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Billie Holiday (1915–1959)

Author of Lady Sings the Blues

313+ Works 2,034 Members 46 Reviews 4 Favorited

About the Author

Billie Holiday, "Lady Day," started singing in Harlem nightclubs when she was 14 years old; she began singing professionally at the age of 15. She was discovered by impresario John Hammond and bandleader Benny Goodman in 1933. She appeared in bands with Benny Goodman, Count Basie, Artie Shaw, and show more others. She also had a successful solo career, giving concerts in the United States and Europe. Her addiction to narcotics and alcohol brought about her early death at the age of 44. She sang mostly popular tunes of the day with her own unique "bluesy" style. Her recordings are still reissued, and a film based on her life, Lady Sings the Blues, starring Diana Ross, was released in 1972. (Bowker Author Biography) show less

Series

Works by Billie Holiday

Lady Sings the Blues (1956) 911 copies, 14 reviews
God Bless the Child (2003) 187 copies, 11 reviews
Lady in Satin (2010) 58 copies, 2 reviews
Billie Holiday's Greatest Hits (1995) 23 copies, 1 review
Songs For Distingué Lovers (1957) 22 copies
Billie's Best (1992) 21 copies, 1 review
Billie's Blues (1962) 19 copies
All or Nothing at All (1995) 15 copies, 1 review
Billie Holiday Songbook (1986) — Vocals — 15 copies
Billie Holiday Love Songs (1996) 13 copies, 1 review
Billie Holiday: 16 Most Requested Songs (1993) — Vocals — 11 copies
Billie Holiday (2002) 11 copies
The Silver Collection (1990) — Vocals — 10 copies
Compact Jazz (1990) 9 copies
From the Original Decca Masters — Performer — 9 copies
The Ultimate Collection 8 copies, 1 review
Me Myself & I (2008) 7 copies
A Musical Romance (2009) — Vocalist — 6 copies
Body and Soul (2002) 6 copies
All of Me [Sound Recording] (1995) — Artist — 6 copies
Strange Fruit (2002) 6 copies
The Lady Sings [4 CD Set] (1973) 6 copies
Ultimate Billie Holiday (1998) 5 copies
The Gold Collection (2005) 5 copies
Billie Holiday [10 CD-Set] (2005) — Vocals — 5 copies
49 Original Recordings (2005) 4 copies
God Bless the Child [MCA Special Comp.] (1994) — Vocals — 4 copies
God Bless The Blues (2001) 4 copies
Solitude (2015) 4 copies, 1 review
Great American Songbook (2007) 4 copies
American Legends: Billie Holiday — Vocals — 4 copies
Genius of Lady Day (2004) 3 copies
Billie Holiday For Lovers (2002) 3 copies
Stay with Me (1991) 3 copies, 1 review
Svart stjärna 3 copies
A Fine Romance 2 copies
Forever Lady Day [3 CD] (2011) 2 copies
Columbia Jazz 2 copies
God Bless the Child [Retro Music Comp.] (1994) — Vocals — 2 copies
Billie Holiday 2 copies
Essential Billie Holiday (2002) 2 copies
As Time Goes By (2018) 2 copies
Billie Holiday (2005) 2 copies
Essential Recordings (2000) 2 copies
Golden Hits (1996) 2 copies
Golden Legends 2 copies
At Storyville (2015) 1 copy
Billie Holiday [Signature Records] (2012) — Vocals — 1 copy
Blue Moon 1 copy
Billie Holiday 1 copy, 1 review
Billie Holiday: ICON (2011) 1 copy
Yesterdays 1 copy
My Greatest Songs (2005) 1 copy
Love Songs 1 copy
Tenderly 1 copy
No Regrets 1 copy
Billie Holiday [Everest Records] (1973) — Vocals — 1 copy
Billie Holiday [MGM Records] (1965) — Vocals — 1 copy
Last Recording (2002) 1 copy
Lover man 1 copy
Real (2011) 1 copy
Lady Day Swings (2002) 1 copy
1942-50 1 copy
Lady Day Swings! (2002) 1 copy
Commodore Master Takes (2000) 1 copy
Billie Holiday [Pacifica Radio Archive] (1983) — Vocals — 1 copy
the golden years LP (1962) 1 copy
Guilty 1 copy
Billie Holiday 1939/42 (2003) 1 copy
Moanin' low 1 copy
Europa Jazz 1 copy
Billie Holiday : The Centennial Collection (2015) — Vocals — 1 copy
Collection (2007) 1 copy
Vol. 1-Easy Living (2007) 1 copy
Cheek To Cheek (1958) 1 copy
Blue Billie (2002) 1 copy
American Songbook (2005) 1 copy
Great Billie Holiday (2008) 1 copy
Summertime 1 copy

