Julie Garwood (1944–2023)

It has been thirty years since I last read this book, but it was just as much fun as I remembered. The story opens with a unique twist - King George III facilitates a marriage between two feuding families to end the conflict. The prize is a fortune in cash and a piece of disputed land when the marriage is consummated, and an heir is born. The groom is Nathan, Marquess of St. James, and the bride is Lady Sara Winchester. The twist - Nathan is fourteen and Sara is four. Obviously, consummation show more will have to wait.

Fourteen years later, Nathan is ready to bite the bullet and claim his bride. He's not enthusiastic about it but needs the cash to help establish the shipping company he and his friend Colin formed. There's a fun scene between him and Colin as they discuss Nathan's plan to retrieve his bride. Meanwhile, Sara is impatiently waiting for Nathan to come for her. Her life with her family has been miserable, and now she needs help to rescue her aunt. Letters to Nathan have gone unanswered, so she takes matters into her own hands.

Sara is something of a ditz. She is typical of the young ladies of the period - overprotected, undereducated, and utterly naïve about the real world. The opening scene of her planned rescue shows her oblivious to the danger around her. I laughed out loud as I watched her actions, completely understanding Nathan's disbelief as he followed her. This is just the beginning. I liked Nathan's protectiveness as he followed her, rescued her, and got her aboard his ship. The shipboard scenes with Sara were frequently hilarious as she tried to win over the crew, whom she called her staff, with often disastrous results.

Watching this pair's relationship develop had me laughing out loud throughout the book. Nathan, a man of his time, is arrogant, certain of his place in the world, and convinced that he knows best. He has no intention of falling in love, as women are not to be trusted. Sara, on the other hand, is bluntly honest in expressing her thoughts and feelings. She tells Nathan she is everything he could possibly want in a wife. She lets him know when she is angry or disappointed in him. She also tells him that she loves him and gets frustrated when he doesn't reciprocate. I enjoyed watching Sara wriggle her way into his heart with him all the way. His 'aha' moment was great, and I loved watching him try to fix his mistakes. His method of doing so was a fantastic ending to the book.

There is also tension because of the underhanded actions of Sara's father and uncle. Nathan's protectiveness toward Sara was needed to counteract their actions. Things became complicated when a lie ran up against Nathan's distrust of women, which caused him to make a stupid mistake. Sara's love for Nathan never faltered, though she questioned her belief about his feelings for her. There's a terrific scene where her Nathan-instilled confidence enabled her to come out on top of a confrontation with her uncle. I laughed out loud at the men's reactions. The resolution of that problem was excellent. show less

In this sequel of sorts to Garwood's Ransom, Princess Gabrielle of St. Biel, a daughter of an English Baron, is sent by King John to marry an older highland Laird to keep peace between the borders (??!! more on this later). Two of John's scheming Barons with their nefarious (and ridiculous) schemes get involved and Gabrielle's intended is murdered, she is disgraced as a wanton woman and disinherited and banned from England (this from one woman accusing her of entering a wounded man's show more bedroom??). She meets up with Laird Brodick Buchanan who is her cousin by marriage, as Brodick is married to Gillian a distant cousin of Gabrielle's father. Accompanying Brodick is the fearsome Laird MacHugh who takes her into protection after her banishment. There is also a big mystery about the search for some missing gold that is all too predictable, I figured where that was at the first mention of.... well I won't be a spoiler but trust me you'll spot that one a mile away.

Sound exciting? No, it's not, it's actually quite awful and I'm having a hard time believing Garwood wrote this. Although her older historicals are not high fiction, the healthy dose of humor she throws in along with the romance usually makes for an entertaining read. Unfortunately, along with an embarrassingly bad plot Garwood forgot to throw in the humor that might have saved a story that's predictable from the first page to the last. Even worse, there is little description of the sights, sounds, clothes, etc. to give the reader a good sense of the time period. I don't think I heard mention of any Scott wearing a kilt until well towards the end of the book, Gabrielle's clothing was only noted by the color of the dress she was wearing, etc. I won't even get started on the way Brodick was ruined -- without the banter between he, Gillian, Ramsey and Ian what was an awesome hero in Ransom is reduced to nothing but mush. We don't even get a glimpse of Gillian, only occasional mentions of her being home and pregnant. And worst of all, there is absolutely no chemistry between our two main protagonists, an absolute death knell for any romance book.

