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Rush

Author of Moving Pictures

127+ Works 1,424 Members 22 Reviews

About the Author

Series

Works by Rush

Moving Pictures (1981) — Artist — 101 copies, 1 review
2112 (1976) 80 copies, 3 reviews
A Farewell to Kings (1977) 54 copies
Permanent Waves (1980) 52 copies
Hemispheres (1978) 51 copies
Signals (1982) 48 copies, 1 review
Roll the Bones (1991) 46 copies, 1 review
Grace Under Pressure (1984) 43 copies
Fly By Night (1975) 42 copies, 1 review
Vapor Trails (2002) 41 copies, 1 review
Counterparts (1993) 39 copies, 1 review
Presto (1989) 39 copies, 1 review
Snakes & Arrows (2007) 38 copies, 1 review
Power Windows (1985) 38 copies
Chronicles (2015) 37 copies, 1 review
Caress of Steel (1975) 36 copies, 1 review
Exit...Stage Left (1981) 35 copies
Clockwork Angels (2012) 34 copies
Test for Echo (1996) 33 copies, 1 review
Rush (1997) 33 copies, 1 review
Hold Your Fire (1987) 31 copies
A Show of Hands (1989) 26 copies
All the World's a Stage (1976) 24 copies
Feedback (2004) 22 copies, 1 review
Rush - R30 (2005) 22 copies, 1 review
Rush - Rush in Rio (2003) 21 copies
Different Stages (1998) 21 copies
Rush Complete/Vf 1060 (1727) 12 copies
Rush in Rio (2019) 12 copies
Retrospective 2 (1997) 10 copies
Retrospective 1 (1997) 9 copies
Rush Replay X 3 (2006) 7 copies, 1 review
Gold (2006) 7 copies
Working Men ( Live) (2009) 6 copies
Drum Techniques of Rush (1985) 6 copies
Grace Under Pressure Tour (1985) 6 copies
Archives 5 copies
Icon (2010) 4 copies
Hemispheres (2018) 4 copies
Snakes and Arrows Live (2008) 4 copies
Sector 2 (2011) 3 copies
Born to Be Wild 1 (1992) 3 copies
Sector 1 (2011) 3 copies
Icon 2 (2011) 2 copies
R40 [6 Blu-ray Box Set] (2014) 2 copies
Tom Sawyer 2 copies
New World Man 2 copies
Sector 3 (2011) 2 copies
Rush Deluxe Anthology (1981) 2 copies
12/5/87 2 copies, 1 review
Rush 2 copies
Rush - Working Men (2011) 2 copies
Rush Complete Vol. 2 (1995) 2 copies
Backyard Birds 2 copies
ABC 1974 1 copy
Rush: A Show of Hands (2007) 1 copy
6/28/02 1 copy, 1 review
12/7/85 1 copy, 1 review
8/6/04 1 copy
10/22/12 1 copy, 1 review
Freewill 1 copy
Subdivisions 1 copy
Limelight 1 copy

Associated Works

I Love You, Man (2009) — Contributor — 2 copies

Tagged

1980s (15) 20th century (12) @lv-cd (20) album (11) Alex Lifeson (34) audio (38) Blu-ray (21) Canada (24) Canadian (16) CD (135) CD Set (14) CDs (7) Compact Disc (17) digital media (14) DVD (19) g:hard/prog rock (20) Geddy Lee (34) hard rock (14) Jeff Recommended (10) LP (14) music (65) Neil Peart (33) progressive rock (50) rock (69) rock (musical genre) (23) rock - hard (7) rock music (34) Rush (79) sound recording (21) vinyl (9)

Common Knowledge

Gender
n/a
Nationality
Canada
Associated Place (for map)
Canada

Members

Reviews

22 reviews
Peak Rush. Geddy Lee's voice is mellower than on previous albums. After this album, Rush went through a phase where they relied maybe a little too much on synthesizers and then overcompensated for that by making their final few albums very guitar-heavy and less melodic. If you were going to pick one album to introduce your friends to Rush, it should be this one.