Associated Works

The Norton Book of Women's Lives (1993) — Contributor — 443 copies, 1 review
I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse (1983) — Contributor — 181 copies, 1 review
The Best of Ken Burns' Jazz [sound recording] (1992) — Contributor — 57 copies
Lady Sings the Blues [1972 film] (1972) — Original book — 47 copies, 1 review
Lady Sings the Blues: Original Motion Picture Soundtrack (1972) — Songwriter — 20 copies, 1 review
Watchmen: Original Motion Picture Soundtrack (2009) — Contributor — 7 copies
Verve Jazz Masters 20: Introducing Jazz Masters (1993) — Performer — 6 copies
Pure Jazz [Verve] (2001) — Contributor — 5 copies
Verve Unmixed (2002) — Contributor — 4 copies
Little Voice: Original Motion Picture Soundtrack (1998) — Artist — 3 copies
Verve/Unmixed Christmas (2008) — Contributor — 2 copies
Billie Holiday (2 CD Audio) (2006) — Associated Name — 2 copies
Golden Memories of the '40's (1992) — Artist — 2 copies
Billie - Legende des Jazz — Contributor — 1 copy
Verve Unmixed 3 (2005) — Contributor — 1 copy
Thunder in Our Hearts: A Kate Bush Companion (2022) — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Billie Holiday
Legal name
Fagan, Eleanora
Other names
Lady Day
Harris, Eleanora (birth)
Birthdate
1915-04-07
Date of death
1959-07-17
Gender
female
Occupations
singer
songwriter
musician
Short biography
Born Eleanora Fagan, Billie Holiday had a very difficult childhood and lived a tempestuous life. She was raised in poverty by her mother and other relatives; she was raped when barely 12 years old. She dropped out of school and was arrested for working as a prostitute in New York City in the 1920s. By the end of the decade, however, she was getting work at jazz clubs as a professional singer and began to pioneer her unique vocal style. Her renditions of standard songs were both poignant and distinctive and she became a star. She took the name Billie from another singer she admired, Billie Dove. Holiday co-wrote only a few songs, but several of them have become jazz classics. She fought both racism and sexism during her life, and was plagued by ill health and substance abuse. She died aged only 44.
Cause of death
cirrhosis of the liver
Nationality
USA
Birthplace
Philadelphia, Pennsylvania, USA
Places of residence
Baltimore, Maryland, USA
New York, New York, USA
Place of death
Manhattan, New York, USA
Associated Place (for map)
USA

Members

Reviews

47 reviews
A Career in Interviews
Review of the Melville House Publishing paperback (2019)

Although the so-called "Last Interview" is actually a ghost-written article by Billie Holiday's (1915-1959) collaborator William Dufty, it and the several other interviews collected here still provide a reasonable career overview of the iconic jazz singer's life. Dufty was also the actual writer behind the biography Lady Sings the Blues (1956), which Holiday acknowledges in another interview. The "Last Interview" show more is a prescient piece that asks for a better understanding of the issues behind addiction and that it be treated as a disease rather than a reason for persecution. Whether it is her own words or Dufty's the final statement is one of acceptance and defiance.
I hold no regrets and I carry no shame. Nobody can laugh or cry for you - you have to laugh or cry all alone. If my life was wrong or right - good or bad - it's still my life and what's about to happen - will happen just to me.
We're all the same, but we're different. What sings in you, sings different in me. It's all part of that great crazy game called living.
But when I leave this lump they call the world, I'm going to leave all my blues behind and walk off singing.
The 8 interviews date from 1939 to 1959 and thus cover the peak years of Holiday's career from her recording of the groundbreaking anti-lynching song Strange Fruit in 1939 to her final illness and death during a hospital incarceration in 1959. Even with the aura of the tragic end of her life, her love and enthusiasm for music making shines through in all of the conversations here.

