Mark Verheiden

When planning out my "Infinite Crisis" reading project, I almost skipped over this one, but it turns out to be somewhat less tangential than I imagined. It starts with a story called "Power," where Superman overreacts to a villain's threat. Poor guy, between this story, For Tomorrow, and Day of Vengeance, he is not having a good time this year.

We then jump ahead to "Sacrifice," which takes place between the pages of The OMAC Project. Here, we learn that Maxwell Lord has been undermining show more Superman, slowly conditioning him into a weapon he can activate at command. Much of this was covered in a text recap page in The OMAC Project, and I'm not sure it really benefits from being fully dramatized here; the story is pretty repetitive: first Superman imagines Brainiac is controlling Lois, then Darkseid. At least John Byrne is there to draw (some of) the pictures! The best part of the story is definitely the final one, already reprinted in The OMAC Project, where Wonder Woman resolves to do what she has to do to put an end to all this.

Then there are three followup stories, one ("Affirmative Defense") where Wonder Woman tries to decide if she did the right thing, all while handling the next crisis, and another ("Fragmentation") where Superman remembers everything you just read in "Sacrifice," though this time he imagines it was Doomsday going after Lois. Again, the Wonder Woman one is the more interesting: I think I just don't care about the "dilemma" posed by this strand of Superman stories, an examination of whether or not Superman is too dangerous/powerful to even exist. It's just totally a false dilemma: Superman is not the danger, Maxwell Lord is. If Superman didn't exist, the threat posed by Max would be no less potent. Finally, in "Home," Superman and Superboy team up to save Steel from an OMAC at the North Pole. It's perfunctory and not very interesting.

Though Sacrifice promises fascinating repercussions (we'll see if these actually happen), it's just not a very interesting story on its own, I think. I like what I saw of it in The OMAC Project, but what we see here is mostly the set-up, not the pay-off.

DC Comics Crises: « Previous in sequence | Next in sequence » show less

My boyfriend lends me these volumes and I really enjoy them. So glad he decided to share.

I like xenomorphs, they're scary and creepy and amazing. They're my favorite fictional alien species so far and I like that they took the creature and have expanded stories about encounters with them that explore the dark corners of human nature where greed and self-preservation at all costs lurk. This volume was very cool, particularly at the end. The Mondo one shots at the end were my favorite stories show more in this collection, largely because they add humor and a crazy awesome character into the human-xenomorph mix. I also really like how the art style changes between stories because it helps make each story unique while preventing me from getting bored of the same thing over and over again. All in all this is a very good collection that I highly recommend to fans of the Alien franchise or even anyone just looking for some space/alien horror. show less

The way that this was presented...clearly this was supposed to be some sort of huge life-changing moment of grappling with morality and relationships? But if you present me with an incredibly ripped Diana who does not have time for any supervillain moral quandary nonsense, I'm going to feel amazingly good about it. Superman and Batman need to Get Over it and also accept that every superhero group needs at least one of this person. Team Diana all the way.

Wonder Woman's pivotal moment is well executed and memorable, and Superman's chagrin at various points is very well depicted -- but even so, it cannot quite keep from feeling like an actionfest interrupted mainly by large hallucinatory sequences. Which is not my cup of tea.