Jeremy Narby
Author of The Cosmic Serpent
About the Author
Jeremy Narby, Ph.D., grew up in Canada and Switzerland, studied history at the University of Canterbury, and received his doctorate in anthropology from Stanford University.
Works by Jeremy Narby
Associated Works
Plantes & chamanisme : conversations autour de l'ayahuasca & de l'iboga (2011) — Author, some editions — 6 copies, 1 review
Tagged
Common Knowledge
- Canonical name
- Narby, Jeremy
- Birthdate
- 1959
- Gender
- male
- Education
- Stanford University (PhD|Anthropology)
- Occupations
- anthropologist
- Nationality
- Canada
- Birthplace
- Montreal, Quebec, Canada
- Associated Place (for map)
- Quebec, Canada
Members
Reviews
If I was feeling really kind and generous, I would call this book "woefully misinformed and outdated". If I was feeling cynical and insensitive I would say that it is just complete crap. I'm feeling somewhere in the middle.
The irony of this book is that the first couple chapters are devoted to bemoaning the fact that no one takes anthropologists seriously. The rest of the book is devoted to making wild generalizations based on faulty, incomplete science.
Essentially it goes like this: The show more author went to the Amazon to study Amazonian Shamans. He took the drugs that the shamans take. While he was hallucinating, he saw brightly colored snakes. He asked the other members of the tribe and they said that they saw snakes too. He read some books about drug-induced hallucinations in other indigenous tribes around the world and learned that they see snakes too. Thus, he decided that when shamans take hallucinogenic drugs, the "snakes" that they are seeing are actually DNA, and the DNA talks to them.
Do you see the disconnect? Apparently it seemed much more logical to the author that all squiggles and snakes in artwork and mythology are direct communication from DNA than that squiggles and snakes are very common shapes. The author tries to debunk modern biology using the same tactics that he complained about biologists using against anthropology. He says that all biologists are cold and overly-rational and "deny themselves a sense of wonder". For example, the following paragraph:
"One of the facts that troubled me most was the astronomical length of the DNA contained in a human body: 125 billion miles. There, I thought, is the Ashaninca {an Amazonian tribe with a myth about a rope that connects earth and heaven}'s sky-rope. It is inside us and is certainly long enough to connect earth and heaven. What did biologists make of this cosmic number? Most of them did not even mention it, and those who did talked of a 'useless but amusing fact.'"
What more does he want from biologists? Yes, that is a very very large number. We do sometimes sit back and think about how large that number is. But what else are we supposed to do? Stop doing science immediately because omg look at how big that number is?
The author apparently believes that his theories are scientifically sound, because he read some books on genetics. However, since the author did not start learning about molecular biology or biochemistry or genetics until after he had come to his conclusions, his evidence is circumstantial at best, but mostly leans toward flat-out-wrong. He believes things about DNA replication and cell structure that are not true, and confuses metaphors that are commonly used to teach genetics with actual genetics. Like most other creationism arguments (and that is what this book turns out to be), the author uses a very common set of examples that supposedly provide proof against evolution. As usual, these are all easily proven incorrect.
It's a good thing that I was rather fond of anthropology before I read this book, because otherwise reading drivel like this would certainly turn me off. show less
The irony of this book is that the first couple chapters are devoted to bemoaning the fact that no one takes anthropologists seriously. The rest of the book is devoted to making wild generalizations based on faulty, incomplete science.
Essentially it goes like this: The show more author went to the Amazon to study Amazonian Shamans. He took the drugs that the shamans take. While he was hallucinating, he saw brightly colored snakes. He asked the other members of the tribe and they said that they saw snakes too. He read some books about drug-induced hallucinations in other indigenous tribes around the world and learned that they see snakes too. Thus, he decided that when shamans take hallucinogenic drugs, the "snakes" that they are seeing are actually DNA, and the DNA talks to them.
Do you see the disconnect? Apparently it seemed much more logical to the author that all squiggles and snakes in artwork and mythology are direct communication from DNA than that squiggles and snakes are very common shapes. The author tries to debunk modern biology using the same tactics that he complained about biologists using against anthropology. He says that all biologists are cold and overly-rational and "deny themselves a sense of wonder". For example, the following paragraph:
"One of the facts that troubled me most was the astronomical length of the DNA contained in a human body: 125 billion miles. There, I thought, is the Ashaninca {an Amazonian tribe with a myth about a rope that connects earth and heaven}'s sky-rope. It is inside us and is certainly long enough to connect earth and heaven. What did biologists make of this cosmic number? Most of them did not even mention it, and those who did talked of a 'useless but amusing fact.'"
