William Shakespeare (–1616)
Author of Hamlet
About the Author
William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to show more send their oldest son to Stratford Grammar School. At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences. Many have served as the basis for operas, ballets, musical compositions, and films. While Jonson and other writers labored over their plays, Shakespeare seems to have had the ability to turn out work of exceptionally high caliber at an amazing speed. At the height of his career, he wrote an average of two plays a year as well as dozens of poems, songs, and possibly even verses for tombstones and heraldic shields, all while he continued to act in the plays performed by the Lord Chamberlain's Men. This staggering output is even more impressive when one considers its variety. Except for the English history plays, he never wrote the same kind of play twice. He seems to have had a good deal of fun in trying his hand at every kind of play. Shakespeare wrote 154 sonnets, all published on 1609, most of which were dedicated to his patron Henry Wriothsley, The Earl of Southhampton. He also wrote 13 comedies, 13 histories, 6 tragedies, and 4 tragecomedies. He died at Stratford-upon-Avon April 23, 1616, and was buried two days later on the grounds of Holy Trinity Church in Stratford. His cause of death was unknown, but it is surmised that he knew he was dying. (Bowker Author Biography) show less
Image credit: Wikipedia
Series
Works by William Shakespeare
4 Plays: A Midsummer Night's Dream; The Taming of the Shrew; The Tempest; Twelfth Night (1600) 441 copies, 2 reviews
Shakespeare Made Easy: Julius Caesar (modern version by Alan Durband, side by side with full original text) (1984) 391 copies
The Portable Shakespeare: Seven Plays, the Songs, the Sonnets, Selections from the Other Plays (1944) 345 copies
The Annotated Shakespeare: The Comedies, Histories, Sonnets and Other Poems, Tragedies and Romances Complete (1978) 305 copies, 8 reviews
4 Plays: As You Like It; A Midsummer Night's Dream; The Tempest; Twelfth Night (1599) 299 copies, 1 review
4 Plays: The Merchant of Venice; A Midsummer Night's Dream; The Taming of the Shrew; Twelfth Night (1980) 297 copies, 3 reviews
The Complete Works of William Shakespeare (Volume 1 of 2, ed. Clark & Wright) (1853) 279 copies, 1 review
The Complete Works of William Shakespeare, All the Plays, All the Poems, Arranged in Their Chronological Order (Vol. 2) (1967) 200 copies
Shakespeare : Hamlet {2009 television film} {BBC/Royal Shakespeare Company} (2009) — Original play — 142 copies, 1 review
4 Plays: As You Like It; A Midsummer Night's Dream; The Taming of the Shrew; Twelfth Night (1994) 138 copies
A Dictionary of Quotations from Shakespeare: A Topical Guide to Over 3,000 Great Passages from the Plays, Sonnets, and Narrative Poems (1992) 113 copies
3 Plays: Love's Labour's Lost; The Merry Wives of Windsor; The Two Gentlemen of Verona (1986) 111 copies, 1 review
Shakespeare: The Bard's Guide To Abuses And Affronts (Running Press Miniature Editions) (2001) 89 copies, 4 reviews
The Hollow Crown : Complete series {2012 + 2016 television series} (2012) — Original text — 88 copies, 1 review
3 Plays: All's Well That Ends Well; Measure for Measure; Troilus and Cressida (1988) 87 copies, 1 review
The Poems: Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim (The New Cambridge Shakespeare) (1992) 85 copies
Shakespeare Set Free: Teaching Romeo & Juliet, Macbeth & A Midsummer Night's Dream (The Folger Library) (1993) 85 copies
5 Plays: As You Like It; The Merry Wives of Windsor; A Midsummer Night's Dream; Much Ado About Nothing; Twelfth Night (1941) 71 copies
Shakespeare Set Free: Teaching Hamlet and Henry IV, Part 1 (Teaching Hamlet & Henry IV, Vol. 2) (1994) 70 copies
The Hollow Crown : Series 2 : The Wars of the Roses {2016 television series} (2016) — Original plays — 58 copies
Shakespeare in Autumn (Seasons Edition -- Fall): Select Plays and the Complete Sonnets (2021) 55 copies
William Shakespeare on The Art of Love: The Illustrated Edition of the Most Beautiful Love Passages in Shakespeare's Plays and Poetry (The Art of Wisdom) (2008) 51 copies
The Hollow Crown : Series 1 : Henriad {2012 television series} (2012) — Playwright — 49 copies, 1 review
The RSC Shakespeare : William Shakespeare and Others : Collaborative Plays (2013) — Playwright — 49 copies, 1 review
Complete Sonnets and Poems: The Oxford ShakespeareThe ^AComplete Sonnets and Poems (Oxford World's Classics) (2017) 47 copies
Five Revenge Tragedies: The Spanish Tragedy; Hamlet; Antonio's Revenge; The Tragedy of Hoffman; The Reve nger's Tragedy (Penguin Classics) (2012) 41 copies
3 Plays: The Merry Wives of Windsor; A Midsummer Night's Dream; Twelfth Night (1994) — Author — 40 copies
The Reduced Shakespeare Company's the Complete Works of William Shakespeare (abridged) 37 copies, 1 review
The Shakespeare apocrypha; being a collection of fourteen plays which have been ascribed to Shakespeare (1968) 35 copies
The Complete Works of William Shakespeare Vol. III (Henry IV - The Merry Wives of Windsor - Hamlet - as You Like it - Henry V) (1988) 34 copies
The Complete Works of William Shakespeare Volume 5 King Lear Macbeth Antony and Cleopatra Pericles Cymbeline Coriolanus (1988) 31 copies
The Complete Plays: Early Comedies 28 copies
Queen Mab 24 copies
5 Plays: Hamlet; Love's Labour's Lost; A Midsummer Night's Dream; Romeo and Juliet; The Two Gentlemen of Verona (1998) 24 copies
The Complete Works of William Shakespeare Volume 4 Julius Caesar Twelth Night Troilus and Cressida All's Well That Ends (1980) 23 copies
The Complete Works of William Shakespeare All the Plays, All the Poems (Book Club Edition, volume 2) 22 copies, 1 review
Macbeth 21 copies
GCSE Shakespeare Macbeth Complete Play (with Notes): "Macbeth" - The Complete Play Pt. 1 & 2 (Gcse English Annotated Text) (2002) 21 copies
Grolier Classics: Scarlet Letter, History of Herodotus, Utilitarianism and On Liberty, Sonnets (1956) 21 copies
The Ultimate Audition Book for Teens Volume 5: 111 Shakespeare Monologues (Young Actors Series) (2003) 20 copies
Masterworks of the British Cinema: Brief Encounter / Henry V / The Lady Vanishes (1974) — Screenplay — 19 copies
5 Plays: The Comedy of Errors; Love's Labours Lost; A Midsummer Night's Dream; The Taming of the Shrew; The Two Gentlemen of Verona (1990) 19 copies
Shakespeare's Original Pronunciation: Speeches and Scenes Performed as Shakespeare Would Have Heard Them (2012) — Author — 19 copies, 1 review
BBC Television Shakespeare : Henry IV, Part I {1979 television episode} (1979) — Original play — 18 copies
As you Like it: A Frankly Annotated First Folio Edition (Old English Edition) (2011) 18 copies, 9 reviews
The Tragedy of Julius Caesar: With Related Readings (Global Shakespeare Series) (1997) 17 copies, 1 review
Poetry Collection Box Set: 5 Beautifully Illustrated Books of Poetry: William Shakespeare : Walt Whitman : Carl Sandburg : Robert Frost : Emily Dickinson (2019) 17 copies
Hamlet {unspecified video recordings} 15 copies
Quotable Shakespeare: A Knowledge Cards™ Deck from the Plays of William Shakespeare (2005) 15 copies
Thames Shakespeare Collection: Macbeth / Romeo & Juliet / Twelfth Night / King Lear (2006) — Writer — 15 copies
The mystery of Hamlet, King of Denmark; or, What we will, a tetralogy with prelude and postlude (1950) 14 copies, 1 review
4 Plays: All's Well That Ends Well; Hamlet; Measure for Measure; Troilus and Cressida (1990) 14 copies
Shakespeare Alive!: 2-minute Speeches And Monologues For Study, Audition, And Performance (Monologue Audition Series) (2005) 14 copies