Signals is an amazing album with no filler. Neil Peart's lyrics are down-to-earth and poignant. The tunes are highly evocative of show more the early 1980's, which were a magical time for my generation. And how in the world does Alex Lifeson move his fingers that fast? show less
Even though the lyrics of this record rely heavily on the writings and philosophy of Ayn Rand, don't think for a minute about throwing the baby out with the bathwater, because this album shines regardless of any mediocre novelist/faux "philosopher" who inspired its thematic content.

Geddy Lee can't sing, but he can screech. He can screech better than any banshee. And while he's not the most attractive thing to look at up there on the stage (not his fault, he was born that way), he can sure show more play bass and synthesizer simultaneously like no other rocker in history.

Don't confuse Alex Lifeson for Jimmy Page. But don't confuse Steve Jones for Alex Lifeson. When the guitar needs to sound like science fiction itself — as it does on 2112 — or later in their careers when it sounds like an outlawed automobile being chased by an "alloy air car," nobody in rock history has ever made the electric guitar sound so consistently and convincingly dystopian.

Neil Peart? Ever heard of him? If you haven't, he's the most technically skilled (or was, in his prime in the 1970s & 80s), versatile, and virtuosic rock drummer who's ever lived. Set the needle (if you have one) on side one of 2112, and listen to Overture/Temples of Syrinx, and hear the incomparable blitzing beat of genius. He drums faster than a bullet train, but it's intelligible-fast, each thwack distinguishable from the one preceding it, unlike the fast-thrash-ubiquitous-bashing predominant in today's harder-tinged music.

The Sex Pistols released one album in their "career" — iconic and influential as it was, granted — that garnered them a place in the Rock and Roll Hall of Fame. While Rush, dozens of great albums out, all (except their first) filled with Neil Peart's poetry — yes, poetry — lyrics that could pass as poetry and not just lyrics (read Closer to the Heart, The Trees, Freewill & Red Barchetta for starters), and worldwide critical acclaim (except in almighty America) are not — huh? — in the Rock and Roll Hall of Fame? Get serious. Rush, in fact, hasn't even been nominated for the Hall of Fame. Absurd.

I'm no rock critic, but I'd posit that if a "career" based solely on 1977s, Never Mind The Bollocks by the Sex Pistols, is worthy of Hall of Fame status, then so should Rush gain entrance into the Hall of Fame based solely on its 1976 release, 2112 — an album sonically superior and lyrically more astute (even despite Ayn Rand's nefarious influence) than that raucous, one-chordish, and angry (but not very bright) Sex Pistols record.
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½
Part of The Studio Albums 1989 - 2007 box

Summertime Blues (Eddie Cochran cover)
Heart Full of Soul (The Yardbirds cover)
For What It's Worth (Buffalo Springfield cover)
The Seeker (The Who cover)
Mr. Soul (Buffalo Springfield cover)
Seven and Seven Is (Love cover)
Shapes of Things (The Yardbirds (cover)
Crossroads (Robert Johnson cover)
Rush

Barclay's Center

Brooklyn, NY

Mikey Digital > iPhone 4S > iRecorder Pro

Set I

01 Gearing Up (intro video set one)

02 Subdivisions

03 The Big Money

04 Force Ten

05 Grand Designs

06 The Body Electric

07 Territories

08 The Analog Kid

09 Bravado

10 Where's My Thing? (with drum solo)

11 Far Cry

Set II

12 The Appointment (intro video set two)

13 Caravan

14 C.A.

15 The Anarchist

16 Carnies

17 The Wreckers

18 Headlong Flight (with drum solo)

19 Alex Lifeson acoustic guitar solo

20 Halo Effect

21 Seven Cities of Gold

22 show more The Garden

23 Manhattan Project

24 The Percussor (Neil Peart drum solo)

25 Red Sector A

26 YYZ

27 The Spirit Of Radio

28 Tom Sawyer

39 2112: Overture / The Temples Of Syrinx / Grand Finale

30 Office Of The Watchmaker (outro video)

31 Tom Sawyer (calliope version)
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Awards

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Associated Authors

Statistics

Works
127
Also by
2
Members
1,424
Popularity
#18,066
Rating
3.9
Reviews
22
ISBNs
60
Languages
3

Charts & Graphs