Derrick Barnes

2018 ALA YMA awards: Newbery Honor, Caldecott Honor, Coretta Scott King Honor

Absolutely loved these fresh, gorgeous illustrations. The loose, expressive brushwork perfectly conveys the boy's self-confidence as he describes the experience - the ritual - of a weekly haircut.

"He looks like he owns a few acres of land on Saturn.
Maybe there's a river named after him on Mars.
He looks that important."

From the Author's Note:
I wanted to capture that moment when black and brown boys all over America show more visit "the shop" and hop out of the chair filled with a higher self-esteem, with self-pride, with confidence, and an overall elevated view of who they are....
Crown: An Ode to the Fresh Cut focuses on the humanity, the beautiful, raw, smart, perceptive, assured humanity of black boys...and how they see themselves when they highly approve of their reflections in the mirror. show less

Safe to say, there’s nothing like the feeling of the fresh cut. You feel so extra visible with a fresh new cut, and this book built from that experience translates it in a way never before brought to the children’s bookshelf.

Basquiat-inspired king insignias and a bit of Kehinde Wiley flair shape portraits of all the various ways men (and women too!) come into the black barbershop to restore their cool, leaving the chair with high self-esteem, self-pride, and confidence—if only for as show more long as their hairlines remain crisp. It’s sacred. The all-important line and the diverse styles take center stage here. The Big Daddy Kane–homage flat-top. The part. The light shape-up surrounded by cornrows and locs. The taper. The classic wavy dark Caesar. Barnes’ imaginative prose mirrors the hyperbole and swagger of the barbershop. No cut is just good. It will have you looking “presidential,” “majestic.” Like you own “a couple of acres of land on Saturn.” The swagger is on a million. The sauce is drippin’. James’ oil-based portraiture will send many readers reminiscing. This book oozes black cool and timely, much-needed black joy, using the unique and expansive experience of the barbershop to remind young boys that their inner lives have always mattered there.

One of the best reads for young black boys in years, it should be in every library, media center, and, yes, barbershop. (Picture book. 5-12)

-Kirkus Review show less

When Mom and Dad bring baby Rasheed home for the first time, it’s love at first sight for big brother Anthony.

As the boys grow, Anthony teaches his little sibling how to build a tower with blocks (and how to knock it down with a loud “WHOP!!!”), how to ride a bike, and even how to fly (through a well-timed leap from the swings). When thunder and lightning wake them both one night, Anthony assuages Rasheed’s fears with the book’s titular refrain: “I got you.” But one day Anthony show more goes for a bike ride with his friends, leaving Rasheed alone and hurt. That night, Anthony explains that while he may spend time with his peers, his bond with Rasheed is unbreakable. And as the book comes to a close, with Mom and Dad introducing the boys to their new little sibling, Anthony leaves Rasheed with perhaps the greatest lesson of all: how to be a supportive big brother himself. Narrated by Rasheed, Barnes’ text is elegant in its simplicity, loving yet never saccharine, and always emotionally honest. Using varied perspectives, Knight-Justice’s richly hued, collagelike digital illustrations combine a patchwork of textures and patterns, immersing readers in this affectionate Black family’s world. Greens and blues dominate the pages, bringing to life an idyllic suburban setting.

Brotherly love and Black joy abound in this brilliantly told tribute to the ties that bind. (Picture book. 4-8)

-Kirkus Review show less

Safe to say, there’s nothing like the feeling of the fresh cut. You feel so extra visible with a fresh new cut, and this book built from that experience translates it in a way never before brought to the children’s bookshelf.

Basquiat-inspired king insignias and a bit of Kehinde Wiley flair shape portraits of all the various ways men (and women too!) come into the black barbershop to restore their cool, leaving the chair with high self-esteem, self-pride, and confidence—if only for as show more long as their hairlines remain crisp. It’s sacred. The all-important line and the diverse styles take center stage here. The Big Daddy Kane–homage flat-top. The part. The light shape-up surrounded by cornrows and locs. The taper. The classic wavy dark Caesar. Barnes’ imaginative prose mirrors the hyperbole and swagger of the barbershop. No cut is just good. It will have you looking “presidential,” “majestic.” Like you own “a couple of acres of land on Saturn.” The swagger is on a million. The sauce is drippin’. James’ oil-based portraiture will send many readers reminiscing. This book oozes black cool and timely, much-needed black joy, using the unique and expansive experience of the barbershop to remind young boys that their inner lives have always mattered there.

One of the best reads for young black boys in years, it should be in every library, media center, and, yes, barbershop. (Picture book. 5-12)

-Kirkus Review show less