What more does he want from biologists? Yes, that is a very very large number. We do sometimes sit back and think about how large that number is. But what else are we supposed to do? Stop doing science immediately because omg look at how big that number is?
The author apparently believes that his theories are scientifically sound, because he read some books on genetics. However, since the author did not start learning about molecular biology or biochemistry or genetics until after he had come to his conclusions, his evidence is circumstantial at best, but mostly leans toward flat-out-wrong. He believes things about DNA replication and cell structure that are not true, and confuses metaphors that are commonly used to teach genetics with actual genetics. Like most other creationism arguments (and that is what this book turns out to be), the author uses a very common set of examples that supposedly provide proof against evolution. As usual, these are all easily proven incorrect.
It's a good thing that I was rather fond of anthropology before I read this book, because otherwise reading drivel like this would certainly turn me off. show less
I read Jeremy Narby's The Cosmic Serpent in a sequence that I began with Bateson's Mind and Nature: A Necessary Unity and continued with Koestler's The Ghost in the Machine. All of these books are generalist studies that apply the latest (1960s for the earlier ones, and 1990s for Narby) scientific information about biology and evolution to problems that include the nature of consciousness and the alienation of humanity. Narby, like Bateson, is an anthropologist by primary academic training. show more Like Koestler in The Ghost in the Machine, he turns vigorously against the intellectual status quo, challenging the implicit doctrines of anthropology in the way that Koestler does for psychology. All three authors ultimately reject to varying degrees the mechanistic materialism that is the principal intellectual heritage of the 19th and 20th centuries.
Narby's (prudent) decision to frame his book as a narrative of personal discovery creates an apparent kinship with the "thick description" ethnography of Geertz, but one of his indictments of the anthropological field is that its texts (particularly those of the structuralists) tend to be arcane and tedious. A graver accusation, and probably one of more general application, is that anthropologists are involved in a work of cultural and intellectual expropriation, plundering the knowledge of societies they study, but attempting to "preserve" indigenous peoples by insulating them from the ability to criticize or benefit from Western knowledge. He also insists that the method and products of comparative religion (after the fashion of Eliade) deserve rehabilitation in the face of anthropological critiques.
Although rooted in Narby's experiences doing anthropological fieldwork among the Ashaninca people of the Amazon basin, the thesis of this book was developed through a cultivated mixture of academic textual research and "defocusing" non-rational contemplation. Wrestling with such difficulties as the mechanisms of hallucination and the nature of spirits that provide indigenous people with sophisticated botanical knowledge, he began to understand metaphoric expression and interpretation as necessary to his work. The section that describes the development of his method culminates in a fusion of his abstracted awareness with his concrete surroundings: "The path I was following led to a crystalline cascade gushing out a limestone cliff. The water was sparkling and tasted like champagne" (52). I read this partly to describe the exhilaration of his emergence from the rational academic consensus, and also as a metaphor for DNA (the "crystalline cascade") as the destination of the intellectual "path [he] was following."
After much provocative exploration of molecular biology and comparative shamanism (for which his sources are all of impeccable credibility), Narby intimates that it may be a function of the "junk DNA," which comprises the vast majority of known bio-genetic material, to communicate and coordinate through the emission and reception of electromagnetic signals. Consequently, the entire biosphere may possess a single, ramified consciousness -- the Cosmic Serpent of the title -- which is accessible in whole or part to individual humans with the use of shamanic techniques.
It is of no small interest to me that Narby's ideas track very closely with my own accustomed readings of preeminent passages in Thelemic scripture, as well as illuminating certain symbols of secret initiation to the real summit of the Royal Art. My reading of this book (and it didn't take very long) was attended by some notable synchronistic experiences. To instance one: I acquired an "Aquarius Dragon" to supplement a card game, with the net effect that the game now represents a world of five elements uncoiling from a dragon. [And minutes after first writing this review, I read that the private aerospace company Space X will be launching their Dragon vehicle to dock with the International Space Station this weekend.]
I hugely enjoyed this book, and I anticipate that I will eventually get around to its successor volume Intelligence in Nature. In the meanwhile, however, this thread of my reading will take a turn into the anthology volume Entheogens and the Future of Religion. (Narby, by the way, discountenances the term entheogen because of its metaphysical baggage. He passes no judgment on the word psychedelic -- which seems congenial to his thesis -- but he uses and seeks to revalorize hallucinogen, insisting that its pejorative connotation is alien to its etymology.) show less
Narby's (prudent) decision to frame his book as a narrative of personal discovery creates an apparent kinship with the "thick description" ethnography of Geertz, but one of his indictments of the anthropological field is that its texts (particularly those of the structuralists) tend to be arcane and tedious. A graver accusation, and probably one of more general application, is that anthropologists are involved in a work of cultural and intellectual expropriation, plundering the knowledge of societies they study, but attempting to "preserve" indigenous peoples by insulating them from the ability to criticize or benefit from Western knowledge. He also insists that the method and products of comparative religion (after the fashion of Eliade) deserve rehabilitation in the face of anthropological critiques.
