Picture of author.

Rudolf Wittkower (1901–1971)

Author of Architectural Principles in the Age of Humanism

27+ Works 1,759 Members 3 Reviews

About the Author

Rudolf Wittkower was During-Lawrence Professor of the History of Art at the University of London, Chairman of the Department of Art History and Archaeology at Columbia University, Kress Professor at the National Gallery of Art, Washington, and Slade Professor at Cambridge.

Series

Works by Rudolf Wittkower

Associated Works

Man Versus Society In Eighteenth Century (1968) — Contributor — 17 copies
Art in Italy, 1600-1700 (1965) — Introduction — 9 copies

Tagged

Common Knowledge

Canonical name
Wittkower, Rudolf
Birthdate
1901-06-22
Date of death
1971-10-11
Gender
male
Education
Humboldt-Universität zu Berlin (Ph.D | 1923)
Occupations
art historian
professor
Organizations
Columbia University
University College London
Warburg Institute, University of London
Awards and honors
Alice Davis Hitchcock Award (1975)
Bannister Fletcher Prize (1960)
Serena Medal (1957)
Fellow, British Academy (1958)
American Academy of Arts and Sciences (1959)
Accademia dei Lincei (1960) (show all 11)
Accademia di Belle Arti (1959)
Accademia Olimpica (1970)
Commendatore, Ordine al Merito dell Repubblica d"Italia (1972)
American Institute of Architects Award (1986)
American Philosophical Society (1971)
Relationships
Wittkower, Margot (spouse)
Short biography
Rudolf Wittkower was born in Berlin in 1901. Leaving Germany when the Nazis came to power, he was one of the animators of the Warburg Institute of London. In 1941 he organized, with Fritz Saxl, the exhibition British Art and the Mediterranean, the publication of which (1948) forms an important document of the aims and methods of the Warburg Institute. A great scholar of Italian Renaissance and Baroque art, Wittkower taught at both the University of London and Columbia University. His books, all important works of scholarship, include Die Zeichnungen des Gian Lorenzo Bernini (with H. Bruer, 1931), The Drawings of the Carracci at Windsor Castle (1952), Gian Lorenzo Bernini, the Sculptor of Roman Baroque (1955), Art and Architecture in Italy, 1600-1750 (1958), Born under Saturn (with Margot Wittkower, 1963), and Divine Michelangelo: The Florentine Academy's Homage on His Death in 1564 (with Margot Wittkower, 1964). In addition, he was a frequent contributor to the Journal of the Warbung and Courtauld Institute, the Art Bulletin, Burlington Magazine and the Journal of the Society of Architectural Historians, among others.
Cause of death
heart attack
Nationality
Germany (birth)
UK
Birthplace
Berlin, Germany
Places of residence
Berlin, Germany (birth)
London, England, UK
New York, New York, USA
Place of death
New York, New York, USA

Members

Reviews

10 reviews
Despite the authors' insistence that they don't want the book to be a collection of meandering (and contradictory) anecdotes, it's largely what it is. And that's what makes this hilarious, gossipy, and slightly cracked book so great.
Gli artisti sono sempre stati considerati come una razza a parte, lunatica, stravagante, egocentrica, dominata da un temperamento saturnino. Quando, come e perché è nato questo mito? Un grande storico dell'arte, in collaborazione con la moglie Margot, ha studiato i tratti distintivi di questa immagine dell'artista dalla civiltà greca alla Rivoluzione francese.

Lists

Awards

You May Also Like

Associated Authors

Statistics

Works
27
Also by
3
Members
1,759
Popularity
#14,630
Rating
4.2
Reviews
3
ISBNs
94
Languages
7

Charts & Graphs