One of the transcribed 1956 radio interviews was never previously broadcast and is thus described as being "The Lost Billie Holiday Interview." You can now hear it on YouTube.

The excellent introduction by journalist Khanya Mtshali provides context and also further interesting information such as about the 19-year-old Holiday's first onscreen appearance in a 1935 film with the Duke Ellington Orchestra in Symphony in Black: A Rhapsody of Negro Life (Holiday appears as the wronged woman at 3:16 and sings at 4:48).

I read The Last Interview and Other Conversations as my recent listening to the podcast Billie Was a Black Woman (2021) made me want to learn more about the life and career of Billie Holiday.
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Lady Sings the Blues is a historical fiction book based around the heroin filled hazed memories of its author. And in this case, it ain't a bad thing. A quick google search will literally show you that half of what is mentioned is flat out lies, especially about her home life, relationships, and sketchy details about her career aspirations.

However, it is still a DEEP uncompromising but brutal look into the life of a junkie in the Jim Crow era - what it took for her to get there, stay there, show more and ultimately die there combined with the racial segregation, discrimination, and separatism she endured as a matter of US policy. Honestly, I walked away from the book wondering like hell how she lasted until 1959 and didn't come up dead after writing Strange Fruit. And please keep in mind it was piecemealed together three years before she died while she was in and out of jail as the NYPD stayed obsessing on getting easy busts from her addictions.

In the end Billie Holiday lived the life that only she could live, and she wasn't sorry or worried about a thing.
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'Lady sings the blues' lezen lijkt me het equivalent van een avondje flink door zakken aan de toog met Lady Day nadat ze zichzelf volledig gegeven heeft tijdens een concert.
Je luistert (leest) ontzettend geboeid en valt als luisterend oor (lezer) van de ene verbazing in de andere. Je bent al snel van slag over hoe de jonge Billie absoluut niet door het leven gespaard werd en je supportert vurig voor de felle, waarachtige vrouw die daar uit groeit.
In zo'n gesprek denk je weleens - terwijl de show more waard je glazen nog eens vult - 'het zal wel zijn, Billie' of 'dit lijkt me toch wat bij de haren getrokken' waarna je dat gewoon weer van je af laat glijden om gefascineerd verder te luisteren (lezen).
Het blijft erg heftig om te aanhoren (lezen) hoe moeilijk het zwarte Amerikanen - zelfs eens ze beroemde muzikant zijn - gemaakt werd en hoe ze daarmee proberen om te gaan. Billie's drugsverslaving is pijnlijk, maar er is zoveel meer en zoveel moois.
Ik ben er heilig van overtuigd dat je - terwijl ze na haar vierde glas even naar het toilet gaat - tegen de waard zucht: "Wat een leven! Wat een madame!"

Wat een boek. ❤️
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I am by no means any kind of Billie Holiday expert, so I’m not going to speculate about how much of the content is “true” or how much of this book is written in her own words. From a casual fan’s perspective, I found this to be an incredibly entertaining memoir about the behind the scenes life of one of show biz’s most badass performers. Holiday’s narrative voice reads as sassy and straight up, and her life story makes for a truly wild ride (especially those first few chapters!). show more I wish there was more description of key moments throughout Holiday’s career because I am left with some questions (e.g. how do you become a megastar after being banned from performing in New York City?!?), but overall I thoroughly enjoyed learning more about Billie in this weird, wonderful memoir. show less

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Statistics

Works
313
Also by
21
Members
2,034
Popularity
#12,635
Rating
4.0
Reviews
46
ISBNs
71
Languages
12
Favorited
4

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