Although rooted in Narby's experiences doing anthropological fieldwork among the Ashaninca people of the Amazon basin, the thesis of this book was developed through a cultivated mixture of academic textual research and "defocusing" non-rational contemplation. Wrestling with such difficulties as the mechanisms of hallucination and the nature of spirits that provide indigenous people with sophisticated botanical knowledge, he began to understand metaphoric expression and interpretation as necessary to his work. The section that describes the development of his method culminates in a fusion of his abstracted awareness with his concrete surroundings: "The path I was following led to a crystalline cascade gushing out a limestone cliff. The water was sparkling and tasted like champagne" (52). I read this partly to describe the exhilaration of his emergence from the rational academic consensus, and also as a metaphor for DNA (the "crystalline cascade") as the destination of the intellectual "path [he] was following."
After much provocative exploration of molecular biology and comparative shamanism (for which his sources are all of impeccable credibility), Narby intimates that it may be a function of the "junk DNA," which comprises the vast majority of known bio-genetic material, to communicate and coordinate through the emission and reception of electromagnetic signals. Consequently, the entire biosphere may possess a single, ramified consciousness -- the Cosmic Serpent of the title -- which is accessible in whole or part to individual humans with the use of shamanic techniques.
It is of no small interest to me that Narby's ideas track very closely with my own accustomed readings of preeminent passages in Thelemic scripture, as well as illuminating certain symbols of secret initiation to the real summit of the Royal Art. My reading of this book (and it didn't take very long) was attended by some notable synchronistic experiences. To instance one: I acquired an "Aquarius Dragon" to supplement a card game, with the net effect that the game now represents a world of five elements uncoiling from a dragon. [And minutes after first writing this review, I read that the private aerospace company Space X will be launching their Dragon vehicle to dock with the International Space Station this weekend.]
I hugely enjoyed this book, and I anticipate that I will eventually get around to its successor volume Intelligence in Nature. In the meanwhile, however, this thread of my reading will take a turn into the anthology volume Entheogens and the Future of Religion. (Narby, by the way, discountenances the term entheogen because of its metaphysical baggage. He passes no judgment on the word psychedelic -- which seems congenial to his thesis -- but he uses and seeks to revalorize hallucinogen, insisting that its pejorative connotation is alien to its etymology.) show less
Fascinating hypothesis: that in hallucinatory trances induced by psychoactive plants, shamans are able to perceive and receive metaphorical communication from their own microbiology, their own DNA. Narby seems convinced as a result of his experiences and research that some kind of intentional mind universally underlies matter. But it's not necessary to go that far to feel that his speculations are important and inspiring. They are important to me because they challenge the self-fulfilling show more prophecies of a narrowly reductionist, mechanistic conception of life, consciousness, and matter. The reductionist consensus, a sometimes absurd overreaction against pre-scientific metaphysical approaches, doesn't do justice to the dynamism and irreducible complexity of the real. And it's been put entirely at the service of a political economy that wants to commodify everything that lives. Narby's way offers an open sky of inquiry rather than a sealed box. And the naysayers should go back and read The Structure of Scientific Revolutions to understand how the insights of outsiders and non-experts can contribute to paradigm shifts in scientific understanding. show less
I read around Narby's book in the years after it came out, on the early millennial internet. I leafed through it a few times at bookstores. I finally got down to actually reading it, out of order, after having read his more recent Plant Teachers. The gist is, Narby hypothesizes, that hallucinogens, like ayahuasca, allow shamans to communicate with DNA. DNA, the "cosmic serpent" of the title, the theory goes, is a kind of radio transmitter and receiver, and binds all living things together. show more On a side theory, Narby thinks DNA was sent here, panspermia style (which, and this is the major failing of panspermic theory only pushes the mysterious origins of life elsewhere and further back in time). Narby gets to his theory, his surmises, his philosophical questions, really by a combination of anthropological research among ayahuasceros, research into anthropology and biological sciences, and flashes of insight. A lot of things to chew on intellectually, maybe not all right, but interesting nonetheless. You can tell why this is a foundational book in smart New Age circles, it is a key book among the druggie New Age set, too. show less
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