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Carol Reed (1) (1906–1976)

Author of The Third Man [1949 film]

For other authors named Carol Reed, see the disambiguation page.

31+ Works 1,116 Members 26 Reviews

About the Author

Image credit: Carol Reed (1)

Works by Carol Reed

The Third Man [1949 film] (1949) — Director — 398 copies, 8 reviews
Oliver! [1968 film] (1968) — Director — 280 copies, 6 reviews
The Agony and the Ecstasy [1965 film] (1965) — Director — 106 copies, 1 review
Our Man in Havana [1959 film] (1959) — Director — 64 copies, 1 review
Mutiny on the Bounty [1962 film] (1962) — Director — 50 copies, 1 review
Odd Man Out [1947 film] (1998) 42 copies, 1 review
Night Train to Munich [1940 film] (1940) — Director — 38 copies, 3 reviews
The Fallen Idol [1948 film] (1948) — Director — 35 copies
Trapeze [1956 film] (1956) — Director — 18 copies, 1 review
The Way Ahead [1944 film] (1944) 18 copies, 1 review
The Man Between [1953 film] (1953) — Director — 10 copies
Hollywood Mystery Classics: Collector’s Edition (2011) — Director — 7 copies

Associated Works

Tagged

1940s (19) Alida Valli (8) black and white (8) Blu-ray (16) British (9) British cinema (14) Carol Reed (17) crime (9) Criterion (14) Criterion Collection (8) drama (36) DVD (130) espionage (9) film (50) film noir (34) Joseph Cotten (10) Michelangelo (10) movie (22) movies (13) musical (36) mystery (25) noir (16) Orson Welles (16) thriller (30) Trevor Howard (7) UK (10) VHS (9) video (9) Vienna (19) WWII (10)

Common Knowledge

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Reviews

33 reviews
It’s very well done. The young Mark Lester makes a very believable Oliver with an amazing singing voice, and Jack Wild was perfectly cast as the Artful Dodger, Oliver’s new friend and lead amongst the young pickpockets. The songs go on, perhaps, a bit too long for today’s youngsters, and some of the general shots of scenes in London were rather slow; an editor today would, I’m sure, reduce the length by at least half an hour with no loss of plot or dialogue. But those are minor show more quibbles; it’s a classic film, and this kind of thing is to be expected.

What surprised me more was the level of violence in the film, something which, I feel, should have lifted the rating to at least PG, preferably 12.
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An American in post-war Vienna tries to clear the name of his recently deceased friend.

An all-around damn good movie. Visually, it's as good as it gets.

It's my second time watching the movie, and I've had a complete reversal on my reaction to the music. It had seemed so completely wrong. It is wrong, for the first half of the movie - and by the time it starts to fit, I had already rejected it. But on the second viewing, the effect has changed so much it's like a different score. Watching show more that first half of the movie knowing that the title character is on his way - knowing the character and how Welles plays him - the score is absolutely perfect. It's hard to imagine the movie with a traditional mystery/crime score. It would still be a great movie that way, but... I don't know. Maybe Welles' performance wouldn't seem so great without that music to prepare you for him.

Concept: B
Story: B
Characters: A
Dialog: A
Pacing: A
Cinematography: A
Special effects/design: A
Acting: A
Music: A

Enjoyment: A

GPA: 3.8/4
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½
British Everyman vacuum cleaner salesman is enticed to become a spy in Cuba. He needs money you see to create a secure future for his head strong beautiful daughter. The more reports & agents the more money and so he begins to invent them, which is fine until these things start becoming true.

This is exactly the kind of English novel I dislike.. whereas Eric Ambler had the every-man spy thriller down pat, this is almost a farce. The Kafkaesque nature of spying is writ large but the plot is a show more tad obvious these days and there isn't anything else there. The characters fulfil their allotted rolls and no more, the Havana setting seems tame and banal compared to what I imagine it should be like at the time period (maybe because I read it in Cuba, I demanded more).

Not sure if I want to try anther Greene, this one just falls flat.
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A film starring Ron Moody and Mark Lester (Columbia, 1968).

An orphan meets a gang of pickpocket children.

C (Indifferent).

I guess it's a well-made movie for what it is. Most of my complaints (and there are many) are with the stage musical they're filming.

(Mar. 2023)
½

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Associated Authors

Graham Greene Screenwriter
Orson Welles Actor, Director
Vernon Harris Screenwriter
Philip Dunne Screenwriter
Sidney Gilliat Screenwriter
Frank Launder Screenwriter
Leslie Arliss Director
Charles Lederer Screenwriter
Wolf Mankowitz Screenwriter
Liam O'Brien Screenwriter
James R. Webb Screenwriter
Robert Pirosh Director
John Boulting Director
Roger Corman Director
Ray Enright Director
Lewis Gilbert Director
Rudolph Mate Director
Jeffrey Dell Director
Val Guest Director
William Nigh Director
George Seaton Director
Garson Kanin Director
Robert Krasker Cinematographer
Oswald Morris Cinematographer
Guy Hamilton Assistant director
Anton Karas Composer
Ron Moody Actor
Jack Wild Actor
Charles Dickens Original book
Johnny Green Composer
John Woolf Producer
Lionel Bart Composer
Bert Bates Editor
Alex North Composer
Jo Morrow Actor
Frank Deniz Composer
Burl Ives Actor
Tarita, Actor
William Alwyn Composer
Lesley Storm Screenwriter
William Templeton Screenwriter
James Hill Producer
Sid James Actor
Ben Hecht Screenwriter
Harold Hecht Producer
Max Catto Original book
Kerima Actor
Topol Actor
Lucien S. Y. Yang Cover designer
Reynold Brown Cover artist

Statistics

Works
31
Also by
2
Members
1,116
Popularity
#23,017
Rating
4.0
Reviews
26
ISBNs
68
Languages
4

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