Shakespeare's Plays in Quarto, A Facsimile Edition of Copies Primarily from the Henry E. Huntington Library (1981) 14 copies
Opere scelte 13 copies
Reading & Training : William Shakespeare : Hamlet [book + sound recording] (1999) — Writer — 13 copies
Tutto il teatro.Re Giovanni.Riccardo II.Enrico IV.Enrico V.Enrico VI.Ricardo III.Enrico VIII (1989) 12 copies
Romeo and Juliet: William Shakespeare: The Complete Play Together With Handy Hints (2002) — Author — 12 copies
BBC Television Shakespeare : Henry IV, Part II {1979 television episode} (1979) — Original play — 12 copies
William Shakespeare Complete Works The Tragedies: Based on the First Folio of James Heminges and Henry Condell (Gothic Fantasy) (2025) 12 copies
Macbeth In Plain and Simple English: A Modern Translation and the Original Version (Bookcaps) (2012) 12 copies, 1 review
Négy dráma 12 copies
Classic BBC Radio Shakespeare: Tragedies: Hamlet; Macbeth; Romeo and Juliet (2016) 12 copies, 3 reviews
Shakespeare: The Tragedies (Collector's Edition) (The 100 Greatest Books Ever Written) (1980) 11 copies
Oeuvres complètes... 11 copies
Romeow and Juliet (Classic Tails 3): Beautifully illustrated classics, as told by the finest breeds! (2017) 11 copies, 1 review
Shakespeare's Romeo and Juliet in the original and modern English: A parallel text edition (1985) 11 copies
Cornelsen Senior English Library - Literatur - Ab 11. Schuljahr: Macbeth - Textband mit Annotationen (2005) 11 copies
The RSC Shakespeare : Titus Andronicus and Timon of Athens : Two Classical Plays (2011) — Playwright — 10 copies, 1 review
A New Variorum Edition Of Shakespeare: The Tragedie Of Anthonie, And Cleopatra. 1907 (1990) 10 copies
Stories from Shakespeare's Histories: 3100 Headwords (Oxford Progressive English Readers) (1995) 10 copies
Julius Caesar 10 copies
The Leopold Shakspere. The poet's works in chronological order from the text of Professor Delius, with The two noble kinsmen and Edward III (2018) 10 copies
William Shakespeare Complete Works The Histories: Based on the First Folio of John Heminges and Henry Condell (Gothic Fantasy) (2025) 10 copies
Bell's edition of Shakspere, Prolegomena to the Dramatick Writings of Will Shakspere (1969) 10 copies
Romeo and Juliet In Plain and Simple English: (A Modern Translation and the Original Version) (2012) 10 copies
4 Plays: As You Like It; The Merry Wives of Windsor; A Midsummer Night's Dream; Much Ado about Nothing (1950) 10 copies
As alegres comadres de Windsor ; Medida por medida ; O sonho de uma noite de verão ; O mercador de Veneza ; A megera domada ; Sonetos 9 copies, 1 review
William Shakespeare's Romeo and Juliet (unabridged text, comic strip format) (1983) 9 copies, 1 review
Discover...Topics for Advanced Learners: Discover: William Shakespeare: Macbeth: Schülerheft (1999) 9 copies
The London Shakespeare; a new annotated and critical edition of the complete works in six volumes (1957) 9 copies
Shakespeares dramatiska arbeten 9 copies
BBC Television Shakespeare : King Richard the Second {1978 television episode} (1978) — Original play — 9 copies
Ein Sommernachtstraum / Der Kaufmann von Venedig / Viel Lärm um nichts / Wie es euch gefällt / Die lustigen Weiber von (1979) 9 copies
2 Plays: Othello; Twelfth Night 9 copies
Ajalookroonikad. 2. 9 copies
Henry V [videorecording] 9 copies
Sonnet 130 9 copies
Obras completas. Tomo I 8 copies
Sonnet 29 8 copies
Shakespeare's tragedies (Everyman's library, edited by Ernest Rhys. Poetry and the drama) (1953) 8 copies
BBC Television Shakespeare : The Tragedy of Richard III {1983 television episode} (1983) — Playwright — 8 copies
The First Quarto of Romeo and Juliet (The New Cambridge Shakespeare: The Early Quartos) (2007) 8 copies
Reading & Training : William Shakespeare : A midsummer night's dream {Step 4} [book + sound recording] (2003) — Writer — 8 copies
Reading & Training : Love in Shakespeare : Five stories [book + sound recording] (2011) — Writer — 8 copies
Reading & Training : William Shakespeare : Macbeth [book + sound recording] (2008) — Writer — 8 copies
The Winter's Tale In Plain and Simple English: A Modern Translation and the Original Version (2012) 8 copies
Classic BBC Radio Shakespeare: Comedies: The Taming of the Shrew; A Midsummer Night's Dream; Twelfth Night (2016) 8 copies, 3 reviews
All's well that ends well ; The comedy of errors ; Love's labour's lost ; The taming of the shrew (1950) 8 copies
Patrick Stewart Performs the Complete Sonnets of William Shakespeare: With Original Commentary by Patrick Stewart (2026) 7 copies
Shakespeare's Hamlet: A New Version 7 copies
Teatro. Vol. II: I due gentiluomini di Verona, Pene d'amor perdute, Sogno d'una notte d'estate, Romeo e Giulietta, Ricca (1988) 7 copies
Classic BBC Radio Shakespeare: Romances: The Winter's Tale, Pericles, The Tempest (2016) 7 copies, 2 reviews
Shakespeare's Masterpieces 7 copies
The Poems of William Shakespeare, Vol. 2 (The Complete Works of William Shakespeare) (1993) 7 copies, 1 review
The Poems of William Shakespeare, Vol. 1 (The Complete Works of William Shakespeare) (1993) 7 copies, 1 review
The Merry Wives of Windsor In Plain and Simple English: A Modern Translation and the Original Version (2012) 7 copies
Romeo & Juliet 7 copies
Romeo and Juliet (w/Audio), Level 3, Pearson English Readers (2nd Edition) (Pearson English Graded Readers) (2012) 7 copies
The Essential Shakespeare Tragedies Collection: Hamlet, Macbeth, Romeo & Juliet, King Lear, Othello (2021) 7 copies
Shakespeare's Tragedies 7 copies
FOUR GREAT TRAGEDIES; FOUR GREAT COMEDIES; FOUR GREAT HISORICAL PLAYS. Collector's Edition. (1948) 6 copies
Sonette, Epen und die kleineren Dichtungen. Vollständige zweisprachige Ausgabe. Englisch / Deutsch (1992) 6 copies
Romeo and Juliet: in Full Colour, Cartoon Illustrated Format (Shakespeare Comic Books) (2010) 6 copies
Drammi 6 copies
William Shakespeare Complete Works The Comedies: Based on the First Folio of John Heminges and Henry Condell (Gothic Fantasy) (2025) 6 copies
3 Plays: Hamlet; King Lear; Othello 6 copies
The Works of William Shakespeare from the Text of Clark and Wright with a Copious Glossary (1909) 6 copies
4 Plays: The Merchant of Venice; Much Ado about Nothing; The Taming of the Shrew; The Two Gentlemen of Verona (2004) 6 copies
The Works of William Shakespeare Vol 3: King Henry IV part 1; King Henry IV part 2; King Henry V; King Henry VI part 1; (1975) 6 copies
Shakspere's dramatiska arbeten Bd 7, Timon af Athen ; Så tuktas en argbigga ; Trettondagsafton 6 copies
TRAGEDIAS (de Shakespeare) Hamlet - Macbeth - El rey Lear - Otelo, el moro de venecia - Romeo y Julieta - Julio Cesar (1996) 6 copies
Peter Brook's production of A Midsummer Night's Dream : Authorized acting edition (1974) — Playwright — 6 copies
SONHO DE UMA NOITE DE VERÃO 6 copies
FIVE PLAYS OF WILLIAM SHAKESPEARE Julius Caesar, MacBeth, Merchant of Venice, As You like It, Hamlet (1926) 6 copies
Teatro. Vol. III: Re Giovanni, Il Mercante di Venezia, Giulio Cesare, Molto rumore per nulla, Come vi piace, La Dodicesi (1964) 6 copies
King Lear [unknown video recording] 5 copies
Teatro. Vol. I : Re Enrico VI - Riccardo III - Tito Andronico - La Bisbetica domata - La commedia degli errori. (1997) 5 copies
A Collection of Shakespeare's Plays 5 copies
The Merchant of Venice (With the Adventure of Giannetto and Other Illustrative Pieces) (1891) 5 copies
Dramas, comedias 5 copies
4 Plays: Love's Labour's Lost; A Midsummer Night's Dream; Richard III; The Taming of the Shrew 5 copies
De werken van William Shakespeare. 4e dl.: Koning Hendrik de Zesde I ; Koning Hendrik de Zesde II ; Koning Hendrik de Zesde III (1983) 5 copies
Julius Caesar In Plain and Simple English: A Modern Translation and the Original Version (2012) 5 copies
