Picture of author.
59+ Works 1,537 Members 13 Reviews 1 Favorited

About the Author

David Hatcher Childress is the author of numerous books that focus on ancient astronauts, UFOs, and anti-gravity. In Extraterrestrial Archaeology: Incredible Proof We Are Not Alone, Childress uses photographs, drawings, and maps to demonstrate that the moons and planets in our solar system were show more once, and still are, inhabited by extraterrestrial beings. Childress's Lost Cities series, which includes Lost Cities of North and Central America and Lost Cities and Ancient Mysteries of South America, takes the reader on an incredible adventure through time exploring ancient mysteries and lost civilizations. Other Childress books include Anti-Gravity Handbook and Man-Made UFO's 1944-1994: 50 Years of Suppression, which was written with Renato Vesco. Childress resides in Kempton, Illinois. (Bowker Author Biography) show less

Series

Works by David Hatcher Childress

The Fantastic Inventions of Nikola Tesla (The Lost Science Series) (1993) — Editor — 198 copies, 1 review
The Anti-Gravity Handbook (1985) 71 copies
Lost Continents & the Hollow Earth (1999) 40 copies, 1 review
The Mystery of the Olmecs (2007) 31 copies
The Lost World of Cham (2017) 1 copy
Geniusz techniki bogow (2001) 1 copy

Associated Works

Tagged

Common Knowledge

Canonical name
Childress, David Hatcher
Legal name
Childress, David Hatcher
Birthdate
1957
Gender
male
Occupations
author
publisher
Organizations
Adventures Unlimited Press
Nationality
USA
Birthplace
France
Places of residence
Colorado, USA
Montana, USA
Kempton, Illinois, USA
Stelle, Illinois, USA
Associated Place (for map)
USA

Members

Reviews

15 reviews
Ever since I heard about the Shaver Mysteries in The Visual Encyclopedia of Science Fiction I've wanted to read them. Deranged robots, "deros", hanging around in Earth's caverns using degenerate tech from an old civilization to corrupt a modern world? Sign me up!

Well, the experience of actually reading two of Richard Shaver's "true" accounts of life in the past proved less exciting.

The dullness of most of "I Remember Lemuria" -- seemingly, according to Childress' rather sketchy details in show more his accompanying essay "The Shaver Mystery", a 1948 book reprint of the first Shaver story "I Remember Lemuria!" from the March 1945 issue of Amazing Stories -- reminds me of the typical utopian novel. Our narrator, one Mutan Mion, who inscribed his stories on metal plates for Richard Shaver to find, is a not very talented artist sent to Tean City for better education. Mutan is an ordinary man living in Sub-Atlan which is in the hollow earth beneath Atlantis. There he not only meets the love of his life, the "variform" Arl of purple fur, a tail, and cloven hoofs, but encounters an atmosphere of paranoia and fear as one of the Titans - humans unpoisoned by the sun and who continually grow in body and brain, wisdom and intelligence, throughout their life - is killed and another hints at a plot to overthrow the government. (Shaver ignores most of the consequences of this biological peculiarity of continual growth, but he does note that this world's buildings have no roofs.)

Soon Mutan and Arl are on the run to the Nortans, a planet of giants, including the 80 foot tall Vanue who bonds men to her with irrestisible sexual attraction. And there is a return to Earth to battle for the soul of civilization and the revelation of the evil doings of the deros in caverns near the surface and their evil, degenerate master.

Now this is a lot less interesting than it sounds because the editor of Amazing Stories, Ray Palmer, expanded Shaver's original 10,000 word story into a mini-epic of 31,000 - mostly with a lot of footnotes which purport to show how the story's events fit in with certain mythologies or refute the understanding of modern physics or more clearly explain the notion that our aging sun's radiation is now an age-producing poison that also affects the mind. And there is a whole lot of talk about Mantong. That's the notion, proposed by Shaver in a 1943 letter to Amazing Stories, that all 26 letters of our alphabet represent concepts, and that every English word could be decoded to show what it represents in that most ancient of humanity's languages. Bogus etymologies don't interest me much though we did get the cool word "deros". As a story, things don't get interesting until about three-fourths of the way through, but, as an example of a bizarre mixture of anxiety about the Atomic Age, hollow earth theories, Lemuria, the idea that man has degenerated from ancient physical perfection, proto-von Daniken ancient astronauts, the perils of centralized government, and technosex, it is weirdly compelling.

