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Series

Works by Stephen Longstreet

The Joys of Jewish Cooking (1974) 82 copies, 1 review
The Pedlocks (1951) 19 copies
Pedlock and Sons (1966) 15 copies
The Dream Seekers (1979) 12 copies
Man of Montmartre (1980) 12 copies
Geisha (1970) 12 copies
The Beach House (1952) 10 copies
The Drawings of Rembrandt (1993) 9 copies
The Boy in the Model-T (1956) 9 copies, 1 review
The Gay sisters (1942) 7 copies
Storm Watch (1979) 7 copies
Gettysburg: A Novel (1961) 7 copies
All or Nothing (1984) 6 copies
The Child in Art (1990) — Introduction — 6 copies
More Drawings of Delacroix (1996) — Introduction — 5 copies
God and Sarah Pedlock (1976) 5 copies
Kingston Fortune (1975) 5 copies
Storyville To Harlem (1986) 5 copies, 1 review
She Walks in Beauty (1971) 5 copies
A Few Painted Feathers (1963) 5 copies
Ambassador (1978) 4 copies
The Crime (1959) 4 copies
Stallion Road (1945) 4 copies
The Burning Man (2012) 4 copies
Straw Boss (1978) 4 copies
The Pedlock Inheritance (1974) 4 copies
Our Father's House (1985) 4 copies
Death Walks on Cat Feet (1938) 4 copies
Wheel of Fortune (1981) 4 copies
The General (1974) 4 copies
Drawings of Matisse (1997) 3 copies
The Lion at Morning (1957) 3 copies
The Politician (1959) 3 copies
Drawings of Tintoretto (1967) 3 copies
The Pembroke colors (1981) 3 copies
Masts to Spear the Stars (1969) 3 copies
Decade, 1929-1939 (1940) 2 copies
El dorado exilio (1976) 2 copies
Three days 2 copies
Delilah's Fortune (1984) 2 copies
Strike the Bell Boldly (1977) 2 copies
The Golden Touch (1982) 2 copies
Artists' Quarter (1969) 2 copies
The Divorce (1973) 1 copy
Stribling (1973) 1 copy
The Tree in art 1 copy, 1 review
Living High (1962) 1 copy
The Animal in Art (1966) 1 copy
The World Revisited (1953) 1 copy
The Bank (1977) 1 copy
Two beds for Roxane (1952) 1 copy
Portrait in Art (1965) 1 copy
Le grand plongeon (1963) 1 copy
Reading For Men: The Flesh Peddlers and The Easy Way (1962) — Contributor — 1 copy

Associated Works

Nell Kimball; Her Life as an American Madam (1970) — Editor — 76 copies
Cricket Magazine, Vol. 8, No. 9, May 1981 (1981) — Contributor — 3 copies

Tagged

19th century (6) American history (8) art (50) aviation (13) Chicago (8) cookbook (18) cookbooks (6) cooking (8) drawing (17) drawings (7) fiction (48) France (7) historical fiction (9) history (57) Japan (16) jazz (13) Jewish (6) military (7) military history (13) music (11) Native Americans (6) New Orleans (8) non-fiction (25) own (6) Paris (11) reference (10) Tokyo (6) USA (10) war (9) WWI (42)

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Reviews

10 reviews
This is a work born of a long-burning passion for the subject. In his introduction, Stephen Longstreet describes how as a youth he collected newspaper articles and spoke with pilots of the First World War about their experiences. As an adult he spent a quarter of a century accumulating materials about the air war in order to write this book, in which he sets out to tell the stories of “the men and machines who fought the pioneer air combat.”

And this passion shows on nearly every page. show more Longstreet’s focus is on the “human element,” or the lives of the men who participated in the air war. While his focus is on the famous aces – most of whom receive brief biographies and select descriptions of their air battles – he also discusses the ground crews and manufacturers as well. Anthony Fokker receives particular attention, with his story encapsulating just how fluid the aircraft industry was at the time and how quickly fortunes could change for the people in it. It all makes for very entertaining reading.

Yet for all of its strengths, this is also a deeply flawed book. In focusing on the aces, Longstreet leaves out vital aspects of the air war. As is so often the case, Longstreet’s book is mainly about warfare over the Western Front, with aerial battles elsewhere covered in just two short chapters. Moreover, it is almost exclusively a book about fighters and fighter pilots: coverage of the bombing campaigns is confined to a single chapter about the Zeppelin raids on England, while scouting is effectively ignored altogether. Nor is there is any context provided for the aerial dueling he describes, making it seem as though it was all a struggle apart from the larger conflict. Worst of all, though, is the clichéd nature of Longstreet’s writing, which too often devolves to national stereotyping to fill in the gaps in his analysis.

Because of this, anyone new to the subject can finish this book with a deeply distorted understanding of air warfare during the First World War. For all of the thrilling episodes recounted in purplish prose, Longstreet’s reduction of an important aspect of the conflict to a series of dramatic personalities and biplane battles does a real disservice to his subject. The best that one can hope for in this respect is that enough of Longstreet’s zeal will rub off on his readers that they will seek out other books for a more comprehensive picture of the air war, lest they believe that the popular image of the air war is the only one that matters.
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A look at the personnel stories of many of the aces from WWI, not the overall strategies. The book focuses on those involved in the air war on the western front but does mention some of the other areas of the war.

I enjoyed the personnel look at the life of the fliers. It shows the difference between what the fliers were portrayed in the media and at home with the reality of the man they were. It talks of the hardships faced, even if not as bad as the infantry, and how those hardships show more affected them. show less
This is a lovely sumptuous book that presents the masterpiece prints by the world's great printmakers, along with biographies of the artists and critiques of their work and careers. The artists presented, chronologically, are Albrecht Durer, Pieter Brueghel, Jacques Callot, Rembrandt van Rijn, William Hogarth, Giovanni Battista Piranesi, Francisco Goya, Thomas Rowlandson, James Gillray, William Blake, Katsushika Hokusai, Toshusai Sharaku, Utagawa Hiroshige, Honore Daumier, James Whistler, show more Winslow Homer (my personal favorite of the lot), Paul Gauguin, Edvard Munch, Henri de Toulouse-Latrec, Henri Matisse, Georges Rouault, Pablo Picasso and Marc Chagall. I would have included Rockwell Kent, but the author, an artist and art collector and critic of some note, certainly makes a compelling case for every artist included here, some of whom were entirely unknown to me. The book also includes discussions of various printmaking techniques and history. show less
In it's time, this was innovative. Now Jewish and kosher recipes for any ethnicities are easy to find, and this book seems dated and unoriginal. It's important to remember that this was in fact one of the original kosher cookbooks which helped begin the expansion of kosher cuisine in and out of the home beyond brisket and kishke. With the availability of exotic kosher-certified ingredients today in America, this cookbook is worth a second look.

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Works
129
Also by
2
Members
1,103
Popularity
#23,300
Rating
½ 3.5
Reviews
9
ISBNs
136
Languages
3

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