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David Sylvester (1924–2001)

Author of Interviews with Francis Bacon

83+ Works 1,173 Members 9 Reviews

About the Author

David Sylvester is an internationally renowned art critic who in 1993 became the first art critic to receive a Golden Lion at the Venice Biennale. (Bowker Author Biography)

Works by David Sylvester

Interviews with Francis Bacon (1975) 371 copies, 2 reviews
Magritte (1992) 106 copies, 1 review
Looking at Giacometti (1994) 87 copies
Modern Art (1965) 31 copies, 2 reviews
Bridget Riley (2015) 20 copies, 1 review
Francis Bacon : Exposition, Paris, Centre Georges Pompidou (1996) — Sous la direction de — 18 copies
Henry Moore (1968) 11 copies
Richard Hamilton (1973) 10 copies
Ten Sculptures (1997) 6 copies
London Recordings (2003) 6 copies
John Cage (2012) 5 copies
Figurabile: Francis Bacon (1993) 5 copies
LOOKING AT MODERN ART (2002) 4 copies
Francis Bacon : papes et autres figures (1999) 4 copies, 1 review
Memoirs of a Pet Lamb (2002) 4 copies
Francis bacon (1994) 4 copies, 1 review
Bacon 4 copies
Patrick Hughes (1994) 2 copies
Rene Magritte (1969) 2 copies
Jasper Johns Drawings (1974) 1 copy
Malcolm Morley (1990) 1 copy
Francis Bacon (1999) 1 copy

Associated Works

Granta 65: London (1999) — Contributor — 224 copies, 1 review
Francis Bacon: Important Paintings from the Estate (1998) — some editions — 15 copies
Alex Katz - La vita dolce (2022) — Contributor — 2 copies

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Common Knowledge

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Reviews

9 reviews
A thorough and detailed discussion of Irish-British painter Francis Bacon’s (1909-1992) work and process. The interviews in the book were melded from a series of interviews over a period of twenty-five years with David Sylvester, a writer, art critic and authority on Bacon.

There are a few subjects Sylvester returns to more than once and teases out. Bacon’s preference for painting portraits from photographs rather than the seated person. “They inhibit me.” His affinity for a sense of show more meat in paintings, religious imagery, using triptychs as a format. His preference for not telling a story or narrative with his paintings. “The moment the story enters, the boredom comes upon you.”

There’s some discussion of how Bacon’s world view affects his work. “I’m always surprised when I wake up in the morning,” and “You can be optimistic and totally without hope.”

There are color plates of many of Bacon’s unsetting images and in some cases the sources of their inspiration. The book itself is physically substantial, of high quality with thick glossy pages and the many illustrations. David Sylvester is a penetrating interviewer. Bacon is an honest and articulate subject. It makes for a fascinating series of interviews and book.
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½
A good book but I was hoping for some juicy interviews. Mostly David Sylvester asks him about his methods, materials, a lot of stuff that's specific to oil painting, not a lot of hot goss in here. It's nice that Francis Bacon didn't get his start until he was 35, nor did he ever get to school, and I liked the part where he describes painting a screaming mouth like Monet paints a sunset. You gotta really want to know about his process, I really wanted to know about his boyfriends.
The exhibition at the Hayward Gallery was a really great retrospective with lots of fantastic work spanning decades. Her paintings are miracles. This book is lovely and well produced, and a nice reminder of it. The essays are interesting though some of them do cover similar ground but I always learn something reading about Bridget Riley's work and methods.

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Works
83
Also by
4
Members
1,173
Popularity
#21,938
Rating
4.0
Reviews
9
ISBNs
105
Languages
11

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