Things are a lot more interesting and enjoyable, in a pulpy sort of way, in "The Return of Sathanas" - and, no, it's not at all coincidental that Sathanas sounds like Satan. Our narrator Mutan is back. It's thousands of years later, and now he's a member of the Nor Patrol of the Nor Empire and out to bring back that Titan gone bad, his mind poisoned by the sun, Sathanas. In the pursuit, Mutan gets involved in a war between the human Aesir and the giant Jotans (yes, Norse mythology is discussed). Sathans captures Mutan and Arl and wants to perversely use growth rays on the beautiful Arl - famous for her expert use of pleasure enhancing stim rays - to turn her into the supreme example of the sex slaves he traffics in. The footnotes explicitly reference Charles Fort a number of times and often suggest the use of technology by deros to produce horrors in our surface world including the rather tasteless suggestion, for a 1946 story, that Nazi concentration camp guards were influenced by deros in order to get a little flesh for the latter's cannibalistic needs.

The rest of the book is the usual "alternative history" you get in books like this which is to say some interesting details if not believable conclusions. Childress repeats himself sometimes but provides a look at the history of the hollow earth idea - though not as good as the one in Kooks: A Guide to the Outer Limits of Human Belief. We are told of underground structures in Central Asia and South America and given some pretty fabulous traveler's tales of other structures and vast tunnel systems by people like Nicholas Roerich and Ferdinand Ossendowski.

And there really aren't any robots, deranged or otherwise.
show less
Largely incoherent rant about UFO's, government cover-ups, and other pseudo-sciences pertaining to anti-gravity, complete with out-of-context (and out-right invented) attributions to Einstein and Tesla, and sources of "evidence" taken from underground comix publications, with the usual typos, misspellings, and incomplete sentences (along with ads for the author's other new age publications), typical of similar self-published works
Aren't there any good books written about Nikola Tesla?? This is the second one I've read, and both have been below par. "Fantastic Inventions" has entire chapters consisting of Tesla's patent drawings, none of which I can understand, being that I know nothing about how electricity works. But even if I did, there are no explanations accompanying the drawings, so what good are they? Other chapters seem to be lectures or articles he wrote. The Appendix is a partial transcript of a trial -just show more the part where witnesses are trying to describe the conditions of Tesla's Wardenclyffe Tower before it was demolished. Some reprints of newspaper articles and photographs of the laboratories liven things up, but this books was very disappointing overall.
I took out of this two things of interest; One, that in his article of March 5, 1904 (Electrical World and Engineer) he states "... A cheap and simple device, which might be carried in one's pocket, may then be set up somewhere on sea or land, and it will record the world's news or such special messages as may be intended for it. Thus the entire earth will be converted into a huge brain, as it were, capable of response in every one of its parts." (Sounds like cell phones w/Internet access to me!) Two, that the mad scientist in the very first Max Fletcher "Superman" cartoons of the early 1940's were most likely patterned after Tesla, who believed that he had created a "Death-Beam" in 1934.
show less
Couldn't even finish this book despite the fascinating subject. Full of spelling and typographical errors, scattered, overall just very poorly written. If the writing and publishing was so sloppy, who is to say that the research was done properly? Not only annoying to try to read, but I can't trust the content. The only reason I gave this book 2 stars instead of 1 is because I did get other book and subject ideas to read from it. Could have been a great book, sad really.

You May Also Like

Associated Authors

Statistics

Works
59
Also by
2
Members
1,537
Popularity
#16,746
Rating
½ 3.4
Reviews
13
ISBNs
89
Languages
10
Favorited
1

Charts & Graphs