Carol Heyer
Author of The Easter Story
About the Author
Image credit: Carol Heyer, with Humphrey
Works by Carol Heyer
Associated Works
ADVANCED DUNGEONS AND DRAGONS (2nd Edition): Forgotten Realms; Darkhold (Game Accessory for 'Castles'). (1990) — Cover artist — 8 copies
Aboriginal Science Fiction No. 55 & 56 Spring 1998 — Illustrator — 1 copy
Tagged
Common Knowledge
- Birthdate
- 20th century
- Gender
- female
- Education
- Moorpark College
California Lutheran University - Occupations
- production designer
artist
illustrator
screenwriter
fiction writer - Organizations
- Society of Illustrators of Los Angeles
Association of Science Fiction and Fantasy Artists / ASFA
Society of Children's Book Writers and Illustrators - Nationality
- USA
- Birthplace
- Cuero, Texas, USA
- Places of residence
- Thousand Oaks, California, USA
- Associated Place (for map)
- USA
Members
Reviews
The classic French fairy-tale of Beauty and the Beast is given an Elizabethan flavor in this picture-book retelling by Carol Heyer. Or so the front dust-jacket blurb asserts, although I myself was unable to observe much in the way of an Elizabethan influence, and found the style more reminiscent of a romance novel cover, with a little dash of fantasy fiction thrown in, than of any genuine historical period. As a style, it feels rather au courant, as it happens.
With a text that feels choppy, show more and has none of the expressive beauty of some other versions (Max Eilenberg's retelling, and Nancy Willard's, are both lovely), and artwork that is flat and unappealing, this Beauty and the Beast is not one I would recommend, even to fans of the tale. The colors used by Heyer in her artwork are either garish or unfitting - a blue rose! a hot-pink dress for Beauty! pastel-green shrubbery! - while the scenes depicted bear little resemblance to the story. It's really rather odd: Heyer will write that the merchant looks out on a rose-embowered courtyard, and then paint a courtyard with no roses; or she'll describe the merchant fleeing through the night-time forest, and stumbling upon the Beast's castle, and then depicts a castle that looks, for all the world, as if it were standing in a field, or in some very clear (treeless) area. The merchant rides home on a beautiful white horse that somehow mysteriously (and with no explanation offered) becomes the winged horse that Beauty uses to travel to the Beast's castle. The final few panels, with Beauty and her Beast (now a prince) reunited, look for all the world like they belong in a science fiction story: the moon hangs prominently above them, their eyes glow green, etc.
All in all, a singularly unappealing retelling of this beloved story, one that leaves me feeling distinctly confused, as I note that the artist has worked on numerous other fairy-tales, from Sleeping Beauty to Rapunzel. The mind, it boggles... show less
With a text that feels choppy, show more and has none of the expressive beauty of some other versions (Max Eilenberg's retelling, and Nancy Willard's, are both lovely), and artwork that is flat and unappealing, this Beauty and the Beast is not one I would recommend, even to fans of the tale. The colors used by Heyer in her artwork are either garish or unfitting - a blue rose! a hot-pink dress for Beauty! pastel-green shrubbery! - while the scenes depicted bear little resemblance to the story. It's really rather odd: Heyer will write that the merchant looks out on a rose-embowered courtyard, and then paint a courtyard with no roses; or she'll describe the merchant fleeing through the night-time forest, and stumbling upon the Beast's castle, and then depicts a castle that looks, for all the world, as if it were standing in a field, or in some very clear (treeless) area. The merchant rides home on a beautiful white horse that somehow mysteriously (and with no explanation offered) becomes the winged horse that Beauty uses to travel to the Beast's castle. The final few panels, with Beauty and her Beast (now a prince) reunited, look for all the world like they belong in a science fiction story: the moon hangs prominently above them, their eyes glow green, etc.
All in all, a singularly unappealing retelling of this beloved story, one that leaves me feeling distinctly confused, as I note that the artist has worked on numerous other fairy-tales, from Sleeping Beauty to Rapunzel. The mind, it boggles... show less
You may know the story of the three wise men – but what about their camels? Meet Humphrey, a mischievous camel searching for a blanket on his long, cold journey to Bethlehem. This engaging story reminds children of the importance of the Christmas holiday and the true meaning of gift-giving. (from back of book cover)
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Awards
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Statistics
- Works
- 15
- Also by
- 33
- Members
- 2,494
- Popularity
- #10,286
- Rating
- 3.9
- Reviews
- 6
- ISBNs
- 47
- Languages
- 2
- Favorited
- 1
















