit puberty. They feel shy around each other on occasion because their bodies are changing but then all of a sudden it’s BAM “We’re in love and it’s so awesome and epic that we just saved the multiverse just by being ourselves and doing normal things, nothing out of the ordinary here.” I don’t buy it, and I feel that the solution to the worlds ending (or at least free will/consciousness) is to have two unique special children fall in desperate love so strong that… well it’s not really described. Somehow their love stops the Dust from leaving all the worlds and we’re just supposed to accept that ON BLIND FAITH. In an ‘atheist’ novel.

Yeah, right.

Look, whilst reading (or in my case, listening to) this novel, it is an amazing story. It’s beautifully written and you genuinely care for the characters. It’s afterwards that the whole entire build up seems rather anticlimactic. Lyra’s prophecy about betrayal is supposedly addressed but it seems pretty suss to me, and her other prophecy about being Eve and ‘falling’ to temptation also seems pretty cruddy. She does fall to temptation, basically, and like the previous Eve, it is a good thing. It saves the world. But no one is sure what her temptation would be or if she would fall. And while Lyra is a brilliant, original character who, although she is loved by everyone like a Mary-Sue, has some very bad points about her (the lying), Will is just too perfect and teaches her all about the world and looks after her and basically all of Lyra’s awesomeness flies out the window when she meets Will.

Overall it’s an enjoyable novel that wraps up the story in an unexpected and anti-climactic way. All of those promises we’ve been given fizzle out to nothing. The writing is beautiful, and the character development even more so, but the plot lacks an oomph, especially when compared to Northern Lights. It also seems that a lot of the novel is simply filler – the story of the priest who tries to murder Lyra is simply there to create further anxiety for the readers on behalf of our beloved blonde darling.

However the audio book itself is again a masterpiece. Pullman delivers the narrative in fine voice and the actors playing the cast are so filled with emotion and generally awesome in their performances that I cried on more than one occasion. ( )
  MoonlightLibrary | Apr 27, 2013 |
Almost as good as the first (and best) in the trilogy, but loses points for, in my opinion, the needless cruelty of the ending. I'm sorry, I get the thematic relevance, I just don't care. I'm also not looking for a 100% happy ending, but COME ON. ( )
  heterocephalusglaber | Apr 26, 2013 |
I had my misgivings at the beginning of the book because I felt that it was getting too religious for me, so I tried to ignore the heavy overtones. But the further I got into reading the last book of the series the more I loved it.

Will and Lyra are such strong characters and you immediately fall in love with them. However, the "Bad Guys" throughout the book, Marisa Coulter and Lord Asriel, you could never really decide if you loved them or hated them.

And I love that Philip Pullman does not talk down to his audience. I remember being a child and reading above my level and truly appreciating when authors would talk to me like they had respect for me.

Anywho, overall I give this book 4.5 stars :) I will be buying it and putting it on my shelf. ( )
  Amanda.Richards | Apr 9, 2013 |
Showing 1-5 of 238 (next | show all)
And as the bumpy journey among these dark materials comes to an end, there is the most moving of scenes: all fantasy subdued and only human frailty revealed in the real world of Oxford's Botanic Garden.
 

» Add other authors (22 possible)

Author nameRoleType of authorWork?Status
Philip Pullmanprimary authorall editionsconfirmed
Bützow, HeleneTranslatorsecondary authorsome editionsconfirmed
Nielsen, CliffCover artistsecondary authorsome editionsconfirmed
Scutt, DavidCover artistsecondary authorsome editionsconfirmed
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Epigraph
The morning comes, the night decays, the watchmen leave their stations;
The grave is burst, the spices shed, the linen wrapped up;
The bones of death, the cov'ring clay the sinews shrunk & dry'd
Reviving shake, inspiring move, breathing, awakening,
Spring like redeemed captives when their bonds & bars are burst.
Let the slave grinding at the mill run out into the field,
Let him look up into the heavens & laugh in the bright air;
Let the inchained soul, shut up in darkness and in sighing,
Whose face has never seen a smile in thirty weary years,
Rise and look out; his chains are loose, his dungeon doors are open;
And let his wife and children return from the oppressor's scourge.
They look behind at every step & believe it is a dream,
Singing: "The Sun has let his blackness & has found a fresher morning,
And the fair Moon rejoices in the clear & cloudless night;
For Empire is no more, and now the Lion & Wolf shall cease."

-- from "America: A Prophecy" by William Blake
O stars,
isn't it from you that the lover's desire for the face
of his beloved arises? Doesn't his secret insight
into her pure features come from pure constellations?

-- from "The Third Elegy" by Ranier Maria Rilke
Fine vapors escape from whatever is doing the living.
The night is cold and delicate and full of angels
Pounding down the living. The factories are all lit up,
The chime goes unheard.
We are together at last, though far apart.

-- from "The Ecclesiast" by John Ashbery
O tell of His might, O sing of His grace,
Whose robe is the light, whose canopy space,
His chariots of wrath the deep thunderclouds form,
And dark is His path on the wings of the storm.

Robert Grant, from Hymns Ancient and Modern.
Dedication
First words
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with melt-water splashed and where doves and linnets flew among the immense pines, lay a cave, half-hidden by the crag above and the stiff heavy leaves that clustered below.
Quotations
I used to be a nun, you see. I thought physics could be done to the glory of God, till I saw there wasn't any God at all and that physics was more interesting anyway. The Christian religion is a very powerful and convincing mistake, that's all.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
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Book description
In the astonishing finale to the His Dark Materials trilogy, Lyra and Will are in unspeakable danger. With help from Iorek Byrnison the armored bear and two tiny Gallivespian spies, they must journey to a dank and gray-lit world where no living soul has ever gone. All the while, Dr. Mary Malone builds a magnificent Amber Spyglass. An assassin hunts her down, and Lord Asriel, with a troop of shining angels, fights his mighty rebellion, in a battle of strange allies—and shocking sacrifice.

As war rages and Dust drains from the sky, the fate of the living—and the dead—finally comes to depend on two children and the simple truth of one simple story.
Haiku summary
Heroine suffers.
But in the end it's only
Midi-chlorians.
(Noisy)

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