Margot Fonteyn (1919–1991)
Author of Swan Lake
About the Author
Born in Reigate, England, Margot Fonteyn (the stage name of Margaret Hookham) is thought by many critics to have been the best British dancer of the mid-twentieth century. Fonteyn began her career as a snowflake in a production of The Nutcracker with the Vic-Wells Ballet in 1931. She remained with show more this company, which later became the Royal Ballet, for her entire career. In 1935 she performed her first important role with the company as the lead in a revival of Frederick Ashton's Rio Grande. She created many roles with Ashton, including Le Baiser de la Fee (1935), The Haunted Ballroom (1939), Symphonic Variations (1946), and The Fairy Queen (1946). Fonteyn eventually became the Royal Ballet's foremost prima ballerina. Especially notable was her partnering with Rudolph Nureyev during a creative partnership that became legendary. An expressive, versatile performer, Fonteyn was the first ballerina of international status developed by a British ballet school and company. (Bowker Author Biography) show less
Image credit: photo:uncsa
Works by Margot Fonteyn
Tchaikovsky - Swan Lake 1 copy
The magic of the dance 1 copy
Associated Works
Prokofiev - Cinderella / Fonteyn, Somes, Ashton, MacMillan, Park, Grant, Farron, Fifield, Page, Beriosova, Sadler's Wells Ballet (2004) — Actor — 3 copies
Adam : Giselle + Chopin : Les Sylphides + Delibes : Coppelia [video recording] (2012) — Actor, some editions — 1 copy
Tagged
Common Knowledge
- Legal name
- Hookham, Margaret Evelyn (birth name)
- Other names
- Fonteyn de Arias, Margot
- Birthdate
- 1919-05-18
- Date of death
- 1991-02-21
- Gender
- female
- Education
- Vic-Wells Ballet School (Royal Ballet School)
- Occupations
- ballet dancer
- Organizations
- The Royal Ballet
University of Durham ( [1981])
Sadler's Wells Ballet - Awards and honors
- Order of the British Empire (Dame Commander, 1956)
Prima Ballerina Assoluta of the Royal Ballet - Relationships
- Nureyev, Rudolf (ballet partner)
Karsavina, Tamara (teacher) - Short biography
- Margot Fonteyn was born Margaret Evelyn Hookham, known as Peggy, to a British father and a Brazilian-Irish mother. She began taking dance classes as a small child. When she was 8, she accompanied her parents to China for her father's work as an engineer. She studied ballet and showed great talent and promise for becoming a professional. Her mother brought her back to England for advanced ballet study when she was 14. She was accepted into the school of the Vic-Wells Ballet (later the Sadler's Wells Ballet, then the Royal Ballet), under the direction of Ninette de Valois. Her teachers and coaches included famed former dancers such as Olga Preobrajenska, Mathilde Kschessinska, and Tamara Karsavina. It was then that she changed her name to Margot Fonteyn. In 1934, she entered the Vic-Wells Company and rose quickly through the ranks. By 1939, she had performed principal roles in Giselle, Swan Lake and The Sleeping Beauty to great acclaim. Sir Frederick Ashton created several works with her, including Ondine, Daphnis and Chloe, and Sylvia. In 1949, when the Royal Ballet performed in the USA, its prima ballerina Margot Fonteyn became an overnight sensation and international star. In 1955, she married Roberto Arias, a Panamanian diplomat; he was shot in 1964 by a political rival and was a quadriplegic for the rest of his life. In 1962, as Margot was planning to retire, she met Rudolf Nureyev, who had just defected from the USSR to the West. Their collaboration gave new passion to her dancing and extended her career for another 20 years. After her retirement, Margot Fonteyn and her husband went to live on their ranch in Panama. She was awarded the DBE in 1956 and was named Prima Ballerina Assoluta of the Royal Ballet in 1979. She published her autobiography in 1976.
- Nationality
- UK
- Birthplace
- Reigate, Surrey, England, UK
- Places of residence
- Shanghai, China
Tientsin, China
London, England, UK
Panama - Place of death
- Panama City, Panama
- Burial location
- Panama City, Panama
Members
Reviews
Coppelia is the storybook version of a French ballet about a dollmaker who wants to bring his dolls to life (at the expense of townspeople's lives!) and the clever girl who tricks him to save her fiance. It is a cute story with very high vocabulary. I can see it becoming a favorite of children who love dance, especially ballet. I find it addresses the Making a Difference theme in a unique way, as the dollmaker's talent could be beloved by all, but instead he keeps it hidden for himself.
This traditional fantasy tells the story of how Prince Siegfried was searching for a beautiful princess to marry. Prince Siegfried was mesmorized by a beautiful swan which wore a crown. The swan princess, Odette, was under an unusual spell that caused her to continue to be a swan during the day until she found her one true love to marry. The spell was broken and Prince Siegfried and Princess Odette lived happily ever after.
I enjoyed the magic and how it showed you can find things when you show more are not looking for them. The only issue I had is that the pacing was a little slow. I think that the students could possibly lose interest by the end of the story.
One activity could be to have the children pick out the animal that they believe is the most beautiful and have them write a poem about it. Another activity could be to write a story about what would happen if the spell was not broken. show less
I enjoyed the magic and how it showed you can find things when you show more are not looking for them. The only issue I had is that the pacing was a little slow. I think that the students could possibly lose interest by the end of the story.
One activity could be to have the children pick out the animal that they believe is the most beautiful and have them write a poem about it. Another activity could be to write a story about what would happen if the spell was not broken. show less
This book is a retelling of coppelia ballet. It's a lovely book with colorful pictures and a fairytale theme. The story begins with a dollmaker creating his best creation ever and his dream to make her real. The doll that the dollmaker has created is so beautiful and wonderful the dolls has captured a young man's eye. The book is written by a prima ballerina, so she has many knowledge about ballet and tells the story wonderfully.
When a lonely man who creates animated dolls becomes obsessed with his latest creation, he goes too far in his pursuit to make her alive and real.
Prominently displaying the lovely doll in his front window, the doll looks so life like that a townsman becomes infatuated. Already betrothed to a pretty young lady, she watches as he walks past the window blowing kisses to the doll.
Upset, she enters the doll makers house when he is not home. Hiding, she observes the dool maker attempt to drain show more life from her finance to empower the doll.
Rescued by his finance, the trace is broken. The doll maker learns a valuable lesson.
The illustrations are lovely.
Based on a play performed in France, this is a lovely book show less
Prominently displaying the lovely doll in his front window, the doll looks so life like that a townsman becomes infatuated. Already betrothed to a pretty young lady, she watches as he walks past the window blowing kisses to the doll.
Upset, she enters the doll makers house when he is not home. Hiding, she observes the dool maker attempt to drain show more life from her finance to empower the doll.
Rescued by his finance, the trace is broken. The doll maker learns a valuable lesson.
The illustrations are lovely.
Based on a play performed in France, this is a lovely book show less
Awards
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Associated Authors
Statistics
- Works
- 13
- Also by
- 7
- Members
- 780
- Popularity
- #32,629
- Rating
- 3.9
- Reviews
- 10
- ISBNs
- 32
- Languages
- 2














