Billie Holiday (1915–1959)
Author of Lady Sings the Blues
About the Author
Billie Holiday, "Lady Day," started singing in Harlem nightclubs when she was 14 years old; she began singing professionally at the age of 15. She was discovered by impresario John Hammond and bandleader Benny Goodman in 1933. She appeared in bands with Benny Goodman, Count Basie, Artie Shaw, and show more others. She also had a successful solo career, giving concerts in the United States and Europe. Her addiction to narcotics and alcohol brought about her early death at the age of 44. She sang mostly popular tunes of the day with her own unique "bluesy" style. Her recordings are still reissued, and a film based on her life, Lady Sings the Blues, starring Diana Ross, was released in 1972. (Bowker Author Biography) show less
Series
Works by Billie Holiday
Billie Holiday: The Last Interview: and Other Conversations (The Last Interview Series) (2019) 19 copies, 1 review
From the Original Decca Masters — Performer — 9 copies
8 Classic Albums 4 copies
This Is Jazz 15: Billie Holiday 4 copies
Billie Holiday (CD) 4 copies
American Legends: Billie Holiday — Vocals — 4 copies
Jazz Round Midnight 3 copies
Platinum Collection (White Vinyl) 3 copies
That Ole Devil Called Love 3 copies
BILLIE HOLIDAY'S GREATEST HITS 3 copies
Lady's Decca Days, Volume One 3 copies
The Silver Collection 3 copies
Svart stjärna 3 copies
A Fine Romance 2 copies
The Classic Decade 1935-1945 2 copies
Lady Day & Prez 1937-41 2 copies
Columbia Jazz 2 copies
The Billie Holiday Story Volume 1 2 copies
The Legendary Billie Holiday 2 copies
Lo mejor de Billie Holiday 2 copies
Mitt liv i sang og smerte 2 copies
Billie Holiday 2 copies
Greatest Hits (CD) 2 copies
The Billie Holiday Story Volume II 2 copies
Ultimate Legends 2 copies
Golden Legends 2 copies
Billie Holiday Sings 2 copies
The Lady's Decca Days, Vol. 2 2 copies
Billie Holiday 1 copy
Singing Love Songs 1 copy
The Commodore Master Takes 1 copy
Billie's Blues [CD] 1 copy
Billie Holiday 2 1 copy
The Commodore Master Takes 1 copy
Lady in the Autumn 1 copy
World Of: Lover Man 1 copy
Billie Holiday [Time Music] 1 copy
Blue Moon 1 copy
Lady Day Forever 1 copy
The Sound of Jazz 1 copy
Lady Day Swings 1 copy
From The Heart 1 copy
Stormy Weather: 3 CD Box 1 copy
Yesterdays 1 copy
The Masters Billie Holiday 1 copy
The Man I Love 1 copy
Gloomy Sunday 1 copy
Love for Sale 1 copy
Miss Brown to you 1 copy
The Essential 1 copy
Billie's Best [CD] 1 copy
Billie Holiday Revisited 1 copy
5 Original Albums 1 copy
Love Songs 1 copy
All Or Nothing At All 1 copy
Tenderly 1 copy
No Regrets 1 copy
Last Recordings 1 copy
The Real Billie Holiday 1 copy
Lady Satin (1958) (LP) 1 copy
A Billie Holiday Memorial 1 copy
Remixed & Reimagined 1 copy
Seven Classic Albums Vol 2 1 copy
Billie Holiday Volume Two 1 copy
Lover man 1 copy
Billie Holiday 1940-1942 1 copy
Billie Holiday: Triple Gold 1 copy
Billie Holiday. Vol. 1 1 copy
Billie Holiday Story Vol.III 1 copy
He's Funny That Way 1 copy
Billie Holiday Golden Greats 1 copy
1942-50 1 copy
Portrait 10 CD- set 1 copy
23 Greatest Hits 1 copy
Lover come back to me 1 copy
billie holliday 1 copy
Four Classic Albums 1 copy
Greatest Hits 1 copy
The Unforgettable Lady Day 1 copy
The Best of Billie Holiday & Lester Young — Vocals — 1 copy
Strange fruit [video] 1 copy
Guilty 1 copy
Moanin' low 1 copy
Europa Jazz 1 copy
No Greater Love 1 copy
Lady Day Sings 1 copy
16 classic tracks 1 copy
Miss Brown to You 1 copy
THE LEGENDARY (CD) 1 copy
Summertime 1 copy
Associated Works
Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present (1992) — Contributor — 186 copies
I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse (1983) — Contributor — 181 copies, 1 review
The Real Kansas City of the '20s, '30s, & '40s — Contributor — 2 copies
Billie - Legende des Jazz — Contributor — 1 copy
Voices II : more music from the greatest divas ever — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Billie Holiday
- Legal name
- Fagan, Eleanora
- Other names
- Lady Day
Harris, Eleanora (birth) - Birthdate
- 1915-04-07
- Date of death
- 1959-07-17
- Gender
- female
- Occupations
- singer
songwriter
musician - Short biography
- Born Eleanora Fagan, Billie Holiday had a very difficult childhood and lived a tempestuous life. She was raised in poverty by her mother and other relatives; she was raped when barely 12 years old. She dropped out of school and was arrested for working as a prostitute in New York City in the 1920s. By the end of the decade, however, she was getting work at jazz clubs as a professional singer and began to pioneer her unique vocal style. Her renditions of standard songs were both poignant and distinctive and she became a star. She took the name Billie from another singer she admired, Billie Dove. Holiday co-wrote only a few songs, but several of them have become jazz classics. She fought both racism and sexism during her life, and was plagued by ill health and substance abuse. She died aged only 44.
