
Garry O'Connor
Author of Universal Father: A Life of Pope John Paul II
About the Author
Garry O'Connor has directed at the Royal Shakespeare Company, and written criticism for The Times (London).
Works by Garry O'Connor
Tagged
Common Knowledge
- Birthdate
- 1938-01-31
- Gender
- male
- Relationships
- Meredith-Owens, Victoria (spouse m.1970)
- Nationality
- UK
- Birthplace
- Edgware, London, England
- Associated Place (for map)
- Edgware, London, England
Members
Reviews
This … book … was originally released in 2001, and all but states it is meant to ride the doublet-tails of "the success of the Oscar-winning film Shakespeare in Love". I was puzzled by this for a moment – I don't usually expect a book received through Netgalley to be fifteen years old. But hey – a Shakespeare biography! How can that be bad?
This. This is how that can be bad.
From the introduction: My aim has been to give Shakespeare a life, not only as a historical figure who can be show more brought to life, but the dimension of one who is still living. To do this I have dropped the usual tentative approach of scholars (the “might’s”, the “could have’s” and “may have’s”).
That's a nice idea, to a reader who loves Shakespeare. To a reader who loves Shakespeare and who has read biographies, looking for something new or fresh, it's horrendous. Because the problem with Shakespeare from that point of view is that perhaps every single aspect of his life, birth to death and everything in between, involves "'might’s', the 'could have’s' and 'may have’s'". That's why there's an authorship question in some people's minds: we just don't know much about the man at all.
The above quote worried me, a little. What worried me more was the author's statement that he would be using the plays and sonnets to extrapolate fact. I didn't make it far into the book, but even in the few pages I read there were at least a couple of statements – not presented as supposition, but absolute fact – which gave me actual pain:
- "Denied, or perhaps ultimately uninterested in, confession to a priest, he came over the years to turn his plays into secret and disguised confessionals, in which he could play both confessor and penitent."
- "Anne [Hathaway] was nurtured and protected by both Shakespeare and his mother as few women were in Elizabethan times." Which as far as I know is completely unsupported by anything known about the Shakespeare menage.
I am baffled about why this foundationless bubble of guesses and fantasy is presented as a biography. If it had a plot, this would be a novel; plotless, it's a tissue of lies.
The usual disclaimer: I received this book via Netgalley for review.
ETA: The Goodreads quote of the day is entirely relevant to this book.
“There is a technical term for someone who confuses the opinions of a character in a book with those of the author. That term is idiot.”
― S.M. Stirling show less
This. This is how that can be bad.
From the introduction: My aim has been to give Shakespeare a life, not only as a historical figure who can be show more brought to life, but the dimension of one who is still living. To do this I have dropped the usual tentative approach of scholars (the “might’s”, the “could have’s” and “may have’s”).
That's a nice idea, to a reader who loves Shakespeare. To a reader who loves Shakespeare and who has read biographies, looking for something new or fresh, it's horrendous. Because the problem with Shakespeare from that point of view is that perhaps every single aspect of his life, birth to death and everything in between, involves "'might’s', the 'could have’s' and 'may have’s'". That's why there's an authorship question in some people's minds: we just don't know much about the man at all.
The above quote worried me, a little. What worried me more was the author's statement that he would be using the plays and sonnets to extrapolate fact. I didn't make it far into the book, but even in the few pages I read there were at least a couple of statements – not presented as supposition, but absolute fact – which gave me actual pain:
- "Denied, or perhaps ultimately uninterested in, confession to a priest, he came over the years to turn his plays into secret and disguised confessionals, in which he could play both confessor and penitent."
- "Anne [Hathaway] was nurtured and protected by both Shakespeare and his mother as few women were in Elizabethan times." Which as far as I know is completely unsupported by anything known about the Shakespeare menage.
I am baffled about why this foundationless bubble of guesses and fantasy is presented as a biography. If it had a plot, this would be a novel; plotless, it's a tissue of lies.
The usual disclaimer: I received this book via Netgalley for review.
ETA: The Goodreads quote of the day is entirely relevant to this book.
“There is a technical term for someone who confuses the opinions of a character in a book with those of the author. That term is idiot.”
― S.M. Stirling show less
An in-depth biography of Pope John Paul II from the early formative years of his life through the years of his papacy. Very philosophic passages at time, which could be expected as he had 3 doctorates in philosophy. Worth reading again
Simon Callow liked it. I'm kind of surprised that there isn't more for Gary O'Connor. He's a theatre man who knows the ropes and knows his Shakespeare.
The story behind the making of the three-part television series The Mahabharata by Peter Brooks, which "scandalously" used actors from many nations. If you enjoyed the film as much as I did, the book will be indispensable.
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- Works
- 29
- Members
- 458
- Popularity
- #53,634
- Rating
- 3.6
- Reviews
- 4
- ISBNs
- 71
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