Shakspere's Works XII 5 copies
The Henry Irving Shakespeare (Cambridge Library Collection - Shakespeare and Renaissance Drama) (2009) 5 copies
Sonnet 129 5 copies
Sonnet 60 5 copies
Sonnet 30 5 copies
BBC Television Shakespeare : The Complete Dramatic Works of William Shakespeare {television episodes} — Author — 5 copies
The Cambridge Shakespeare (Cambridge Library Collection - Shakespeare and Renaissance Drama) (2009) 5 copies
Sonnet 55 5 copies
Reading & Training : William Shakespeare : The taming of the shrew [book + sound recording] (2008) — Writer — 5 copies
Reading & Training : William Shakespeare : Twelfth Night [book + sound recording] (2008) — Writer — 5 copies
Merchant of Venice (w/Audio), The, Level 4, Pearson English Readers (2nd Edition) (Pearson English Readers, Level 4) (2011) 5 copies
WILLIAM SHAKESPEARE OBRAS MAESTRAS 5 copies
The Complete Works of William Shakespeare-Volume IV-Julius Caesar, Twelfth Night, Troilus and Cressida, (1988) 5 copies
4 Plays: A Midsummer Night's Dream; King Lear; Romeo and Juliet; The Taming of the Shrew (1995) 5 copies
RSC Music & Speeches : Much Ado About Nothing or Love's Labour's Won {sound recording} (2014) — Original play — 5 copies, 2 reviews
Shakespearean prompt-books of the seventeenth century, Vol. VII: Part i (Introduction to the Smock Alley A Midsummer Night's Dream Collations (1997) 5 copies
The Tempest 5 copies
Hry 5 copies
Once More unto the Speech, Dear Friends: Volume I: The Comedies (Speak the Speech, I Pray You) (2006) 5 copies
A most pleasant comedy of Mucedorus the Kings sonne of Valentia, and Amadine the Kings daughter of Aragon With the merry conceits of Mouse. Amplified with new additions, as it was… (2010) — probable reviser — 5 copies, 1 review
Tragic Tales from Shakespeare 5 copies
If you have tears, prepare to shed them now (Julius Caesar, III/ii); Shakespeare on pollution (1971) 5 copies
Macbeth (Annotated): Shakespeare's tragedy with introduction, footnotes and glossary (2023) 5 copies
The London Prodigall. As it was plaide by the Kings Maiesties seruants (2016) — attributed author — 5 copies
The Works of Shakspere. With notes by Charles Knight with illustrations on Steel. Comedies. Sec.I. Imperial edition. (1873) 4 copies
Songs and poems 4 copies
William Shakespeare Hamlet (an authoritative test intellectual backgrounds extracts from the sources essays in criticism) (1963) 4 copies
Shakspere's dramatiska arbeten Bd 1, En midsommarnattsdröm ; Coriolanus ; Hamlet, prins af Danmark 4 copies
The Tempest (Tales from Shakespeare) 4 copies
The Merchant of Venice In Plain and Simple English: A Modern Translation and the Original Version (2012) 4 copies
Popular Shakespearian quotations 4 copies
4 Plays: The Comedy of Errors; The Merry Wives of Windsor; A Midsummer Night's Dream; The Taming of the Shrew (2016) 4 copies
Les Tragédies 4 copies
La bisbetica domata IL mercante di Venezia Giuio Cesare Le allegre comari di Windsor Re Lear Macbeth Antonio e Cleopatra (1988) 4 copies
Pyramus and Thisbe: a mock-opera. Written by Shakespeare. Set to musick by Mr. Lampe (2003) 4 copies
The Works of Shakespeare - Histories Poems & Sonnets / Tragedies / Comedies Memoir & Essays (2007) 4 copies
The Works of Shakespeare: Vol 3 4 copies
Verzameld werk Dl. 1 Komedies 4 copies
Twenty of the plays of Shakespeare : being the whole number printed in Quarto during his life-time, or before the Restor (2010) 4 copies, 1 review
Dramas históricos. Teatro completo de William Shakespeare III: Teatro completo III (Spanish Edition) (2015) 4 copies
Sonnet 98 4 copies
Othello [CASSETTE] 4 copies
2 Plays: Cymbeline; Pericles 4 copies
Sonnet 146 4 copies
King Henry VIII In Plain and Simple English: A Modern Translation and the Original Version (2012) 4 copies
The Collected Sonnets of William Shakespeare, Zombie (Contributions to Zombie Studies) (2018) 4 copies
Much Ado About Nothing In Plain and Simple English: A Modern Translation and the Original Version (2012) 4 copies
Shakespeare : Henry V : Stratford : {2015 film} — Playwright — 4 copies
As You Like It: Including Stage Directions for All Levels of Experience (The 30-Minute Shakespeare) (2010) 4 copies
The Works of Shakespeare : Volume 3 4 copies
Teatro. Vol.IV:Troilo e Cressida, Tutto è bene..., Misura per misura, Otello, Re Lear, Macbeth, Timone d'Atene (1997) — Author — 4 copies
A Shakespeare Anthology. The beauties of Shakespeare ... With ... illustrations. [Selected by William Dodd.] (2010) 4 copies
Cambridge School Shakespeare Macbeth 4 copies
Measure for Measure In Plain and Simple English: A Modern Translation and the Original Version (2012) 4 copies
Shakespeare's The Tempest — Author — 4 copies
The Works of William Shakespeare : Volume 1 : All's Well That Ends Well, Antony And Cleopatra, As You Like it, the Comed (1975) 4 copies
Othello (Graphic Shakespeare) 4 copies
5 Plays: Love's Labour's Lost; Macbeth; Measure for Measure; Richard II; Richard III (1975) 4 copies
As You Like It [DVD] 4 copies
Verzameld werk Dl. 3 Tragedies 4 copies
Hamlet [DVD] [2009] 4 copies
Coriolanus (Video Yesteryear; 1951) 4 copies
Romeo y Julieta. Prologo con resena critica de la obra, vida y obra del autor, y marco historico. (Spanish Edition) (2013) 4 copies
La fierecilla domada; La comedia de las equivocaciones (Biblioteca Edaf) (Spanish Edition) (2002) 4 copies
Shakespeare series 4 copies
Four Tragedies 4 copies
Tria d'obres: Romeu i Julieta, Com us plagui, Otel·lo, Macbeth, La tempesta (A TOT VENT-RÚST) (2017) 4 copies
Reading & Training : William Shakespeare : Much ado about nothing [book + sound recording] (2003) — Writer — 4 copies
Hamlet. Prologo con resena critica de la obra, vida y obra del autor, y marco historico. (Spanish Edition) (2013) 4 copies
Twelfth Night [DVD] 4 copies
Julius Caesar [DVD] 4 copies
Midsummer Night's Dream [DVD] 4 copies
Complete Works of Shakespeare, Comprising His Plays and Poems, Also The History of His Life and His Will (1930) 4 copies
Sonnet 144 4 copies
Davenant's Macbeth from the Yale manuscript; an edition with a discussion of the relation of Davenant's text to Shakes (1969) 4 copies
A Quintet of Shakespeare Tragedies: Romeo and Juliet, Hamlet, Macbeth, Othello, and King Lear (2018) 3 copies
Reading & Training : William Shakespeare : The tempest [book + sound recording] (2017) — Writer — 3 copies
Sämtliche Werke. 4. Tragödien 3 copies
Sämtliche Werke. 1. Komödien 3 copies
Leikrit VI 3 copies
Reading & Training : William Shakespeare : Julius Caesar [book + sound recording] (2008) — Writer — 3 copies
Reading & Training : William Shakespeare : Romeo and Juliet [book + sound recording] (2008) — Writer — 3 copies
Sonnet 90 3 copies
Sonnet 94 3 copies
Shakspere's Sonnets : The first quarto, 1609, a facsimile in photo-lithography (from the copy in the British museum) (2017) 3 copies
AMLETO OTELLO MACBETH RE LEAR. 3 copies
Anthology 3 copies
The lovers' Shakspere 3 copies
Reading & Training : William Shakespeare : Othello [book + sound recording] (2001) — Writer — 3 copies
Shakespeare : Love's Labour's Won or Much Ado About Nothing : Stratford {2015 film} (2015) — Writer — 3 copies
The Merchant of Venice (The Pelican Shakespeare) by William Shakespeare (2000-08-01) Paperback 3 copies
Sonnet 17 3 copies
Works (Classic Lib. Vol. 8). Troilus and Cressida. Twelfth Night. Two Gentlemen of Verona. Winter's Tale. (1975) 3 copies
Monologhi 3 copies
Seduction by Shakespeare: Advice, Observations, and Quotes on Love, Lust, Beauty, and Desire (2006) 3 copies
Works (Classic Lib. Vol. 7). Romeo & Juliet. Taming of the Shrew. Tempest. Timon of Athens. Titus Andronicus (1975) 3 copies
