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Olive Higgins Prouty (1882–1974)

Author of Now, Voyager

13+ Works 423 Members 13 Reviews

About the Author

Series

Works by Olive Higgins Prouty

Now, Voyager (1941) 229 copies, 9 reviews
Stella Dallas (1923) 94 copies, 2 reviews
Home Port (1947) 31 copies
The Fifth Wheel (2006) 14 copies
White Fawn (1931) 13 copies, 1 review
Bobbie, General Manager (2010) 11 copies
Fabia (1952) 7 copies
Lisa Vale (1938) 7 copies, 1 review
The Star in the Window (2022) 6 copies
Pencil shavings: Memoirs (1985) 5 copies
Good sports 3 copies
Conflict 2 copies

Associated Works

Now, Voyager [1942 film] (1942) — Original novel — 135 copies, 6 reviews
Stella Dallas [1937 film] (1937) — Original novel — 33 copies, 1 review

Tagged

Common Knowledge

Birthdate
1882-01-10
Date of death
1974-03-24
Gender
female
Education
Smith College
Occupations
novelist
poet
memoirist
Short biography
Olive Higgins Prouty was born and raised in Worcester, Massachusetts. She graduated from Smith College with a BA in literature in 1904, and married Lewis Prouty three years later. Prouty began her literary career with the encouragement of Albert Boyden, an editor at the American Magazine who published her first story, "When Elsie Came" in 1909. Her debut novel Bobbie, General Manager, appeared in 1913.

Her next book was The Fifth Wheel (1916). Her novel Stella Dallas, published in 1923, was adapted into a stage play in 1924, and into popular movies in 1925, 1937, and 1990. Her 1941 novel Now, Voyager was made into a successful film of the same name in 1942, starring Bette Davis as Charlotte Vale. Prouty also wrote other novels in the Vale series, White Fawn (1931), Lisa Vale (1938), and Fabia (1951). During her lifetime, Prouty also was known for her philanthropic works and for her association with Sylvia Plath. Plath was the 1950 recipient of a scholarship that Prouty had endowed at Smith College for "promising young writers." She paid for Plath's care in a private sanatorium following Plath's unsuccessful suicide attempt in 1953. Plath's then-husband, Ted Hughes, later referred in his poetry collection Birthday Letters to how
"Prouty was there, tender and buoyant moon." Prouty's own psychological problems and the loss of two of her children may have made her particularly sensitive to the troubles of others. In 1961, she wrote her memoirs but, as her public profile had faded, she could not find a publisher, so she printed the book her own expense. Her collection of poetry was published posthumously in 1997 by Friends of the Goddard Library at Clark University as Between the Barnacles and Bayberries: and Other Poems.
Nationality
USA
Birthplace
Worcester, Massachusetts, USA
Places of residence
Brookline, Massachusetts, USA
Place of death
Brookline, Massachusetts, USA
Burial location
Walnut Hills Cemetery, Brookline, Norfolk County, Massachusetts, USA
Associated Place (for map)
Massachusetts, USA

Members

Reviews

16 reviews
Honestly, I didn't care for this story. I don't think I've seen the movie--or it's been so long ago I forgot it--but of course I recognized that famous last line. And that sums up my issues with it. I know this is supposed to be a story of transformation and of a woman making her own life for herself, but transformation doesn't seem so challenging when you've got tons of money, and I still felt that in the end, Charlotte had constructed her life around a man--a man she couldn't have. You've show more got the stars--be happy with that! Hopeless love, isn't it romantic? No, it's not; it's depressing. I didn't like how the betrayed wife was portrayed: so one-dimensional and unattractive in every possible aspect that she didn't seem real but rather a construct to make us more sympathetic to her adulterous husband. Finally, Charlotte taking in her lover's youngest child didn't bother me so much as her belief that the child was actually hers and her lover's--that seems more than a little pathological to me. I'm surprised this is part of the Femmes Fatales series as it doesn't read like pulp to me at all. show less
½
Not the book I expected it to be. I've seen the Bette David movie based on this book a dozen times, so I expected a slightly weepy romance. What I got was a rather surprising story filled with subtext, a story about a woman breaking the mold for women of her class and her time -- single by choice, in charge of her own money and her own sexuality, raising a child on her own and maintaining her own life. Not what I'd expect of a book written in the 1940s.

Of course, if you aren't familiar with show more the story of Charlotte Vale, of the Boston Vales, then you might be forgiven for not quite seeing in this story what I see, but it's all there -- hidden a bit because of the expectations of those times, muted with wind blown curtains and swelling violins, but it's there. She's a remarkable woman despite her rich white privilege -- yes, today it seems like she hardly has any problems at all, just a domineering mother who wants to control every aspect of her life and a flock of family ready to see her strait jacketed into a preconceived role in life.

The book surprised me, and I feel a little ashamed to have been surprised. It's sometimes more shocking to realize the things about life and society we think are so contemporary, so modern, were really just as much a part of life 50 years ago.
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The film has a special place for me, even though I find its world view not always comfortable. The book seems to be more assertive about Charlotte and her awakening, even if it still comes to much the same unsettling ending. I really enjoyed reading this, Charlotte came very alive for me and J.D. was a much more fleshed out character. Tina still remained much of an enigma but it feels deliberate and she is perhaps more of a means to an ends than a fully developed part of the story.I am still show more not finding the feminist message in it but it was a good and thought-provoking read. show less
I have a love/hate relationship with this book. I hate it because the"ugly duckling" protagonist"blooms" because of the influence of a man, and I love it because she learns to be happy by herself, without being a couple. Charlotte Vale is from a rich Boston family. She has no self-esteem and her mother dominates and bullies her. She considers herself to be an old maid, and though her age is never specified, she's probably~35 when her story begins. She has a nervous breakdown, and as she is show more getting better, her doctor advised her "Now, Voyager," to go on a cruise. This is where she meets the man who changes her life.

Higgins Prouty is an author I admire, though she isn't much of a feminist. I loved "Stella Dallas," and I was impressed when I found out she was a supporter of Sylvia Plath, though sadly, Sylvia Plath repaid her kindness with harsh treatment in "The BellJar."
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Statistics

Works
13
Also by
2
Members
423
Popularity
#57,687
Rating
3.8
Reviews
13
ISBNs
38

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