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About the Author

Disambiguation Notice:

Ida Cook also writes as Mary Burchell and James Keene (with Will Cook).

Image credit: Ida Cook (aka Mary Burchell)

Series

Works by Mary Burchell

Under the Stars of Paris (1954) 53 copies, 4 reviews
The Girl in the Blue Dress (1958) 50 copies, 1 review
A Song Begins (1965) 48 copies, 6 reviews
Damaged Angel = The Broken Wing (1966) 34 copies, 3 reviews
When Love Is Blind (1967) 32 copies, 4 reviews
Nightingales (1980) 31 copies, 2 reviews
The Curtain Rises (1969) 29 copies, 1 review
Unbidden Melody (1973) 29 copies, 3 reviews
Remembered Serenade (1975) 29 copies, 2 reviews
Song Cycle (1974) 29 copies, 2 reviews
Music of the Heart (1972) 28 copies, 4 reviews
Child of Music (1971) 28 copies, 2 reviews
Yours with Love (1940) 24 copies
Except My Love (1937) 23 copies
On Wings of Song (1985) 23 copies, 2 reviews
Masquerade with Music (1982) 22 copies, 2 reviews
Call and I'll Come (1955) 22 copies, 2 reviews
Paris and My Love (1960) 21 copies, 3 reviews
Little Sister (1939) 20 copies
Just a Nice Girl (1941) 20 copies
Accompanied by His Wife (1941) 20 copies, 1 review
Elusive Harmony (1976) 19 copies, 1 review
Where Shall I Wander? = Bargain Wife (1942) 19 copies, 2 reviews
Hospital Corridors (1958) 19 copies
For Ever and Ever (1956) 18 copies, 1 review
But Not for Me (1938) 18 copies
Honey (1959) 17 copies, 3 reviews
Dare I Be Happy? (1943) 17 copies
Pay Me Tomorrow (1940) 17 copies
On the Air (1956) 16 copies, 2 reviews
Nobody Asked Me (1937) 16 copies
The Brave in Heart (1948) 15 copies
One Man's Heart (1955) 14 copies, 1 review
Such Is Love (1939) 14 copies
Cinderella After Midnight (1959) 13 copies, 1 review
Love Made the Choice (1942) 13 copies
Strangers May Marry (1941) 13 copies
A Letter for Don (1950) 13 copies
Take Me with You (1944) 13 copies, 2 reviews
Then Come Kiss Me (1948) 13 copies
With All My Worldy Goods (1938) 12 copies
Wife to Christopher (1936) 12 copies
To Journey Together (1956) 12 copies
Nurse Marika, Loyal in All (1957) 12 copies, 1 review
It's Rumoured in the Village (1957) 12 copies, 2 reviews
Stolen Heart (1952) 12 copies
Inherit My Heart (1962) 12 copies, 2 reviews
Sweet Adventure (1952) 11 copies
A Home for Joy (1969) 11 copies
Yet Love Remains (1938) 11 copies, 1 review
Reluctant Relation (1961) 11 copies
Wife by Arrangement (1946) 11 copies
House of Conflict (1962) 11 copies
Ward of Lucifer (1947) 10 copies
Dear Trustee (1958) 10 copies
Tell Me My Fortune (1951) 10 copies
The Marshall Family (1967) 10 copies
Yours to Command (1955) 10 copies
Love Is My Reason (1957) 10 copies
Though Worlds Apart (1967) 9 copies, 2 reviews
Missing from Home (1968) 9 copies
Over the Blue Mountains (1952) 9 copies
Meet Me Again = Nurse Allison's Trust (1954) 9 copies, 1 review
The Other Linding Girl (1966) 9 copies
My Sister Celia (1961) 9 copies
Loving Is Giving (1956) 9 copies
The Heart Cannot Forget (1953) 9 copies
Love Him or Leave Him (1950) 9 copies
Across the Counter (1960) 8 copies
Under Joint Management (1947) 8 copies
When Love's Beginning (1954) 8 copies
Do Not Go, My Love (1964) 8 copies
Always Yours (1941) 8 copies
Mine for a Day (1951) 7 copies
Choose Which You Will (1949) 7 copies
A Ring on Her Finger (1953) 7 copies
Dearly Beloved (1944) 7 copies
The Wedding Dress (1961) 7 copies
Dear Sir (1958) 7 copies
Away Went Love (1945) 6 copies
Sweet Meadows (1963) 6 copies
One of the Family (1939) 6 copies
Meant for Each Other (1945) 5 copies
If This Were All (1949) 5 copies
Not Without You (1947) 5 copies
The Rosewood Box (1970) 5 copies
Here I Belong (1951) 5 copies
Girl With a Challenge (1965) 5 copies
Corner House (1960) 4 copies
After Office Hours (1939) 4 copies
Find Out the Way (1946) 4 copies
Joanna at the Grange (1957) 4 copies
Her Sister's Children (1965) 4 copies
No Real Relation (1953) 3 copies
Dangerous Loving (1963) 3 copies
I'll Go with You (1940) 3 copies
Thine is My Heart (1942) 3 copies
The Heart Must Choose (1953) 3 copies
First Love-Last Love (1946) 3 copies
I Will Love You Still (1949) 3 copies
At First Sight (1950) 3 copies
Second Marriage (1971) 3 copies
Thanks to Elizabeth (1944) 2 copies
The Prettiest Girl (1955) 2 copies
Wish on the Moon (1949) 2 copies
If You Care (1948) 2 copies
My Old Love Came (1943) 2 copies
Turneul (1998) 1 copy
Bosnimf 1 copy
The Nostalgia Collection, Box Set (3-in-1) (1986) — Contributor — 1 copy

