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11+ Works 811 Members 6 Reviews 6 Favorited

About the Author

Nancy Mairs was born Nancy Pedrick Smith in Long Beach, California on July 23, 1943. She received a bachelor's degree from Wheaton College in 1964. She worked as a publications editor for the Smithsonian Astrophysical Observatory in Cambridge and the International Tax Program at Harvard Law School. show more She received an M.F.A. in poetry in 1975 and a doctorate in English in 1983 from the University of Arizona. Her dissertation was published as Plaintext: Deciphering a Woman's Life in 1986. In her late 20s, she suffered from agoraphobia and depression and once attempted suicide. Soon afterward, she was diagnosed with multiple sclerosis. She wrote several memoirs including Remembering the Bone-House: An Erotics of Place and Space, Carnal Acts, Ordinary Time: Cycles in Marriage, Faith and Renewal, Voice Lessons: On Becoming a (Woman) Writer, Waist-High in the World: A Life Among the Nondisabled, and A Dynamic God: Living an Unconventional Catholic Faith. She also published two collections of poetry entitled Instead It Is Winter and In All the Rooms of the Yellow House. In 2001, she wrote A Troubled Guest: Life and Death Stories. She died on December 3, 2016 at the age of 73. (Bowker Author Biography) show less

Series

Works by Nancy Mairs

Associated Works

Unholy Ghost: Writers on Depression (2001) — Contributor — 530 copies, 8 reviews
The Little Locksmith: A Memoir (1943) — Afterword, some editions — 265 copies, 1 review
Wise Women: Over Two Thousand Years of Spiritual Writing by Women (1996) — Contributor — 228 copies, 1 review
Minding the Body: Women Writers on Body and Soul (1994) — Contributor — 220 copies, 1 review
The Norton Book of Personal Essays (1997) — Contributor — 150 copies, 1 review
Goddess of the Americas (1996) — Contributor — 114 copies, 1 review
The Best Spiritual Writing 1998 (1998) — Contributor — 106 copies, 1 review
Tremor Of Bliss: Contemporary Writers on the Saints (1994) — Contributor — 104 copies, 1 review
Flannery O'Connor: In Celebration of Genius (2000) — Contributor — 43 copies, 1 review
Encounters: Essays for Exploration and Inquiry (1999) — Contributor — 19 copies
THE AMERICAN VOICE, NO. 17, Winter 1989. (1989) — Contributor — 2 copies

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Reviews

7 reviews
We disagree on so much. The connection between mind & body (she is her body; I am not, and that’s a religious statement as much as a statement of current physical realitites). She doesn’t speak for me — and she doesn’t claim to! She says, specifically, she only writes about herself!

... but we’re held together under the same rickety, tattered umbrella of “disabled” (or “crippled”, if you prefer). So it doesn’t matter that we’re different; we’re the same in the ways it show more matters.

Her description of cripples as dealing more or less courageously to their lives, with a minimum or lack of self-pity, is ... not true to my personal experience. to put it mildly. Is this because my disabilities are invisible? undiagnosed (i’m still trying)? because i’m routinely told i’m making things up? Hmm.

Suicide (euthanasia) is, she says, kinda rude. Why would someone “not want to be a burden” when caring for others is such a joyful act? You’re basically giving your family a gift!!

Well.

There is a definite preference for the cheerfully disabled, the ones who don’t complain and whine but “just get on with it”, as she says, “because you have to.”

Of course you don’t have to. There is always a choice, sometimes even more than one. And though she calls suicide to be a failure to consider the options (have you tried -not- being chronically ill?), she’s wrong: it’s okay to choose something bad for you. It’s okay to eat nothing but chocolate for the rest of your life. It’s okay to date the wrong men. It is okay to decide that you’re sick of the whole goddamn thing and you want to end it. The choice is what matters.
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This was one of the books Martine Leavitt mentioned in a VCFA lecture on Voice. I found it interesting and, in some parts, incisive and painfully accurate. She straddles writing and academe in familiar ways, so I was sort of depressed about this also, since a lot is familiar: the hollowness of most academic writing and thought, the artificial distinctions between "real" inquiry and story-writing, etc. It was also a bit disheartening, though predictable, to see that some of the problems I show more think I face alone are really shared -- the quest to unify a life, navigate gender prisons, etc are largely structural (disheartening because they won't relent in my lifetime, I guess). Those insights are won my the fact that Mairs knows her theory, but also brings the passion of a writer determined to place her own life at the center of the writing, "keeping it real." show less
I appreciate Mairs' clear prose, socially just theology, and frank explorations of American culture. Why, then, did these essays not pop? My favorite is "Enough is Enough," a probing look at the beliefs behind our relationship to money. We need more people showing us how we work from attitudes of scarcity and teaching us to live from a sense of our tremendous abundance. Yet even this essay veered away from the conundrums presented by our attachment to material things into the less show more controversial topic of our relationship to people. I guess I wish Mairs would dig deeper into her subjects rather than skittering off to something new. show less
A different approach to the standard disabled biography. Nancy Mairs is very blunt, and at times shocking in her honesty. Her point of view is less that of a person with MS, and more from the approach of a women living life from a wheelchair. I appreciate her blunt appraisal and the various affects of an obvious disability while living life.

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Works
11
Also by
15
Members
811
Popularity
#31,468
Rating
3.8
Reviews
6
ISBNs
30
Favorited
6

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