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Noel Streatfeild (1895–1986)

Author of Ballet Shoes

121+ Works 15,718 Members 284 Reviews 42 Favorited

About the Author

Disambiguation Notice:

This is the second time I've re-entered this bio -- please do not delete it unless inaccurate. Thank you!

Series

Works by Noel Streatfeild

Ballet Shoes (1936) 4,003 copies, 80 reviews
Wintle's Wonders (1957) 1,472 copies, 13 reviews
Curtain Up (1945) 1,398 copies, 12 reviews
White Boots (1951) 1,094 copies, 16 reviews
The Painted Garden (1949) 576 copies, 7 reviews
The Circus is Coming (1938) 455 copies, 6 reviews
Thursday's Child (1970) 441 copies, 11 reviews
Apple Bough (1962) 407 copies, 5 reviews
Saplings (1945) 375 copies, 18 reviews
The Growing Summer (1966) 361 copies, 10 reviews
Party Frock (1946) 343 copies, 6 reviews
Tennis Shoes (1937) 337 copies, 7 reviews
The Bell Family (1954) 302 copies, 4 reviews
Ballet Shoes for Anna (1972) 302 copies, 7 reviews
A Vicarage Family (1963) 258 copies, 4 reviews
When the Siren Wailed (1976) 222 copies, 2 reviews
Gemma (1968) 201 copies, 6 reviews
Gemma and Sisters (1968) 182 copies, 2 reviews
Gemma Alone (1969) 178 copies, 3 reviews
Far to Go (1976) 167 copies, 4 reviews
Queen Victoria (World Landmark Books, W-37) (1963) 166 copies, 2 reviews
New Town (1960) 156 copies, 3 reviews
Goodbye Gemma (1969) 148 copies, 3 reviews
The Children on the Top Floor (1964) 141 copies, 2 reviews
Caldicott Place (1967) 140 copies, 2 reviews
The Children of Primrose Lane (1970) 102 copies, 2 reviews
The House in Cornwall (1940) 87 copies, 3 reviews
Babbacombe's (1941) 73 copies, 3 reviews
Clothes-Pegs (1939) 66 copies, 2 reviews
Murder While You Work (1944) 57 copies, 1 review
Summer Pudding (1943) 54 copies, 4 reviews
Beyond the vicarage (1971) 51 copies, 3 reviews
Aunt Clara (1952) 48 copies, 2 reviews
Under the Rainbow (1942) 46 copies, 1 review
Sally-Ann (1939) 45 copies, 3 reviews
Poppies for England (1947) 43 copies, 1 review
Peter and Paul (1940) 42 copies, 1 review
The First Book of England (1958) 41 copies
The Whicharts (1931) 40 copies
Ten Way Street (1940) 39 copies, 2 reviews
The Man in the Dark (1940) 37 copies, 1 review
Pirouette (1948) 36 copies, 1 review
I Ordered a Table for Six (1942) 34 copies, 3 reviews
Fearless Treasure (1963) 33 copies
Away from the Vicarage (1965) 33 copies, 1 review
Love in a Mist (1951) 32 copies
Mothering Sunday (1950) 32 copies, 2 reviews
A Young Person's Guide to Ballet (1975) 32 copies, 1 review
Parson's Nine (1932) 31 copies, 1 review
The Grey Family (1967) 30 copies
The Winter is Past (1940) 29 copies
The Years of Grace (1950) 26 copies
Grass in Piccadilly (1947) 25 copies
Judith (1956) 24 copies, 1 review
The Thames, London's river (1964) 23 copies
It Pays to be Good (1936) 19 copies
The First Book of the Opera (1966) 18 copies
Meet the Maitlands (1978) 17 copies, 1 review
Gran-Nannie (1976) 17 copies
Myra Carroll (1944) 16 copies
By Special Request (1953) — Editor — 15 copies
Bertram (1959) 12 copies, 1 review
The Theater Cat (1951) 11 copies
Caroline England (1937) 11 copies
Maitlands: All Change at Cuckley Place (1979) 10 copies, 1 review
Lisa Goes to Russia (1963) 10 copies, 1 review
The Silent Speaker (1961) 9 copies
Shepherdess of Sheep (1935) 9 copies
Growing Up Gracefully (1955) 8 copies
The Barrow Lane Gang (1968) 6 copies
The Royal Ballet School (1959) 6 copies
Look at the Circus (1960) 5 copies
Luke (1939) 5 copies, 1 review
Let's Go Coaching (1965) 5 copies
Osbert (1950) 5 copies
Old chairs to mend (1966) 4 copies
Dennis The Dragon (1939) 3 copies
The April baby (2024) 2 copies
Confirmation and After (1963) 2 copies
Harlequinade 2 copies
The February Baby (2024) 1 copy
The December Baby (2024) 1 copy
The August Baby (1959) 1 copy
THE CHILDREN'S MATINEE (1934) 1 copy
The September Baby (1959) 1 copy
The May baby (2024) 1 copy
various 1 copy
The November Baby (2024) 1 copy