Tagged

Common Knowledge

Legal name
Cook, Ida
Other names
Burchell, Mary (pen name)
Keene, James (pen name)
Birthdate
1904-08-24
Date of death
1986-12-22
Gender
female
Education
Duchess' School, Alnwick
Occupations
romance novelist
journalist
civil servant
autobiographer
Holocaust rescuer
Organizations
Romantic Novelists' Association (president)
Awards and honors
Righteous among the Nations
Blue Plaque
Relationships
Krauss, Clemens (friend)
Short biography
Ida Cook was born on 24 August 1904 at 37 Croft Avenue, Sunderland, England. With her elder sister Mary Louise Cook (1901), she attended the Duchess' School in Alnwick. Later the sisters took civil service jobs in London, and developed a passionate interest in opera.

A constant presence at Covent Garden, the pair became close to some of the greatest singers of the era; Amelia Galli-Curci, Rosa Ponselle, Tito Gobbi and Maria Callas. They also came to know the Austrian conductor Clemens Krauss, and it was through he that Cooks learned of the persecution of European Jews. In 1934, Krauss's wife asked the sisters to help a friend to leave Germany. Having accomplished this, the sisters continued the good work, pretending to be eccentric opera fanatics willing to go anywhere to hear a favourite artist. Krauss assisted them, even arranging to perform in cities they needed to visit. The sisters made repeated trips to Germany, bringing back jewellery and valuables belonging to Jewish families. This enabled Jews to satisfy British requirements as regards financial security - Jews were not allowed to leave Germany with their money. Using many techniques of evasion, including re-labelling furs with London labels, the sisters enabled 29 persons to escape from almost certain death.

The Cooks' own finances were little precarious, and when Ida obtained a contract with Mills and Boon to published her first novel in 1936, she left the Civil Service to write full time. As Mary Burchell, she became a prolific writer of romantic fiction. Her great popularity helped the success of Mills and Boon, and guaranteed substantial income after the war. For many decades, her writing supported her two passions: refugees and young opera singers. Her flat in Dolphin Square at various times housed homeless European families.

In 1950, Ida Cook wrote her autobiography: "We followed our stars", and in 1965, the Cook sisters were honoured as Righteous Gentiles by the Yad Vashem Martyrs and Heroes Remembrance Authority in Israel, thus joining Oskar Schindler among others.