RSC Music & Speeches : Timon of Athens {sound recording} (2018) — Original play — 3 copies, 1 review
Riverside Shakespeare Vol. I, The 3 copies
Coffret Shakespeare comédies 3 volumes [ Bibliotheque de la Pleiade ] Boxed Set (French Edition) (2016) 3 copies
RSC Music & Speeches : A Midsummer Night's Dream {sound recording} (2016) — Playwright — 3 copies, 1 review
RSC Music & Speeches : The Merry Wives of Windsor {sound recording} (2018) — Original play — 3 copies
Five Shakespeare Songs. Second Set. Op. 23. [No. 1.] Fear no more the heat o' the sun. [No. 2.] Under the greenwood tree — Lyrics — 3 copies
RSC Music & Speeches : Love's Labour's Lost + Much Ado About Nothing {sound recording} (2014) — Original play — 3 copies, 1 review
Shakespeare Illustrated 3 copies
Poeemid 3 copies
An American Family Shakespeare Entertainment, Vol. 2: Based on Charles & Mary Lambs Tales from Shakespeare, with scenes, soliloquies and music from Shakespeares plays. (Library) (2009) — Author — 3 copies
Verzameld werk Koningsdrama's 3 copies
Poems And Sonnets. Two Gentlemen Of Verona. With Introductions, Notes, Glossary, Critical Comments And Method Of Study (2011) 3 copies
Leikrit Vol. 3 3 copies
Othello Retold In Plain and Simple English: A Modern Translation and the Original Version (2012) 3 copies
Mr. William Shakespeare's comedies, histories & poems, tragedies; (The Riverside Shakespeare) (1901) 3 copies, 1 review
William Shakespeare's A Midsummer Night's Dream (Adapted by Everett Quinton) (1995) — Author — 3 copies
Výbor z dramat I 3 copies
Výbor z dramat II. 3 copies
Julius Caesar ; and, a midsummer-night's dream (Prose and poetry individualized program) (1942) 3 copies
Plays and sonnets, vol. II 3 copies
Macbeth [dvd] 3 copies
The Plays and Sonnets 3 copies
Songs of Shakespeare 3 copies
The Works of Shakespeare (volume 7) 3 copies
Troilus and Cressida In Plain and Simple English: A Modern Translation and the Original Version (2012) 3 copies
Dogberry Charges the Watch 3 copies
Commedie scelte 3 copies
Romeu e Julieta, Macbeth, Hamlet - Príncipe da Dinamarca, Otelo o Mouro de Veneza - Clássicos Abril 3 copies
The works of Mr. William Shakespear, Volume 9: Poems, Venus and Adonis, Tarquin and Lucrece, &c. (2010) 3 copies
TRAGEDIAS: Romeo y Julieta, Julio César, Macbeth, Hamlet, El rey Lear, Otelo, Antonio y Cleopatra 3 copies, 1 review
Love's Labour's Lost [DVD] 3 copies
THE WINDSOR SHAKESPEARE Volume XI: King Henry the Fourth, Part I; King Henry the Fourth, Part II (1900) 3 copies, 1 review
Shakespeare drámák III. [ A Velencei kalmár, Lear király, Szeget szeggel, IV. Henrik 1, rész, IV. Henrik 2, rész,] (2018) 3 copies
Classics For Holidays - Ultimate Collection: 150 Timeless Masterpieces of World Literature in One Volume (Kindle) (2019) 3 copies
Canseiras de Amor Baldadas 3 copies
Shakspere's dramatiska arbeten Bd 8, Titus Andronicus ; Troilus och Cressida ; En vintersaga 3 copies
The Works of William Shakespeare - Volume 1 — Author — 3 copies
Frühe Komödien — Author — 3 copies
Pericles, Prince of Tyre In Plain and Simple English (A Modern Translation and the Original Version) (2012) 3 copies
The Pictorial Edition of the Works of Shakspere-Doubtful Plays, Etc. -Shakespeare (1839) 3 copies, 1 review
Macbeth 3 copies
Titus Andronicus In Plain and Simple English: A Modern Translation and the Original Version (2012) 3 copies, 1 review
Tragédie 3 copies
THE WINDSOR SHAKESPEARE Volume IX: King Henry the Sixth, Part III; King Richard the Third (1900) 3 copies, 1 review
Tragödien 3 copies
Shakspere's dramatiska arbeten Bd 12, Julius Caesar ; Antonius och Cleopatra ; Köpmannen i Venedig 3 copies
Shakespeare Proverbs: Or the Wise Saws of Our Wisest Poet Collected Into a Modern Instance (Classic Reprint) (2017) 3 copies
William Shakespeare Collected Plays 3 copies
HAMLET / MACBETH / ROMEO Y JULIETA / EL MERCADER DE VENECIA / SUEÑO DE UNA NOCHE DE VERANO (2019) 3 copies
The vvhole contention betvveene the tvvo famous houses, Lancaster and Yorke. : With the tragicall ends of the good Duke Humfrey, Richard Duke of Yorke, and King Henrie the sixt.… 3 copies, 3 reviews
Le grandi tragedie: Riccardo III-Romeo e Giulietta-Giulio Cesare-Macbeth-Amleto-Re Lear-Otello-Antonio e Cleopatra. Ediz. integrale (2012) 3 copies
2 Plays: Coriolanus; Macbeth 2 copies
Shakespeare's Much Ado About Nothing; With Notes, Examination Papers, and Plan of Preparation (2009) 2 copies
The Merchant of Venice 2 copies
William Shakespeare Comedies 2 copies
Pequeños poemas 2 copies
Dramatische Werke. Bd. 3. Tragödien 2 copies
Œuvres complètes : Histoires II (1 Henri VI, 2 Henri VI, 3 Henri VI, Richard III, Sir Thomas More, Henri VIII) (1999) 2 copies
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The Works of William Shakespeare. Mr. William Shakespeares Comedies, Histories, Tragedies, & Poems. Vol. II (2016) 2 copies
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Merchant Of Venice The 2 copies
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The Merchant of Venice: Abridged for Schools and Performance (Shakespeare Shorts For Schools and Performance) (2015) 2 copies
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Quotations: Familiar, Interesting and Instructive - from all of Shakespeare's Plays and Poems 2 copies
Shakespeare Volume I The Comedies 2 copies
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Hamlet / Otelo 2 copies
The Plays of Shakspeare. Printed from the Text of Samuel Johnson, George Steevens, and Isaac Reed. 2 copies
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The new Shaksperian dictionary of quotations. (With marginal classification and reference.) 2 copies
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As You Like It in Plain and Simple English: A Modern Translation and the Original Version (Dover Books on Physics) (2012) 2 copies
The Great Books Fourth Year Volume Five -- Michel de Montaigne: selections from Essays; William Shakespeare: The Tempest (1956) 2 copies
The Hamlet and Twelfth Night and Bedford Companion to Shakespeare 2e and Macbeth and: Taming of the Shrew and Tempest an (2002) 2 copies
Tragedie: Amleto, Otello, Mcbeth, Romeo e Giulietta e le altre (Radici) (Italian Edition) (2013) 2 copies, 1 review
The Complete Dramatic And Poetic Works Of William Shakespeare Red Letter Edition (With Concordance) (1952) 2 copies
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Midsummer Night's Dream (2009 edition): Oxford School Shakespeare by Shakespeare, William Reprint Edition (2009) (1703) 2 copies
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Sonnet 8 2 copies
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The Works of William Shakespeare - Volume 2 — Author — 2 copies
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Sonnet 28 2 copies
Sonnet 27 2 copies
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Sonnet 24 2 copies
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The Works of William Shakespeare - Volume 3 — Author — 2 copies
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Shakespeare, William: Gesammelte Werke 11, Goldmanns gelbe Taschenbücher ; Bd. 1527 Königsdramen I (1965) 2 copies
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The Works of William Shakespeare - Volume 5 — Author — 2 copies
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Take, O Take 2 copies
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Shakespeare Made Easy: Macbeth (modern version by Alan Durband, side by side with full original text) (1984) 2 copies
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The Works Of William Shakespeare, Vol VII, Antony & Cleopatra, Othello, & Henry IV. Part I (1901) 2 copies