Associated Works

Tanglewood Tales (1853) — Introduction, some editions — 1,643 copies, 9 reviews
Long Ago When I Was Young (1966) — Introduction — 87 copies, 3 reviews
Chosen for Children (1957) — Contributor — 6 copies
Mr. Hermit Crab (1935) — Introduction, some editions — 5 copies
Every Girl's Annual 1952 — Contributor — 3 copies
Girls' Own Book (1959) 3 copies
Young Winter's Tales 4 (1973) — Contributor — 2 copies

Tagged

20th century (109) acting (70) ballet (353) British (145) children (409) children's (1,110) children's books (139) children's fiction (315) children's literature (223) classic (89) classics (86) dance (187) dancing (77) ebook (72) England (349) family (172) fiction (1,420) historical fiction (91) juvenile (133) juvenile fiction (76) London (89) middle grade (72) novel (101) orphans (237) paperback (83) read (216) series (71) theatre (199) to-read (335) WWII (151)

Common Knowledge

Legal name
Streatfeild, Mary Noel
Other names
Scarlett, Susan
Streatfeild, Mary Noel
Birthdate
1895-12-24
Date of death
1986-09-11
Gender
female
Education
Academy of Dramatic Art
St. Leonard's Ladies' College
Occupations
writer
actor
novelist
children's book author
biographer
autobiographer
Organizations
PEN
Awards and honors
Officer of the Order of the British Empire
Short biography
Noel Streatfeild, née Mary Noel, was born in Amberley, Sussex, England, one of six children of Rev. William Champion Streatfeild, later Bishop of Lewes, and his wife Janet Nancy Venn. She often rebelled against the strict rules and expectations of her parents. She was educated by governesses and attended St. Leonard's College and Laleham School in Eastbourne. After World War I, she moved to London to attend the Royal Academy of Dramatic Art. She spent 10 years acting with the Charles Doran and Arthur Bourchier companies before becoming a full-time writer. Her familiarity with the stage provided authentic background for many of her popular books for children, including the "Shoes" books, beginning with the 1936 novel Ballet Shoes. She won the third annual Carnegie Medal for Best Children's Book of the Year for The Circus Is Coming (1938) also known as Circus Shoes. She also wrote fiction and nonfiction for adults, sometimes using the pen name Susan Scarlett, including biographies. During the 1950s, she also worked in radio. She described her early life in three semi-autobiographical novels: A Vicarage Family (1963), Away from the Vicarage (1965) and Beyond the Vicarage (1972). Several of her books were adapted for feature or television films.
Nationality
UK
Birthplace
Eastbourne, Sussex, England, UK
Places of residence
Eastbourne, Sussex, England, UK
London, Middlesex, England, UK
Place of death
London, Middlesex, England, UK
Burial location
St Mary the Virgin Churchyard, Westerham, Kent, England, UK
Map Location
England, UK
Disambiguation notice
This is the second time I've re-entered this bio -- please do not delete it unless inaccurate. Thank you!

Members

Discussions

Reviews

296 reviews
In this sensitively written novel, Noel Streatfeild ostensibly explores the impact of World War II on an upper-middle-class London family. Really, though, it’s a consideration of the experience of four children who must cope after their beloved, steady father, Alex, is killed by a bomb during the Blitz. The Wiltshire kids are left in the care—if you can call it that—of their pretty and narcissistic mother, Lena, who turns to alcohol and attempts to fill her emotional and sexual void show more with an American soldier. Not surprisingly, there’s considerable fallout. Lena is oblivious of her children’s needs and struggles; she’s too preoccupied with her own. Alex’s parents and four sisters step in to fill the gaps. The latter divide up care for the children over their summer holidays from boarding school when Lena spirals out of control and later when she marries an unlikeable, domineering man.

