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About the Author

Alex W. White has shaped the design of many magazines and identity programs. He has been a consultant to dozens of publications and has lectured widely on typography and design to professionals in the Americas and Europe

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White, Alex W.
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11 reviews
Excellent Resource for Print & Electronic Designers

As a newbie to typography, I found "Type in Use" to be an excellent introduction to the field. It's written in a clear and concise manner; though it's straightforward and easy to understand, I didn't feel as though the information was watered down, either.

At least half of the book consists of pictorial examples, which serve to illustrate the principles laid forth in the text. There's also a good deal of "white space," which demonstrates show more White's ability to practice what he preaches. As a result, the book isn't too heavy on actual text. Nonetheless, White has an envious ability to express himself succinctly, efficiently, and in as few words as possible - so the lack of actual reading doesn't pose a problem.

The book's divided into twelve chapters, with one each focusing on the following topics: text; headlines; subheads; breakouts; captions; department headings; covers; contents; bylines and bios; folios and font lines; web typography; and the history of type. White begins each chapter with a discussion of the fundamentals, and then turns to real-life examples to help illustrate his points. A short paragraph accompanies each picture, and all are arranged in an organized, pleasing manner.

I only have two issues with "Type in Use." The text which sits alongside the examples is printed in red as opposed to black (black is the color of the introductory text). I'm not sure if my copy of the book was flawed, or if this is a universal problem, but the red type on some pages appeared to be smudged and smeared, making it difficult to read. Even on those pages without blemishes, I found that the red type strained my eyes; there's just so much red that it becomes distracting.

Also, I was happy to see that White included a chapter on Web typography, but I would have been happier had the discussion been more in-depth. The final chapter, "The History of Type in Use," was wholly unnecessary and didn't contribute much to the overall discourse; White's readers would have been better served had be omitted chapter 12 and extended his discussion of the Internet. I realize that the book was written in 1992 and revised in 1999 - and six years may as well be six eons in "tech time" - but the Web chapter struck me as very out-of-date. For example, I had to smirk when he announced that Photoshop 5.0 had recently introduced "significant improvements" in the area of type; I don't think I even know anyone who's using a version earlier than 7.0! He also appeared to be agreeable to Flash animation, which today is so overused and abused that it has become the bane of web design.

Nonetheless, I would most definitely recommend "Type in Use" to both novices and experienced typographers alike.

http://www.easyvegan.info/2005/05/10/type-in-use-effective-typography-for-electr...
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I read a lot of books about graphic design both for my research work and for general interest on my part as someone who often has to produce attractive things, but this one stood out because it's a nice slim volume that contains just enough history to be interesting to read through in few sittings, and enough examples and ideas to be used as a quick reference guide. I'm not sure I've ever seen another volume where the balance was as perfect for my regular casual needs, so although this was show more one of many from the public library, I may be getting a copy for my personal library sometime. show less
Okay. Book on graphic design. You expect it to be well-designed.

I'm not sure if this one was or not: maybe that was the purpose. It was incredibly informative (especially on typesetting, for some reason), but the layouts and graphics seemed to break a lot of the rules that he was trying to get across. You'd look at a page and have no idea where to start reading, there were so many text boxes on it. And yet it wasn't hard to read, or boring, or confusing--you just had to dance around a show more lot.

Recommended?
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Some good info, but its buried in pages of disorganized filler. Readability is sacrificed for visual flare on each page which makes for a hard read. (Ironically, this is what White instructs designers not to do). He introduces terms without defining them until chapters later. He can't seem to decide whether he is writing a guide for beginners or his grand treatise as a designer with years of experience. Generally his tone is pedagogical and snobby.

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Works
11
Members
477
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Rating
3.9
Reviews
11
ISBNs
22
Languages
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