Joseph Cassara

My heart was filled and broken between the covers of this book. Every other metaphor falls short. This amount of depth and electricity comes from a debut author? Joseph Cassara, I will read everything you publish.

I have rarely encountered the pull of a place in a novel. Setting has always been tangential, necessary for plot, but contextually unimportant. When booktalking this title, I've remarked upon being thrust into 1980s New York City, seeing the heat steam off the sidewalk in the show more summertime, even though it's sweater weather where I live now. I fell hard for Hector, Venus, Juanito, Dorian, Angel, Daniel... I can't say they were my friends; they probably would have next to no patience with me, as an outsider. But none of them would let me go until I had properly mourned for each of them. The world truly is richer for having them in it, and yet, the world has no idea what it has lost. show less

An extravagant look into one particular House from the Harlem Ball Scene of the 1980's, Cassara's debut novel focuses on the royalty that is House Xtravaganza. It was certainly an interesting choice to use names of queer trans ancestors (who can be found in the film Paris is Burning). One review asks if the author is considering paying the House survivors royalties, for the use of their names. A good question, and one I would love an answer to.

My favourite thing about Cassara is the way he show more writes dialogue. He writes dialogue so, so flawlessly. I can hear their voices, their tone, the back and forth of English and Spanish was just a spectacular combination.

This feels like Ru Paul's Drag Race, except it hasn't been made consumable by white cis hetero audiences. It feels authentic and like a living, breathing thing. Cassara mentions Keith Haring, a famous LGBTQ artist and activist, and I was able to pull up a non-fiction book and find Haring's work right in front of me while I read.

One complaint I read on a review here is that some of the characters are too similar. Maybe they are. Did I really care? Not at all. In fact some of the similarities between the characters helped me to understand that the author really was writing about queer culture.

It took me a long time to read because of how heavy it could be sometimes, so: trigger warnings for ALL the things. Drug use, survival sex, sexual assault, prostitution, child abuse.

I'm trying to articulate how much I love this book but I really am falling short. Cassara took away my words.


I'm still crying from the ending. show less

THE HOUSE OF IMPOSSIBLE BEAUTIES portrays the House of Xtravaganza, a NYC Latine ball house.

I’ve been struggling with my feelings about this one because at first glance, this is a book that I should love. I mean, it’s queer historical fiction. But after reading, I was left disappointed.

Without a reader having some level of background knowledge of the ball scene and queer history, some context is missing, ultimately lending this to have a voyeuristic feel. Is it trauma porn? There are show more definitely aspects that appear gratuitous when perhaps more depth could have been placed on the nuances of ballroom culture. It also leaned heavy into stereotypes.

Where’s the queer joy? Not here. It’s just characters going through one terribly bad thing after another. That’s not to say that the challenges queer folks face shouldn’t be recognized, but that we shouldn’t fail to include the positive aspects of queer experience too.

The execution of THE HOUSE OF IMPOSSIBLE BEAUTIES was a let down for me, but I wouldn’t dissuade someone interested in it from reading. show less

Three and a half stars. Before you read this book, I highly recommend watching the glorious documentary "Paris is Burning." The book is based off of it. The book flap lays this out, as well. I'm so glad the author was upfront about it; I gave a well-deserved one-star, one-sentence review to an author who tried to put a little-known movie into novel form and insist it was her own work. The author's choice hit quite a nerve with me as the movie is my favorite. Hers, too, apparently. No one has show more called her out professionally yet.
Cassara doesn't do that at all. His deep respect for the "Paris is Burning" documentary, the time period, and gravity of what was going on leaps off of every page. I tried to read the book as a novel for the first hundred pages, and it dragged in parts and meandered in others. I realized fifty pages later that this book is a series of interconnected vignettes and was probably just -marketed- as a novel. It's a heavy book, both in weight and content, as it should be. I thought it would frame the AIDS crisis a little differently, but I do mean that in a small way, and I'm being mildly petty. (NOTE 10/22/18: I have no idea what I was referring to.) I'm so glad this book was written and published. show less