A longer novel, Saplings, with its well-drawn child characters and insightful treatment of wartime upheaval and parental loss, held my interest throughout. However, the final quarter of the novel loses focus as the family breaks apart, and the book’s conclusion struck me as abrupt. Interestingly, aside from the children’s former governess, Ruth Glover, and their nanny, the men are far more sympathetically drawn and more attuned to the children’s needs than the women. Alex’s sister, Lyndsey, a novelist, is a particularly unpleasant creation. In the end, although it’s an imperfectly realized novel, it is mostly an interesting and absorbing one.
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½
Surprisingly engaging! Initially, with the way the 3 orphans are so casually acquired and adopted, the story lingered on the edge of syrupy. However, the down-to-earth narrative of 1930's London and the prosaic details of the girls' lives was charming.

Streatfield wrote an amazingly captivating novel of a close-knit home and an enlightened view of dance, stage and ambitions fulfilled for practical reasons. The ending was the only flaw, being rather abrupt and a little too pat, but it was very show more enlightening for its day in that one of the girls was so well-mentored in her wish to pursue the study of mechanical and aeronautical devices. show less
Siblings Laurel, Tony, Kim, and Tuesday have a comfortable upper-middle-class life with their doting father Alex and flighty mother Lena. Little do they know that war is coming, and it will shatter their family life in so many ways.

Going into this book, I knew it would be of a darker bent than Streatfeild's well-known children's books. I did have a little trouble getting into it at the beginning because the children's conversation was 100% pre-war British slang, but then I got to the meat of show more the story. For a while, it reminded me strongly of Elizabeth Jane Howard's Cazalet Chronicles, which I read a couple of years ago and fully enjoyed. In this book, I liked the parts about the children's lives (I could have done without Lena). However, I felt that the ending of the book was very abrupt, and left so many strings dangling. My digital copy of the book was illustrated with a few photographs interspersed at odd moments, and I didn't feel that they added anything to the story. show less
When Cora Wintle goes to pick up her orphaned niece, Rachel, she discovers that Rachel's adopted sister, Hilary, would be perfect for her dancing troupe. The only problem is that Hilary might be as good as her own precious daughter, Dulcie. Still, she's determined to take sulky Rachel and sprightly Hilary and make them into Little Wonders.
But Rachel doesn't want to be a Little Wonder. She can't dance, and she'd rather die than wear the ruffly costume. Not only that, she doesn't want Hilary show more to be a Little Wonder either. She had promised her mother that she would make sure Hilary danced with the Royal Ballet.
Nothing seems to be going as planned, until Rachel discovers her talent for acting. . . .
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Associated Authors

Shirley Hughes Illustrator
Peggy Fortnum Illustrator
Moses Soyer Illustrator
Gioia Fiammenghi Illustrator
Pamela Brown Contributor
Monica Edwards Contributor
G.E. Farrow Contributor
Jean Ingelow Contributor
George MacDonald Contributor
Richard Floethe Illustrator
Elizabeth Sastre Reader, Narrator
Diane Goode Illustrator
Irmela Brender Übersetzer
Ruth Gervis Illustrator
Richard Kennedy Illustrator
Richard Floeth Illustrator
Piers Sanford Illustrator
Meilein Cosman Illustrator
Cathy Cassidy Foreword
Betty Maxey Illustrator
Susanne Suba Illustrator
Gillian Cross Introduction
Steven Spurrier Illustrator
Clarke Hutton Illustrator
Kristiina Rikman Translator
Jan Brychta Cover artist
Reisie Lonette Illustrator
Margery Gill Illustrator
Jeremy Holmes Afterword
Edward Ardizzone Illustrator
D.L. Mays Illustrator
Adèle Geras Introduction
Hilary McKay Foreword
Mary Dinsdale Illustrator
Judith Gwyn Brown Illustrator
Charles Mozley Illustrator
Aila Meriluoto Translator
Lucy Mangan Introduction
Dick Hart Illustrator

Statistics

Works
121
Also by
13
Members
15,718
Popularity
#1,446
Rating
3.9
Reviews
284
ISBNs
398
Languages
9
Favorited
42

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