- Cause of death
- cirrhosis of the liver
- Nationality
- USA
- Birthplace
- Philadelphia, Pennsylvania, USA
- Places of residence
- Baltimore, Maryland, USA
New York, New York, USA - Place of death
- Manhattan, New York, USA
- Associated Place (for map)
- USA
Members
Reviews
Billie Holiday: The Last Interview: and Other Conversations (The Last Interview Series) by Billie Holiday
A Career in Interviews
Review of the Melville House Publishing paperback (2019)
Although the so-called "Last Interview" is actually a ghost-written article by Billie Holiday's (1915-1959) collaborator William Dufty, it and the several other interviews collected here still provide a reasonable career overview of the iconic jazz singer's life. Dufty was also the actual writer behind the biography Lady Sings the Blues (1956), which Holiday acknowledges in another interview. The "Last Interview" show more is a prescient piece that asks for a better understanding of the issues behind addiction and that it be treated as a disease rather than a reason for persecution. Whether it is her own words or Dufty's the final statement is one of acceptance and defiance.
One of the transcribed 1956 radio interviews was never previously broadcast and is thus described as being "The Lost Billie Holiday Interview." You can now hear it on YouTube.
The excellent introduction by journalist Khanya Mtshali provides context and also further interesting information such as about the 19-year-old Holiday's first onscreen appearance in a 1935 film with the Duke Ellington Orchestra in Symphony in Black: A Rhapsody of Negro Life (Holiday appears as the wronged woman at 3:16 and sings at 4:48).
I read The Last Interview and Other Conversations as my recent listening to the podcast Billie Was a Black Woman (2021) made me want to learn more about the life and career of Billie Holiday. show less
Review of the Melville House Publishing paperback (2019)
Although the so-called "Last Interview" is actually a ghost-written article by Billie Holiday's (1915-1959) collaborator William Dufty, it and the several other interviews collected here still provide a reasonable career overview of the iconic jazz singer's life. Dufty was also the actual writer behind the biography Lady Sings the Blues (1956), which Holiday acknowledges in another interview. The "Last Interview" show more is a prescient piece that asks for a better understanding of the issues behind addiction and that it be treated as a disease rather than a reason for persecution. Whether it is her own words or Dufty's the final statement is one of acceptance and defiance.
I hold no regrets and I carry no shame. Nobody can laugh or cry for you - you have to laugh or cry all alone. If my life was wrong or right - good or bad - it's still my life and what's about to happen - will happen just to me.The 8 interviews date from 1939 to 1959 and thus cover the peak years of Holiday's career from her recording of the groundbreaking anti-lynching song Strange Fruit in 1939 to her final illness and death during a hospital incarceration in 1959. Even with the aura of the tragic end of her life, her love and enthusiasm for music making shines through in all of the conversations here.
We're all the same, but we're different. What sings in you, sings different in me. It's all part of that great crazy game called living.
But when I leave this lump they call the world, I'm going to leave all my blues behind and walk off singing.
One of the transcribed 1956 radio interviews was never previously broadcast and is thus described as being "The Lost Billie Holiday Interview." You can now hear it on YouTube.
The excellent introduction by journalist Khanya Mtshali provides context and also further interesting information such as about the 19-year-old Holiday's first onscreen appearance in a 1935 film with the Duke Ellington Orchestra in Symphony in Black: A Rhapsody of Negro Life (Holiday appears as the wronged woman at 3:16 and sings at 4:48).
I read The Last Interview and Other Conversations as my recent listening to the podcast Billie Was a Black Woman (2021) made me want to learn more about the life and career of Billie Holiday. show less
Lady Sings the Blues is a historical fiction book based around the heroin filled hazed memories of its author. And in this case, it ain't a bad thing. A quick google search will literally show you that half of what is mentioned is flat out lies, especially about her home life, relationships, and sketchy details about her career aspirations.