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Selected plays of Shakespeare vol 4 2 copies
The Riverside Shakespeare volume II 2 copies
The Comedies and Tragedies of Shakespeare, Comedies, Volume 1 Only — Author — 2 copies
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5 Plays: As You Like It; The Merchant of Venice; A Midsummer Night's Dream; The Tempest; Twelfth Night (1941) 2 copies
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Een Midzomernachtsdroom / De Koopman van Venetië / Naar het U Bevalt / De Feeks Wordt Getemd 2 copies
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Sonnet 136 2 copies
Sonnet 137 2 copies
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Sonnet 140 2 copies
Sonnet 141 2 copies
William Shakespeare: Comedies (Shakespeare's Globe) — Playwright — 2 copies
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Sonnet 143 2 copies
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Sonnet 149 2 copies
Sonnet 150 2 copies
Sonnet 133 2 copies
Sonnet 134 2 copies
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A Midsummer Night's Dream (Cambridge School Shakespeare) 4th edition by Gibson, Rex (2014) Paperback (2014) 1 copy
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2025 But hark, what music? 1 copy
Shakespeare's Works, Vol. 1: Titus Andronicus; King Henry Vi, Part I (Classic Reprint) (2015) 1 copy
Teatro, 3 voll. 1 copy
The Works of William Shakespeare Volume IX - Othello & Antony and Cleopatra - Cymbeline & Pericles 1 copy
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Plays and Poems 1 copy
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The Children's Shakespeare 1 copy
Drmk / Sznmvek (6. ktet) 1 copy
Much Ado About Nothing (The Unabridged Play) + The Classic Biography: The Life of William Shakespeare (2014) 1 copy
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Macbeth: Abridged for Schools and Performance (Shakespeare Shorts For Schools and Performance) (2014) 1 copy
Tragdik (3. ktet) 1 copy
Tragdik (4. ktet) 1 copy
Shakespeare's Macbeth: A Shortened Version in Modern English (The Inessential Shakespeare) (1989) 1 copy
Five Plays: Henry IV (Part 1) Much Ado About Nothing / Hamlet / King Lear / the Tempest (1954) 1 copy
A Catalogue of the Pictures, Etc. In the Shakespeare Gallery Pall-Mall (Classic Reprint) (2019) 1 copy
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Dramatic Highlights From M.G.M.'s Acclaimed Production of William Shakespeare's Julius Caesar soundtrack (1986) 1 copy
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Dramen. 3. Bd, 1599-1604 1 copy
The Shakspearian reader: a collection of the most approved plays of Shakspeare: carefully revised 1 copy
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The Complete Oxford Shakespeare. Volume 1-Histories. Volume II-Comedies. Volume III-Tragedies 1 copy
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Shakespear's Histories 1 copy
Much ado about nothing (DVD) 1 copy
Richard III (Norton Critical Editions) by Shakespeare, William, Cartelli, Thomas (2009) Paperback 1 copy
Machbeth, Othello 1 copy
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Tagged
Common Knowledge
- Legal name
- 莎士比亞,威廉
- Birthdate
- c. 1564-04-26
- Date of death
- 1616-04-23
- Gender
- male
- Education
- King Edward VI School
- Occupations
- poet
playwright
actor - Organizations
- Lord Chamberlain's Men (later renamed "The King's Men")
Globe Theatre - Relationships
- Hall, John (son-in-law)
- Cause of death
- unknown illness
- Nationality
- England
- Birthplace
- Stratford-upon-Avon, Warwickshire, England
- Places of residence
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- Holy Trinity Church, Stratford-on-Avon, Warwickshire, England, UK
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- England, UK
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Discussions
Happy Birthday, Shakespeare! in Book talk (Yesterday 6:22pm)
LEC Shakespeare in George Macy devotees (April 2025)
LE: Shakespeare - The Complete Plays coming in September in Folio Society Devotees (March 2024)
SHAKESPEARE'S FIRST FOLIO in Book talk (February 2024)
Macbeth by William Shakespeare – LIMITED EDITIONS CLUB 1939 in George Macy devotees (October 2023)
First Folio of Shakespeare : Norton Facsimile 1996 in Folio Society Devotees (October 2023)
OT The Shakespeare First Folio - Times article of 18 Feb 2023 in Folio Society Devotees (October 2023)
First Folio of Shakespeare : Norton Facsimile 1996 in Fine Press Forum (August 2023)
New Shakespeare LE coming in November in Folio Society Devotees (July 2023)
Shakespeare in MOOC (Massive Open Online Courses), and other Online Presences in The Globe: Shakespeare, his Contemporaries, and Context (April 2023)
OT: Shakespeare First Folio for sale in Folio Society Devotees (October 2022)
July Shakespeare Cat: Justice in 2022 Category Challenge (July 2022)
June ShakespeareCAT: The Roman plays / ancient history in 2022 Category Challenge (July 2022)
May ShakespeareCAT: Shakespeare's Kings & Medieval History in 2022 Category Challenge (July 2022)
Richard III Act 1 in The Globe: Shakespeare, his Contemporaries, and Context (April 2022)
February Shakespeare CAT: Much Ado About Nothing - Romantic Comedy in 2022 Category Challenge (March 2022)
The Sonnets - revisited in The Globe: Shakespeare, his Contemporaries, and Context (February 2022)
January ShakespeareCAT: King Lear and Its Themes in 2022 Category Challenge (February 2022)
Richard III Act 5--closing thoughts in The Globe: Shakespeare, his Contemporaries, and Context (January 2022)
Richard III Act 4 in The Globe: Shakespeare, his Contemporaries, and Context (January 2022)
Richard III Act 3 in The Globe: Shakespeare, his Contemporaries, and Context (January 2022)
Richard III Act 2 in The Globe: Shakespeare, his Contemporaries, and Context (January 2022)
Richard III Group Read January 2022 Housekeeping in The Globe: Shakespeare, his Contemporaries, and Context (January 2022)
Group Read? in The Globe: Shakespeare, his Contemporaries, and Context (November 2021)
What sparked your interest in Shakespeare? in The Globe: Shakespeare, his Contemporaries, and Context (November 2021)
Troilus and Cressida in The Globe: Shakespeare, his Contemporaries, and Context (September 2021)
Shakespeare-Owned Book Found? in The Globe: Shakespeare, his Contemporaries, and Context (May 2021)
(under construction) What Shakespeare's Sonnets tell us about their author in The Globe: Shakespeare, his Contemporaries, and Context (May 2021)
Views on "Othello" in Edward De Vere and The Shakespeare Authorship Mystery (May 2021)
books about WS, etc. in The Globe: Shakespeare, his Contemporaries, and Context (June 2019)
W Shakespeare did he write his own plays and are they actually any good? in Book talk (May 2017)
The Sonnets by William Shakespeare - cynara tutoring rosalita in 75 Books Challenge for 2012 (November 2016)
FSD BookClub... MARCH 2014: A Midsummer Night's Dream by Shakespeare (Book 1) in Folio Society Devotees (March 2014)
OT - The Shakespeare Thread in Folio Society Devotees (December 2013)
BBC R4 In Our Time: The Tempest in The Globe: Shakespeare, his Contemporaries, and Context (November 2013)
Reading Group #23 (Hamlet) in Gothic Literature (September 2013)
Chat about... The Tempest by William Shakespeare in The SF&F Book Chat (September 2012)
Methinks the word doth rhyme with "woe" in Crambo! (February 2012)
some words about the Comic Character Malvolio in Twelfth Night in Book talk (June 2011)
Wikipedia (groan) in The Globe: Shakespeare, his Contemporaries, and Context (May 2010)
Shakespeare's Othello in BBC Radio 4 Listeners (February 2010)
Reviews
