Rush
Author of Moving Pictures
About the Author
Image credit: Canadian rock band Rush, in concert in Milan, Italy.
Series
Works by Rush
Rush -- Deluxe Guitar TAB Collection 1975 - 2007: Authentic Guitar TAB (Authentic Guitar-Tab Editions) (1995) 6 copies
Archives 5 copies
Closer To The Heart (12" single) 2 copies
Tom Sawyer 2 copies
New World Man 2 copies
Snakes & Arrows Tour Book 2 copies
Rush 2 copies
Rush - The Spirit of Radio: Greatest Hits 1974-1987: Note-for-Note Drum Transcriptions Songbook with Lyrics (Drum Recorded Versions) (2020) 2 copies
Classic Rush -- Moving Pictures: Authentic Guitar TAB (Authentic Guitar-Tab Editions) (1992) 2 copies
Backyard Birds 2 copies
Studio Albums 1989-2007 1 copy
Dreaming Out Loud (2Cd) 1 copy
Ultimate Guitar Play-Along Rush: Authentic Guitar TAB, Book & CD (Ultimate Play-Along) (2009) 1 copy
Moving Pictures : Live 2011 1 copy
ABC 1974 1 copy
Live in Toronto [lp,us] 1 copy
Cygnus X-1 (12" EP) 1 copy
The Price of Money: A Guide to the Past, Present, and Future of the Natural Rate of Interest (2025) 1 copy
Vital Signs (12" single) 1 copy
TimeStandStill 1 copy
Retrospective 3 [1989-2008] 1 copy
Live in St. Louis [x] 1 copy
Classic Rush -- Grace Under Pressure: Authentic Guitar TAB (Authentic Guitar-Tab Editions) (1991) 1 copy
subdivisions: a tribute 1 copy
Live in New York 2004 1 copy
Through the camera eye 1 copy
Ultimate Drum Play-Along Rush: Play Along with 6 Great-Sounding Tracks (Authentic Drum), Book & CD-ROM (Ultimate Play-Along) (2009) 1 copy
8/6/04 1 copy
Live in Tucson [x] 1 copy
Freewill 1 copy
The Spirit Of Radio 1 copy
The Big Money 1 copy
Subdivisions 1 copy
Limelight 1 copy
Associated Works
Tagged
Common Knowledge
Members
Reviews
Peak Rush. Geddy Lee's voice is mellower than on previous albums. After this album, Rush went through a phase where they relied maybe a little too much on synthesizers and then overcompensated for that by making their final few albums very guitar-heavy and less melodic. If you were going to pick one album to introduce your friends to Rush, it should be this one.
Signals is an amazing album with no filler. Neil Peart's lyrics are down-to-earth and poignant. The tunes are highly evocative of show more the early 1980's, which were a magical time for my generation. And how in the world does Alex Lifeson move his fingers that fast? show less
Signals is an amazing album with no filler. Neil Peart's lyrics are down-to-earth and poignant. The tunes are highly evocative of show more the early 1980's, which were a magical time for my generation. And how in the world does Alex Lifeson move his fingers that fast? show less
Even though the lyrics of this record rely heavily on the writings and philosophy of Ayn Rand, don't think for a minute about throwing the baby out with the bathwater, because this album shines regardless of any mediocre novelist/faux "philosopher" who inspired its thematic content.
Geddy Lee can't sing, but he can screech. He can screech better than any banshee. And while he's not the most attractive thing to look at up there on the stage (not his fault, he was born that way), he can sure show more play bass and synthesizer simultaneously like no other rocker in history.
Don't confuse Alex Lifeson for Jimmy Page. But don't confuse Steve Jones for Alex Lifeson. When the guitar needs to sound like science fiction itself — as it does on 2112 — or later in their careers when it sounds like an outlawed automobile being chased by an "alloy air car," nobody in rock history has ever made the electric guitar sound so consistently and convincingly dystopian.
Neil Peart? Ever heard of him? If you haven't, he's the most technically skilled (or was, in his prime in the 1970s & 80s), versatile, and virtuosic rock drummer who's ever lived. Set the needle (if you have one) on side one of 2112, and listen to Overture/Temples of Syrinx, and hear the incomparable blitzing beat of genius. He drums faster than a bullet train, but it's intelligible-fast, each thwack distinguishable from the one preceding it, unlike the fast-thrash-ubiquitous-bashing predominant in today's harder-tinged music.
The Sex Pistols released one album in their "career" — iconic and influential as it was, granted — that garnered them a place in the Rock and Roll Hall of Fame. While Rush, dozens of great albums out, all (except their first) filled with Neil Peart's poetry — yes, poetry — lyrics that could pass as poetry and not just lyrics (read Closer to the Heart, The Trees, Freewill & Red Barchetta for starters), and worldwide critical acclaim (except in almighty America) are not — huh? — in the Rock and Roll Hall of Fame? Get serious. Rush, in fact, hasn't even been nominated for the Hall of Fame. Absurd.
I'm no rock critic, but I'd posit that if a "career" based solely on 1977s, Never Mind The Bollocks by the Sex Pistols, is worthy of Hall of Fame status, then so should Rush gain entrance into the Hall of Fame based solely on its 1976 release, 2112 — an album sonically superior and lyrically more astute (even despite Ayn Rand's nefarious influence) than that raucous, one-chordish, and angry (but not very bright) Sex Pistols record. show less
Geddy Lee can't sing, but he can screech. He can screech better than any banshee. And while he's not the most attractive thing to look at up there on the stage (not his fault, he was born that way), he can sure show more play bass and synthesizer simultaneously like no other rocker in history.
