Picture of author.

Thérèse de Dillmont (1846–1890)

Author of The Complete Encyclopedia of Needlework

102 Works 1,317 Members 61 Reviews

About the Author

Image credit: Therese De Dillmont (1846-1890)

Series

Works by Thérèse de Dillmont

The Complete Encyclopedia of Needlework (1884) 912 copies, 18 reviews
Assisi Embroideries (1954) 20 copies, 2 reviews
Macrame DMC Library (1971) 10 copies
Openwork Embroidery 9 copies, 2 reviews
Motifs for Embroideries 2nd Srs 7 copies, 2 reviews
Alphabet de la Brodeuse 7 copies, 1 review
Motifs for Embroideries 7th Srs (1966) 7 copies, 2 reviews
The Embroiderer's Alphabet 6 copies, 1 review
Nuova Enciclopedia dei Lavori Femminili (1941) 6 copies, 1 review
Irish Crochet Lace 5 copies, 2 reviews
Morocco Embroideries 4 copies, 2 reviews
Motifs for Embroideries 5th Srs (1910) 4 copies, 1 review
Le Filet Richelieu 3 copies, 1 review
Hardanger Embroideries 3 copies, 1 review
Filet Guipure 3 copies, 1 review
Cross Stitch: 7th Series (1972) 2 copies
Le filet brodé 2 copies
Motifs pour Broderies 1st Srs 2 copies, 1 review
The Net Work 1 copy
L'Uncinetto 1 copy
Tatting 1 copy

Tagged

Common Knowledge

Canonical name
Dillmont, Thérèse de
Other names
Dillmont, Thérèse Maria Josepha de
Von Dillmont, Therese Maria Josefa Dillman
Birthdate
1846-10-10
Date of death
1890-05-22
Gender
female
Education
Royal Academy of Embroidery, Vienna
Occupations
writer
textile historian
embroiderer
embroidery teacher
Relationships
Dillmont, Thérèse de (niece and successor)
Short biography
Thérèse de Dillmont was born in Wiener Neustadt, south of Vienna, the youngest of five children. Her father Ferdinand de Dillmont was a military officer and professor of architecture at the Military Academy of the Austro-Hungarian Empire. She was educated to be a governess and teacher, and attended an embroidery school in Vienna founded by the Empress Marie-Theresa. In 1884, she moved to France, where she wrote her Complete Encyclopedia of Needlework. It contained thousands of textile designs from many different countries including Egypt, Bulgaria, Turkey and China. She also founded her own textile school at Dornach near the French city of Mulhouse, and travelled often to oversee shops she opened in Vienna, London, Paris, and Berlin. The Alsatian-French company DMC, with which she had worked, continued to publish books with needlework designs under her name after her death.
Nationality
Austria (birth)
Birthplace
Vienna, Austria
Places of residence
Dornach, France
Vienna, Austria
Alsace, France
Place of death
Baden Baden, Germany
Associated Place (for map)
Austria

Members

Reviews

65 reviews
I can find no date in this. It seems to be several decades old. The paper is of very good quality, and remains flexible. Patterns for women's collars are included. These are rectangular with a semi-circle cut out for the neck, and seem to be meant to lie flat on the back of a dress. The same plate also shows two Reticules. The plates are very clear, and it is assumed that the needleworker will use the plates - there are no diagrams given. The two blouses shown have high closed standup show more collars, long sleeves with cuffs.

The patterns are very good, I am delighted to own this, and expect to work from it. (I really want one of those blouses! But I need to find a suitable pattern.)

A digital version of this is available at http://antiquepatterns.dreamhosters.com/DMCHardanger1.pdf. They say c.1900.
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This book is a treasure - when i have travelled internationally, i take this with me - i have a very tiny old edition.

And this book is a treasure trove of late 19th century needlework. If either 19th century needlearts or 19th century re-creation is your interest, this book is essential.

I have taught myself to crochet, to knit, to embroider, to macrame, and many other techniques from this book alone. I wouldn't want to be without it.
This book is a treasure - when i have travelled internationally, i take this with me - i have a very tiny old edition.

And this book is a treasure trove of late 19th century needlework. If either 19th century needlearts or 19th century re-creation is your interest, this book is essential.

I have taught myself to crochet, to knit, to embroider, to macrame, and many other techniques from this book alone. I wouldn't want to be without it
These are beautiful patterns, but they are photographs of finished models rather than graphs. When I was in my 20s my eyesight was good enough to follow this kind of thing, but now I find the book more inspirational than practical.

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Associated Authors

Rita Weiss Foreword

Statistics

Works
102
Members
1,317
Popularity
#19,514
Rating
4.1
Reviews
61
ISBNs
43
Languages
4

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