43. Measure for Measure by William Shakespeare
originally performed: 1604
format: 223-page Signet Classic
acquired: June
read: Aug 16 – Sep 19
time reading: 14:27, 3.9 mpp
rating: 4
locations: Vienna
about the author: April 23, 1564 – April 23, 1616
Editors
[[Sankalapuram Nagarajan]] – editor (c1964, 1988, 1998)
[[Sylvan Barnet]] – series editor (c1963, 1988, 1998)
Criticism
[[G. Wilson Knight]] – Measure for Measure and the Gospels (1949)
[[Mary Lascelles]] – from [2045459::Shakespeare’s show more Measure for Measure] (1953)
[[Marcia Reifer Poulsen]] – “Instruments for some more mightier member”: The Constriction of Female Power in Measure for Measure (1984)
[[Ruth Nevo]] – Complex Sexuality (1987)
[[Sankalapuram Nagarajan]] – Measure for Measure on Stage and Screen (c1964, 1988, 1998)
Our latest Shakespeare group read on Litsy. It's odd that this is considered one of Shakespeare's better plays. It's mainly provocative, generating frustration from an involved audience or reader. The play centers on a sexual assault, a sleep-with-me-or-else scenario, and a ruling duke playing director, resolving all the problems. But this duke creates problems for the audience. We aren't satisfied. The bad guys aren‘t punished and the good one is strained by dilemma, and then mid-play she becomes a humble role player in the Duke's production. Our good guy is Isabella, a young attractive nun who spends the whole play trying to preserve her chastity in a impossible situation controlled by the surrounding men. The play ends with the duke marrying her...
A more detailed synopsis here:The setting is a Vienna whose general character is captured by the wide spread of syphilis. The ruling Duke takes a leave to visit some other place, and places the city in the hands of the a known extremely upright citizen, Angelo. The Duke doesn't actually leave, he disguises himself as a friar and stays in town to see what will happen. Angelo starts enforcing Vienna's neglected draconian laws, and condemns Claudio to execution for impregnating his unofficial fiancé. Claudio begs his sister Isabella's help. She is becoming a nun in an extreme order of St. Claire. She pleads Claudio's case to Angelo, who, after huffing and puffing about how he's just all about the law, gives Isabella the ultimatum, sleep with me or Claudio dies. Isabella, caught in this dilemma, goes to her brother with the intention of his accepting this as unreasonable, but Claudio wants to live.
At this point the play takes a turn. The Duke in disguise works out resolutions, and then has to figure out what to do when everything starts to go wrong. He becomes something of a harried director, working out how everyone should shake out and then trying to fix whatever backfires. First he uses the bed trick and has Isabella swap herself out with Angelo's own spurned ex-fiancé. (it works) Later he has deal with Angelo's reneging. Instead of releasing Claudio, he moves up his execution to immediate, afraid of Claudio seeking a revenge of honor. In the end the Duke takes off his disguise and places judgment of everyone. No one dies, Angelo is dealt with. Claudio is released, and Isabella's chastity is preserved. And then the Duke slips in that he will marry Isabella.
There are source stories, but Shakespeare manages within the framework for his own purposes. It becomes a look at variations of self righteousness within variations of power and control. Power corrupts. Self-righteousness is flaw. And, the titles notes a prominent theme: "Judge not, that ye be not judged. For with what judgement ye judge, ye shall be judged: and with what measure ye mete, it shall be measured to you again.", Matthew 7:1-2.
I enjoyed this play, but more it riled me up and led to great conversations in my group. It's not artistic and moving, like say Hamlet, as much as it is upsetting. And the play's history doesn't help. In the 1940's the Duke was popularly viewed as a divine, Jesus-like figure, saving everyone. This view was pushed in a 1948 essay by [[G. Wilson Knight]] (included in the Signet edition) and performances followed along. That perspective is practically criminal from some standpoints, including my own expressed here. On the surface to Duke is a good guy. Underneath he's really a kind of monster. He creates the problems and then get what he wants out of it, and gets away with it. I think as an audience we're supposed to see that and be really annoyed. And to have a audience critically buy into him and see him as a Jesus-like hero seems to add another level to what he gets away with. Of course, interpretation is all open to social trends and personal perspectives, including those within our self-identified #metoo era. (I think most contemporary performances are more nuanced and more aware of the display of powerplay, and the abuse of the powerless.)
2021:
https://www.librarything.com/topic/333774#7612203 show less
originally performed: 1604
format: 223-page Signet Classic
acquired: June
read: Aug 16 – Sep 19
time reading: 14:27, 3.9 mpp
rating: 4
locations: Vienna
about the author: April 23, 1564 – April 23, 1616
Editors
[[Sankalapuram Nagarajan]] – editor (c1964, 1988, 1998)
[[Sylvan Barnet]] – series editor (c1963, 1988, 1998)
Criticism
[[G. Wilson Knight]] – Measure for Measure and the Gospels (1949)
[[Mary Lascelles]] – from [2045459::Shakespeare’s show more Measure for Measure] (1953)
[[Marcia Reifer Poulsen]] – “Instruments for some more mightier member”: The Constriction of Female Power in Measure for Measure (1984)
[[Ruth Nevo]] – Complex Sexuality (1987)
[[Sankalapuram Nagarajan]] – Measure for Measure on Stage and Screen (c1964, 1988, 1998)
Our latest Shakespeare group read on Litsy. It's odd that this is considered one of Shakespeare's better plays. It's mainly provocative, generating frustration from an involved audience or reader. The play centers on a sexual assault, a sleep-with-me-or-else scenario, and a ruling duke playing director, resolving all the problems. But this duke creates problems for the audience. We aren't satisfied. The bad guys aren‘t punished and the good one is strained by dilemma, and then mid-play she becomes a humble role player in the Duke's production. Our good guy is Isabella, a young attractive nun who spends the whole play trying to preserve her chastity in a impossible situation controlled by the surrounding men. The play ends with the duke marrying her...
A more detailed synopsis here:
At this point the play takes a turn. The Duke in disguise works out resolutions, and then has to figure out what to do when everything starts to go wrong. He becomes something of a harried director, working out how everyone should shake out and then trying to fix whatever backfires. First he uses the bed trick and has Isabella swap herself out with Angelo's own spurned ex-fiancé. (it works) Later he has deal with Angelo's reneging. Instead of releasing Claudio, he moves up his execution to immediate, afraid of Claudio seeking a revenge of honor. In the end the Duke takes off his disguise and places judgment of everyone. No one dies, Angelo is dealt with. Claudio is released, and Isabella's chastity is preserved. And then the Duke slips in that he will marry Isabella.
There are source stories, but Shakespeare manages within the framework for his own purposes. It becomes a look at variations of self righteousness within variations of power and control. Power corrupts. Self-righteousness is flaw. And, the titles notes a prominent theme: "Judge not, that ye be not judged. For with what judgement ye judge, ye shall be judged: and with what measure ye mete, it shall be measured to you again.", Matthew 7:1-2.