However, it is still a DEEP uncompromising but brutal look into the life of a junkie in the Jim Crow era - what it took for her to get there, stay there, show more and ultimately die there combined with the racial segregation, discrimination, and separatism she endured as a matter of US policy. Honestly, I walked away from the book wondering like hell how she lasted until 1959 and didn't come up dead after writing Strange Fruit. And please keep in mind it was piecemealed together three years before she died while she was in and out of jail as the NYPD stayed obsessing on getting easy busts from her addictions.
In the end Billie Holiday lived the life that only she could live, and she wasn't sorry or worried about a thing. show less
However, it is still a DEEP uncompromising but brutal look into the life of a junkie in the Jim Crow era - what it took for her to get there, stay there, show more and ultimately die there combined with the racial segregation, discrimination, and separatism she endured as a matter of US policy. Honestly, I walked away from the book wondering like hell how she lasted until 1959 and didn't come up dead after writing Strange Fruit. And please keep in mind it was piecemealed together three years before she died while she was in and out of jail as the NYPD stayed obsessing on getting easy busts from her addictions.
In the end Billie Holiday lived the life that only she could live, and she wasn't sorry or worried about a thing. show less
Lady Sings the Blues: The 50th-Anniversay Edition with a Revised Discography (Harlem Moon Classics) by Billie Holiday
'Lady sings the blues' lezen lijkt me het equivalent van een avondje flink door zakken aan de toog met Lady Day nadat ze zichzelf volledig gegeven heeft tijdens een concert.
Je luistert (leest) ontzettend geboeid en valt als luisterend oor (lezer) van de ene verbazing in de andere. Je bent al snel van slag over hoe de jonge Billie absoluut niet door het leven gespaard werd en je supportert vurig voor de felle, waarachtige vrouw die daar uit groeit.
In zo'n gesprek denk je weleens - terwijl de show more waard je glazen nog eens vult - 'het zal wel zijn, Billie' of 'dit lijkt me toch wat bij de haren getrokken' waarna je dat gewoon weer van je af laat glijden om gefascineerd verder te luisteren (lezen).
Het blijft erg heftig om te aanhoren (lezen) hoe moeilijk het zwarte Amerikanen - zelfs eens ze beroemde muzikant zijn - gemaakt werd en hoe ze daarmee proberen om te gaan. Billie's drugsverslaving is pijnlijk, maar er is zoveel meer en zoveel moois.
Ik ben er heilig van overtuigd dat je - terwijl ze na haar vierde glas even naar het toilet gaat - tegen de waard zucht: "Wat een leven! Wat een madame!"
Wat een boek. ❤️ show less
Je luistert (leest) ontzettend geboeid en valt als luisterend oor (lezer) van de ene verbazing in de andere. Je bent al snel van slag over hoe de jonge Billie absoluut niet door het leven gespaard werd en je supportert vurig voor de felle, waarachtige vrouw die daar uit groeit.
In zo'n gesprek denk je weleens - terwijl de show more waard je glazen nog eens vult - 'het zal wel zijn, Billie' of 'dit lijkt me toch wat bij de haren getrokken' waarna je dat gewoon weer van je af laat glijden om gefascineerd verder te luisteren (lezen).
Het blijft erg heftig om te aanhoren (lezen) hoe moeilijk het zwarte Amerikanen - zelfs eens ze beroemde muzikant zijn - gemaakt werd en hoe ze daarmee proberen om te gaan. Billie's drugsverslaving is pijnlijk, maar er is zoveel meer en zoveel moois.
Ik ben er heilig van overtuigd dat je - terwijl ze na haar vierde glas even naar het toilet gaat - tegen de waard zucht: "Wat een leven! Wat een madame!"
Wat een boek. ❤️ show less
I am by no means any kind of Billie Holiday expert, so I’m not going to speculate about how much of the content is “true” or how much of this book is written in her own words. From a casual fan’s perspective, I found this to be an incredibly entertaining memoir about the behind the scenes life of one of show biz’s most badass performers. Holiday’s narrative voice reads as sassy and straight up, and her life story makes for a truly wild ride (especially those first few chapters!). show more I wish there was more description of key moments throughout Holiday’s career because I am left with some questions (e.g. how do you become a megastar after being banned from performing in New York City?!?), but overall I thoroughly enjoyed learning more about Billie in this weird, wonderful memoir. show less
Lists
Youth: Music (1)
Awards
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Statistics
- Works
- 313
- Also by
- 21
- Members
- 2,034
- Popularity
- #12,635
- Rating
- 4.0
- Reviews
- 46
- ISBNs
- 71
- Languages
- 12
- Favorited
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