She helped to found and was for many years president of the Romantic Novelist's Association. As Mary Burchell, she wrote over a hundred romance novels, many of which were translated, and her most famous work is "The Warrender Saga", a series about the opera world, full of real details. She also wrote as James Keene with William Everett Cook.

Ida Cook passed away on December 22, 1986 and her sister Louise in 1991.
Nationality
UK
Birthplace
Sunderland, Durham, England, UK
Places of residence
Northumberland, England, UK
London, England, UK
Place of death
London, England, UK
Disambiguation notice
Ida Cook also writes as Mary Burchell and James Keene (with Will Cook).
Associated Place (for map)
England, UK

Members

Reviews

77 reviews
Unusually for a Mary Burchell book, the heroine gets a man who is not a pleasant character and definitely a poor risk for marriage. There is a serious class difference, awful in-laws on both sides, and a truckload of unresolved issues. I foresee a bitter divorce before the fifth anniversary. On the bright side, the first glimmerings of 60s thinking have appeared on the horizon and the bride-to-be is planning to continue with her career after the wedding, so there might not be children to show more complicate the situation.

The plot is laudably unusual. Atypically for a formula romance, the book begins by depicting a horrible relationship and when they break up, soon into the story, it's a relief to the reader. What a shame that in the end the pair get back together.

It's not just that she turns down a rather good marriage prospect to go with this guy; this heroine is too immature to marry anyone.
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Trust me HP readers, this one is a gem. These two start up a masquerade as husband and wife in order to make the last days of the hero's mother unstressfull. The down on her luck heroine is strong and plucky with a level head and a great sense of humor. The hero is pretty beta in a bewildered, befuddled but sincerely nice and giving way. When the hero's mother seems to be getting better, the masquerade spirals out of control. Great main characters especially the heroine. Because the story is show more told entirely in her POV, you know her better. The secondary characters are fully realized and great in their own rights. The end was just a slight bit short with the I love yous but probably only because I like the characters to really wallow around in the love fest at the end.

Thoroughly enjoyed it and I highly recommend it.
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Hmm.
This book will most appeal to you if you have a toleration for the Mr. Rochesters and M. Paul Emanuels of the world of fiction.
In other words, a romantic interest who is a bit of a jerk. Indeed, Charlotte Bronte would have been all over this plot.
There's no getting away from it. There were multiple times in this book where I sighed a little bit and thought, "Ah. So we're doing this, are we?"
The autocratic man who's rather too old for the heroine. Who keeps her guessing the whole time as show more to whether he dislikes her or is just indifferent (hint: it's neither).
What can I say? Mary Burchell handled it with skill and thrill.

Plot summary: Anthea is on her own in Paris, jilted by her fiancé, and with dwindling finances. A chance meeting gets her an opportunity to model at a luxurious fashion show, where she meets Florian, a prestigious dress designer. The rest is moments of catty girl drama, enigmatic conversations with her employer, dinner dates with a "just a friend" who wants to be more, and very Jane-Eyre-like amounts of concealed longing for the inscrutable employer.

If it sounds like your thing, it probably is. Yes, I gave it 5 stars. Yes, even though I wouldn’t be on board with it in real life, I really liked it and was totally invested by the end.
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He didn't believe that she loved him.

Helen had always been fond of her friend Sylvia, and she felt an enormous debt of gratitude towards Sylvia's mother--so she had always felt obliged to keep a protective eye on her friend, so much less self-reliant than Helen and so apt to land herself in impossible situations.

When Sylvia found herself trapped in a disastrous marriage to an impossible man -- the famous playwright Charles Lane, who according to Sylvia was selfish, tyrannical, conceited and show more unfaithful--it was to Helen that she turned. She persuaded Helen to help her out of the situation by tricking Charles into setting her free.

The plot the two girls worked out was fool-proof; it went without a hitch--until the very last moment, when Helen discovered to her horror that Charles Lane, the 'selfish, tyrannical husband', was the man with whom she herself had just fallen in love.
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Anne Sebba Foreword

Statistics

Works
139
Members
1,666
Popularity
#15,408
Rating
½ 3.3
Reviews
76
ISBNs
228
Languages
4
Favorited
3

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