I enjoyed this play, but more it riled me up and led to great conversations in my group. It's not artistic and moving, like say Hamlet, as much as it is upsetting. And the play's history doesn't help. In the 1940's the Duke was popularly viewed as a divine, Jesus-like figure, saving everyone. This view was pushed in a 1948 essay by [[G. Wilson Knight]] (included in the Signet edition) and performances followed along. That perspective is practically criminal from some standpoints, including my own expressed here. On the surface to Duke is a good guy. Underneath he's really a kind of monster. He creates the problems and then get what he wants out of it, and gets away with it. I think as an audience we're supposed to see that and be really annoyed. And to have a audience critically buy into him and see him as a Jesus-like hero seems to add another level to what he gets away with. Of course, interpretation is all open to social trends and personal perspectives, including those within our self-identified #metoo era. (I think most contemporary performances are more nuanced and more aware of the display of powerplay, and the abuse of the powerless.)
2021:
https://www.librarything.com/topic/333774#7612203 show less
The pornography of violence is writ large in this early play by Shakespeare. It was considered too shocking for a Victorian Audience, but was a success in 1592 when it hit the Elizabethan stage. Recent modern revivals have also succeeded which may say more about the 21st century than Shakespeare and the Elizabethans. The amount of violence in the play is listed in the wikipedia article. I lost count of the incidents way before the end:
The play is saturated with violence from its opening show more scene, and violence touches virtually every character; Alarbus is burned alive and has his arms chopped off; Titus stabs his own son to death; Bassianus is murdered and thrown into a pit; Lavinia is brutally raped and has her hands cut off and her tongue cut out; Martius and Quintus are decapitated; a nurse and a midwife are stabbed to death by Aaron; an innocent clown is executed for no apparent reason; Titus kills Chiron and Demetrius and cooks them in a pie, which he then feeds to their mother. Then, in the final scene, in the space of a few lines, Titus kills in succession Lavinia and Tamora, and is then immediately killed by Saturninus, who is in turn immediately killed by Lucius. Aaron is then buried up to his neck and left to starve to death in the open air and Tamora's body is thrown to the wild beasts outside the city. As S. Clark Hulse points out, "it has 14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3 depending on how you count), 1 live burial, 1 case of insanity, and 1 of cannibalism – an average of 5.2 atrocities per act, or one for every 97 lines
This run down does not reveal the whole picture however, because it is Shakespeare's depiction of his characters seeming to revel in the violence that is most shocking for audiences and readers of the play. This is Marcus coming across his sister Lavinia in a forest who has just been raped by two Goths and has had her hands cut off and her tongue cut out:
Why dost not speak to me?
Alas, a crimson river of warm blood,
Like to a bubbling fountain stirr'd with wind,
Doth rise and fall between thy rosed lips,
Coming and going with thy honey breath.
But sure some Tereus hath deflowered thee,
And, lest thou shouldst detect him, cut thy tongue.
Ah, now thou turn'st away thy face for shame!
And notwithstanding all this loss of blood-
As from a conduit with three issuing spouts-
Yet do thy cheeks look red as Titan's face
Blushing to be encount'red with a cloud.
This is what happens to Aaron at the end of the play:
Set him breast-deep in earth, and famish him;
There let him stand and rave and cry for food.
If any one relieves or pities him,
For the offence he dies. This is our doom.
Some stay to see him fast'ned in the earth.
We only have to wait until line 130 for the first violent act: Lucius has demanded that one of the prisoners be sacrificed to appease the Roman dead and selects the eldest son of the conquered queen Tamora. She pleads with Titus Andronicus for mercy; the first of the characters kneeling in supplication. Her plea is dismissed out of hand and Lucius gives the order:
Away with him, and make a fire straight;
And with our swords, upon a pile of wood,
Let's hew his limbs till they be clean consum'd.
This is the murder that starts the chain of the murder and revenge cycle.
The play is set in Roman times where it could be argued that there was violence and spectacle enough to warrant this graphic rendition. With the amount of action that takes place it is a wonder that Shakespeare can tell a coherent story, but he does and significantly his character have no time to develop, the only soliloquy's are by the arch villain Aaron. It is a story of power and vengeance. Titus Andronicus has returned to Rome from a ten year campaign against the barbarian goths. His return coincides with the election of a new Roman emperor. Saturninus claims the throne as the eldest son of the dead emperor, but his brother Bassianus also lays claim: the people favour Titus, but he declines saying he is too old and too weary and supports Saturninus. Lavinia is chosen by Saturninus as empress to unite the two families, but Bassianus seizes her claiming they are already married. Saturninus therefore turns to Tamora who has already sworn vengeance against Titus and his family. Aaron the Moor and lover of Tamora plots to destabilise the regime and instigates two of Tamora's sons to rape and disfigure Lavinia and kill Bassianus. War breaks out between the families as each murder leads to more bloodshed. It can only end when most of the principal characters are dead, but their is no moral to this story, the violence continues to the end of the play and the audience is left with the impression that violence is endemic.
Shakespeare was following a tradition of earlier successes in the theatre: Thomas Kyd's The Spanish Tragedy and Christopher Marlowe's the Jew of Malta were both revenge tragedy's, but Shakespeare took this theme and ran with it further into the darkness and darkness is the overall impression that I got from this play. The BBC production starring Trevor Peacock as Titus stays true to the text and there is no light at all in the 2 and a half hours playing time. It does show how well the play can be made to work. An evening in the theatre with this play cannot fail to depress the viewer. No thoughts of better times ahead, no optimism, just blackness piled on blackness. Perhaps it was a play of its time with the theatres on the verge of being closed due to the plague. It does not make for cheerful viewing during the covid 19 epidemic. It is a powerful unrelenting play and I can understand why it might be well thought of by some, but for me at this moment in time I could quite cheerfully pass it by 4 stars, but 5 stars for the BBC film. show less
The play is saturated with violence from its opening show more scene, and violence touches virtually every character; Alarbus is burned alive and has his arms chopped off; Titus stabs his own son to death; Bassianus is murdered and thrown into a pit; Lavinia is brutally raped and has her hands cut off and her tongue cut out; Martius and Quintus are decapitated; a nurse and a midwife are stabbed to death by Aaron; an innocent clown is executed for no apparent reason; Titus kills Chiron and Demetrius and cooks them in a pie, which he then feeds to their mother. Then, in the final scene, in the space of a few lines, Titus kills in succession Lavinia and Tamora, and is then immediately killed by Saturninus, who is in turn immediately killed by Lucius. Aaron is then buried up to his neck and left to starve to death in the open air and Tamora's body is thrown to the wild beasts outside the city. As S. Clark Hulse points out, "it has 14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3 depending on how you count), 1 live burial, 1 case of insanity, and 1 of cannibalism – an average of 5.2 atrocities per act, or one for every 97 lines
This run down does not reveal the whole picture however, because it is Shakespeare's depiction of his characters seeming to revel in the violence that is most shocking for audiences and readers of the play. This is Marcus coming across his sister Lavinia in a forest who has just been raped by two Goths and has had her hands cut off and her tongue cut out:
Why dost not speak to me?
Alas, a crimson river of warm blood,
Like to a bubbling fountain stirr'd with wind,
Doth rise and fall between thy rosed lips,
Coming and going with thy honey breath.
But sure some Tereus hath deflowered thee,
And, lest thou shouldst detect him, cut thy tongue.
Ah, now thou turn'st away thy face for shame!
And notwithstanding all this loss of blood-
As from a conduit with three issuing spouts-
Yet do thy cheeks look red as Titan's face
Blushing to be encount'red with a cloud.
This is what happens to Aaron at the end of the play:
Set him breast-deep in earth, and famish him;
There let him stand and rave and cry for food.
If any one relieves or pities him,
For the offence he dies. This is our doom.
Some stay to see him fast'ned in the earth.
