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Gerald Abraham (1904–1988)

Author of The Concise Oxford History of Music

74+ Works 555 Members 4 Reviews

About the Author

Image credit: npg.org.uk

Series

Works by Gerald Abraham

The Concise Oxford History of Music (1979) 182 copies, 1 review
A Hundred Years of Music (1938) 26 copies
The Music of Tchaikovsky (1974) 13 copies
Tchaikovsky (1938) 10 copies, 1 review
Eight Soviet Composers (1970) 10 copies
Handel: A Symposium (1980) — Editor — 10 copies
This modern music (1955) 9 copies
The Music of Sibelius (1975) 7 copies
Grieg: A Symposium (1971) 7 copies, 1 review
Chopin's Musical Style (1968) 6 copies
Nietzsche (1974) 5 copies
The Music of Schubert (1969) 5 copies
Studies in Russian music (1969) 5 copies
Design in Music (1949) 5 copies
Schumann: A Symposium (1977) 5 copies
Sibelius: A Symposium (1948) 3 copies
Dostoevski (1974) 2 copies
Geschichte der Musik (1992) 1 copy
Cien años de música (1985) 1 copy

Associated Works

The Reader's Guide (1960) — Contributor — 34 copies
Mussorgsky (1974) — Editor — 20 copies

Tagged

Common Knowledge

Birthdate
1904-03-09
Date of death
1988-03-18
Gender
male
Occupations
Musikwissenschaftler

Members

Reviews

16 reviews
The Concise Oxford History of Music, written by one of the world's most respected musicologists, is the one-volume history for anyone seriously interested in the subject. This comprehensive work covers the whole history of music by genre from its first recorded emergence in Egypt to the death of Stravinsky.

Over three hundred musical examples, illustrations, and suggestions for further reading enrich this authoritative volume, and the style id as clear and attractive as all of Abraham's show more previous writing. show less
First published in 1939, On Russian Music was conceived by Gerald Abraham as a sequel to his earlier Studies in Russian Music, and complements the previous work in many useful respects. Glinka moves to the forefront via close study of both of his operas. A historical account of the composition of Borodin's Prince Igor enriches the critical study made in the first book. And chapters on Mlada and Tsar Saltan round out Abraham's appreciations of the major operas of Rimsky-Korsakov.

There are show more also critical and historical essays on works by Mussorgsky, Dargomïzhsky, Tchaikovsky and other composers, and analyses that, in their time, threw new light on the programmatic meaning of such well-known compositions as Scheherazade and the Pathétique symphony. show less
Grieg the man, by G. Schjelderup.--The orchestral music, by H. Foss.--The piano concerto, by G. Abraham.--The chamber music, by A. Frank.--The piano music, by K. Dale.--The songs, by A. Desmond.--Works for the stage, by J. Horton.--Choral music, by E. Rubbra.--Musical personality and style, by J. Horton.

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Statistics

Works
74
Also by
3
Members
555
Popularity
#44,975
Rating
4.0
Reviews
4
ISBNs
71
Languages
4

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