Don't confuse Alex Lifeson for Jimmy Page. But don't confuse Steve Jones for Alex Lifeson. When the guitar needs to sound like science fiction itself — as it does on 2112 — or later in their careers when it sounds like an outlawed automobile being chased by an "alloy air car," nobody in rock history has ever made the electric guitar sound so consistently and convincingly dystopian.
Neil Peart? Ever heard of him? If you haven't, he's the most technically skilled (or was, in his prime in the 1970s & 80s), versatile, and virtuosic rock drummer who's ever lived. Set the needle (if you have one) on side one of 2112, and listen to Overture/Temples of Syrinx, and hear the incomparable blitzing beat of genius. He drums faster than a bullet train, but it's intelligible-fast, each thwack distinguishable from the one preceding it, unlike the fast-thrash-ubiquitous-bashing predominant in today's harder-tinged music.
The Sex Pistols released one album in their "career" — iconic and influential as it was, granted — that garnered them a place in the Rock and Roll Hall of Fame. While Rush, dozens of great albums out, all (except their first) filled with Neil Peart's poetry — yes, poetry — lyrics that could pass as poetry and not just lyrics (read Closer to the Heart, The Trees, Freewill & Red Barchetta for starters), and worldwide critical acclaim (except in almighty America) are not — huh? — in the Rock and Roll Hall of Fame? Get serious. Rush, in fact, hasn't even been nominated for the Hall of Fame. Absurd.
I'm no rock critic, but I'd posit that if a "career" based solely on 1977s, Never Mind The Bollocks by the Sex Pistols, is worthy of Hall of Fame status, then so should Rush gain entrance into the Hall of Fame based solely on its 1976 release, 2112 — an album sonically superior and lyrically more astute (even despite Ayn Rand's nefarious influence) than that raucous, one-chordish, and angry (but not very bright) Sex Pistols record. show less
Part of The Studio Albums 1989 - 2007 box
Summertime Blues (Eddie Cochran cover)
Heart Full of Soul (The Yardbirds cover)
For What It's Worth (Buffalo Springfield cover)
The Seeker (The Who cover)
Mr. Soul (Buffalo Springfield cover)
Seven and Seven Is (Love cover)
Shapes of Things (The Yardbirds (cover)
Crossroads (Robert Johnson cover)
Summertime Blues (Eddie Cochran cover)
Heart Full of Soul (The Yardbirds cover)
For What It's Worth (Buffalo Springfield cover)
The Seeker (The Who cover)
Mr. Soul (Buffalo Springfield cover)
Seven and Seven Is (Love cover)
Shapes of Things (The Yardbirds (cover)
Crossroads (Robert Johnson cover)
Rush
Barclay's Center
Brooklyn, NY
Mikey Digital > iPhone 4S > iRecorder Pro
Set I
01 Gearing Up (intro video set one)
02 Subdivisions
03 The Big Money
04 Force Ten
05 Grand Designs
06 The Body Electric
07 Territories
08 The Analog Kid
09 Bravado
10 Where's My Thing? (with drum solo)
11 Far Cry
Set II
12 The Appointment (intro video set two)
13 Caravan
14 C.A.
15 The Anarchist
16 Carnies
17 The Wreckers
18 Headlong Flight (with drum solo)
19 Alex Lifeson acoustic guitar solo
20 Halo Effect
21 Seven Cities of Gold
22 show more The Garden
23 Manhattan Project
24 The Percussor (Neil Peart drum solo)
25 Red Sector A
26 YYZ
27 The Spirit Of Radio
28 Tom Sawyer
39 2112: Overture / The Temples Of Syrinx / Grand Finale
30 Office Of The Watchmaker (outro video)
31 Tom Sawyer (calliope version) show less
Barclay's Center
Brooklyn, NY
Mikey Digital > iPhone 4S > iRecorder Pro
Set I
01 Gearing Up (intro video set one)
02 Subdivisions
03 The Big Money
04 Force Ten
05 Grand Designs
06 The Body Electric
07 Territories
08 The Analog Kid
09 Bravado
10 Where's My Thing? (with drum solo)
11 Far Cry
Set II
12 The Appointment (intro video set two)
13 Caravan
14 C.A.
15 The Anarchist
16 Carnies
17 The Wreckers
18 Headlong Flight (with drum solo)
19 Alex Lifeson acoustic guitar solo
20 Halo Effect
21 Seven Cities of Gold
22 show more The Garden
23 Manhattan Project
24 The Percussor (Neil Peart drum solo)
25 Red Sector A
26 YYZ
27 The Spirit Of Radio
28 Tom Sawyer
39 2112: Overture / The Temples Of Syrinx / Grand Finale
30 Office Of The Watchmaker (outro video)
31 Tom Sawyer (calliope version) show less
Awards
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Associated Authors
Statistics
- Works
- 127
- Also by
- 2
- Members
- 1,424
- Popularity
- #18,066
- Rating
- 3.9
- Reviews
- 22
- ISBNs
- 60
- Languages
- 3

