We only have to wait until line 130 for the first violent act: Lucius has demanded that one of the prisoners be sacrificed to appease the Roman dead and selects the eldest son of the conquered queen Tamora. She pleads with Titus Andronicus for mercy; the first of the characters kneeling in supplication. Her plea is dismissed out of hand and Lucius gives the order:
Away with him, and make a fire straight;
And with our swords, upon a pile of wood,
Let's hew his limbs till they be clean consum'd.
This is the murder that starts the chain of the murder and revenge cycle.
The play is set in Roman times where it could be argued that there was violence and spectacle enough to warrant this graphic rendition. With the amount of action that takes place it is a wonder that Shakespeare can tell a coherent story, but he does and significantly his character have no time to develop, the only soliloquy's are by the arch villain Aaron. It is a story of power and vengeance. Titus Andronicus has returned to Rome from a ten year campaign against the barbarian goths. His return coincides with the election of a new Roman emperor. Saturninus claims the throne as the eldest son of the dead emperor, but his brother Bassianus also lays claim: the people favour Titus, but he declines saying he is too old and too weary and supports Saturninus. Lavinia is chosen by Saturninus as empress to unite the two families, but Bassianus seizes her claiming they are already married. Saturninus therefore turns to Tamora who has already sworn vengeance against Titus and his family. Aaron the Moor and lover of Tamora plots to destabilise the regime and instigates two of Tamora's sons to rape and disfigure Lavinia and kill Bassianus. War breaks out between the families as each murder leads to more bloodshed. It can only end when most of the principal characters are dead, but their is no moral to this story, the violence continues to the end of the play and the audience is left with the impression that violence is endemic.
Shakespeare was following a tradition of earlier successes in the theatre: Thomas Kyd's The Spanish Tragedy and Christopher Marlowe's the Jew of Malta were both revenge tragedy's, but Shakespeare took this theme and ran with it further into the darkness and darkness is the overall impression that I got from this play. The BBC production starring Trevor Peacock as Titus stays true to the text and there is no light at all in the 2 and a half hours playing time. It does show how well the play can be made to work. An evening in the theatre with this play cannot fail to depress the viewer. No thoughts of better times ahead, no optimism, just blackness piled on blackness. Perhaps it was a play of its time with the theatres on the verge of being closed due to the plague. It does not make for cheerful viewing during the covid 19 epidemic. It is a powerful unrelenting play and I can understand why it might be well thought of by some, but for me at this moment in time I could quite cheerfully pass it by 4 stars, but 5 stars for the BBC film. show less
This was narrated by multiple narrators, the great and good of the acting profession and it was a delight to listen to. If I was going to quibble, the volume level was a little uneven, and some seemed to have been recorded in a huge, empty auditorium. I also think that it might have benefited from allowing a little longer between each sonnet, or giving the number for each one.
Having said that, the craftmanship in here is exquisite. The words, the use of language, the way the stresses on a show more repeated word changed as it was used multiple times in a sonnet, it all makes for a beautiful listening experience. I also noticed that the tone changes as you move through the sequence. The initial ones feel very young and idealistic, then there moves into a period of death or loss featuring and towards the end there seems to be a bitter or disappointed note creeping in at times. I now want to find a copy with some scholarly notes on each one and read them all over again allowing myself to savour each one.
This Shakespeare chappie, he's good! show less
Having said that, the craftmanship in here is exquisite. The words, the use of language, the way the stresses on a show more repeated word changed as it was used multiple times in a sonnet, it all makes for a beautiful listening experience. I also noticed that the tone changes as you move through the sequence. The initial ones feel very young and idealistic, then there moves into a period of death or loss featuring and towards the end there seems to be a bitter or disappointed note creeping in at times. I now want to find a copy with some scholarly notes on each one and read them all over again allowing myself to savour each one.
This Shakespeare chappie, he's good! show less
This review will focus mainly on the play itself, but firstly I will make a brief comment about this particular edition. These Oxford editions of the Shakespeare plays for me have one bad point and one good point. On the negative side, I consider the introductions to be over-academic for the general reader. On the positive side, the explanatory notes are generally good and are placed at the foot of each page for easy reference. The five stars I have given are for Shakespeare: I would give show more Oxford four.
Richard III is a long play, and perhaps a little drawn out in places. Nevertheless it is one of my favourite Shakespeares. There are some brilliant scenes, such as the opening monologue; the scene where Richard woos Anne; the Council Meeting where Richard turns on Hastings; and the scene where Clarence describes his dream and is then murdered.
The scene with Clarence's dream also contains one of my favourite pieces of Shakespeare's poetry, the passage which starts: "O Lord, methought what pain it was to drown..."
There has been a lot of analysis of the character of Richard. He clearly represents a typical feudal gangster-lord. Some also see him as personifying the ruthlessly individualistic rising bourgeoisie of Shakespeare's time. Others have pointed to the similarities between Richard and the character of "Vice" in the medieval morality plays.
The play is also often said to bring out the conflict between fate and determinism on the one hand, and free will and choice on the other. For example, when Richard says, "I am determinèd to prove a villain", he seems to be asserting his individual will. But "determined" can also mean "fated".
But leaving the analysis aside, this is an enjoyable play. It is a history/tragedy, but it is done with humour. Richard is amusing as well as evil. We are almost made to admire him. (The late medieval "Vice" character was also apparently often portrayed with humour.) I agree with what one Shakespeare expert (J.D. Wilson) once wrote: "Only by realising that Shakespeare expects us to at once enjoy and detest the monstrous Richard can we fully appreciate the play..."
Incidentally, this is why I can't go along with the idea of portraying Richard as a 1930s-style fascist (as has been done in recent years). Someone murdering their way to the top can be done with humour. Nazi genocide can NOT.
Richard is ruthless and amusing while he is on the rise. Once in power he is overcome by fear, mistrust and guilt. But he bounces back to a brave end.
I'll conclude with a point about the history that the play is based on. The complaints by fans of the real Richard III, that Shakespeare paints an unfair picture of Richard, don't hold water as far as I'm concerned. Firstly, we're talking about a play here, not history. Secondly, even if there is an element of Tudor propaganda in the play, the real Richard probably did kill the princes in the Tower. And thirdly, in any case, there was no such thing as a "good" medieval monarch! show less
Richard III is a long play, and perhaps a little drawn out in places. Nevertheless it is one of my favourite Shakespeares. There are some brilliant scenes, such as the opening monologue; the scene where Richard woos Anne; the Council Meeting where Richard turns on Hastings; and the scene where Clarence describes his dream and is then murdered.
The scene with Clarence's dream also contains one of my favourite pieces of Shakespeare's poetry, the passage which starts: "O Lord, methought what pain it was to drown..."
There has been a lot of analysis of the character of Richard. He clearly represents a typical feudal gangster-lord. Some also see him as personifying the ruthlessly individualistic rising bourgeoisie of Shakespeare's time. Others have pointed to the similarities between Richard and the character of "Vice" in the medieval morality plays.
The play is also often said to bring out the conflict between fate and determinism on the one hand, and free will and choice on the other. For example, when Richard says, "I am determinèd to prove a villain", he seems to be asserting his individual will. But "determined" can also mean "fated".
But leaving the analysis aside, this is an enjoyable play. It is a history/tragedy, but it is done with humour. Richard is amusing as well as evil. We are almost made to admire him. (The late medieval "Vice" character was also apparently often portrayed with humour.) I agree with what one Shakespeare expert (J.D. Wilson) once wrote: "Only by realising that Shakespeare expects us to at once enjoy and detest the monstrous Richard can we fully appreciate the play..."
Incidentally, this is why I can't go along with the idea of portraying Richard as a 1930s-style fascist (as has been done in recent years). Someone murdering their way to the top can be done with humour. Nazi genocide can NOT.
Richard is ruthless and amusing while he is on the rise. Once in power he is overcome by fear, mistrust and guilt. But he bounces back to a brave end.
I'll conclude with a point about the history that the play is based on. The complaints by fans of the real Richard III, that Shakespeare paints an unfair picture of Richard, don't hold water as far as I'm concerned. Firstly, we're talking about a play here, not history. Secondly, even if there is an element of Tudor propaganda in the play, the real Richard probably did kill the princes in the Tower. And thirdly, in any case, there was no such thing as a "good" medieval monarch! show less
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