And finally, although I don't expect an historical romance to be historically accurate, I appreciate it when an author makes some effort to have knowledge of the period they're writing in. I wish I'd taken notes, because I'm not able to remember all the boners in this book to recount them here. Examples, and since I'm not a history major anyone may correct me if I'm wrong:

* Gabrielle's native country St Biel (somewhere in Europe where the crusaders passed through), is invaded and occupied by King John !!??? John Lackland who couldn't even hold on to Normandy?
* What is it with the women running around with their long hair flowing loose? No woman in medieval times, especially a noblewoman would be seen in public without a proper head covering.
* Gabrielle's original marriage was to settle the border disputes between England and Scotland. Hellooooo, if I recall correctly John was too busy trying to subdue the Welsh to be bothered with Scotland. And what help does a marriage to a highland Laird have to do with any border wars? The borders are in the lowlands - you'd think a marriage to someone with closer ties to the border would make more political sense.

All in all, this is pretty close to one of the worst books I've ever read - not quite but almost. Boring, predictable and downright silly. Garwood would have done much better by making her sequel to Ransom writing about the Buchanans, Ramsey and Sinclairs and putting those people together into her story. Better yet, put their grown children together into a tightly woven story with that sadly missing dose of humor and she might have had something here. As it is, this is a bad way to spend $18 on a hardback and a serious waste of a tree. If you are dead set on reading it, get it from the library (as I did) or wait for the mass market paperback.

Last complaint - what the heck is with the book cover? The man and woman in the bottom corner are in evening dress and the building with the onion dome looks like something out of the Far East, and certainly not a castle that one would find in Scotland. It's all just stupid, stupid, stupid and doesn't even deserve one star. show less

I've been a long-time fan of Julie Garwood, but have been so distracted lately by exciting new books and authors that I have not picked up one of her books in nearly two years. Thanks to a new reading challenge in which I am participating, I was finally spurred to re-read Honor's Splendour, and was immediately reminded of all the things that made me start glomming Ms. Garwood's backlist in the first place. She has a talent for combining a good romance with a strong plot, action, humor and show more characters that I can truly care about, to create a really good story. The composition, to some degree, is done in the typical style of 1980's romance writing, which isn't too surprising since it was first published in 1987. Still, it is a romantic classic that consistently makes many reader's favorite lists over twenty years later. While I can't say that Honor's Splendour is my personal favorite Garwood book, it is a good read that I would certainly recommend. For me, Julie Garwood is just one of those comfort authors whose good (or even just OK) work still surpasses that of some other authors even on their best days.

There are several things that kept Honor's Splendour from the very top of my favorites list. It is one of Ms. Garwood's earliest romance novels (her third), and in my opinion, it still shows a bit of the novice that she was at that time. There are some very long passages of prose and, while they do progress both the time-line and the plot without taking up a lot of space, it made me feel like the story was being told to me instead of the characters acting it out. There were also some parts where I was having a difficult time imagining the setting and felt that more environmental descriptions would have been helpful. I thought I had recalled Ms. Garwood's books being on the steamy side, but either my memory has deceived me or this one just wasn't quite as hot as some of her others. I found that the love scenes became progressively more sensuous with each one (I really enjoyed the late night “swim” in the lake), but still by more modern standards, they were fairly short and only moderately descriptive. While I didn't necessarily need more tawdriness, some of the scenes just seemed to lack that extra bit of spice that really shows the reader a deep emotional connection. In a couple of instances, I think this could have been rectified with a little more “whispered sweet nothings” dialog, and more sexual tension leading up to their initial consummation would have been nice too. Additionally, I am not a huge fan of the love/hate relationship. Thankfully there was enough tenderness to keep it from being overdone in this book, but Duncan and Madelyn still emotionally held back from each other a little too long for my taste, and their confusion over their feelings for one another seemed a bit forced to me. Finally, although Madelyne's fevered hallucinations and loss of inhibitions in that state made for some exceptionally funny and amusing moments, I would have preferred for her to relate the traumatic events of her past to Duncan when she was in a more coherent state. I think it would have packed a greater emotional punch and built even more trust in their relationship, which to me, is extremely romantic.

Duncan and Madelyne are a classic Garwood hero and heroine. Duncan is what I like to refer to as the “tender alpha” or the “alpha with a heart.” He definitely has some dominating tendencies early in the story, but he is always patient and has a tender spot in his heart for Madelyne. Duncan's sweet side was solidified for me when he watched over Madelyne while she was ravaged with fever, and I loved how he snuck into bed with her every night without her knowing. He is also very much a man of few words and has very little dialog in the beginning of the story. In fact, Duncan often seemed to be overshadowed in this regard by his two brothers which is never a good thing. As the plot moves along though, he learns to lighten up a bit, talks more readily, and really comes into the fullness of his character. Madelyne is gentle, klutzy, and has just enough sass to stand up to her arrogant husband. I really liked her journey from the shy virgin to embracing her passionate nature, and found it to be very believable and well-crafted. There are so many romance novel heroines who make the unrealistic jump from timid virgin to instant sex-kitten, so this element of the story was greatly appreciated. I also thought it was sweet that Madelyne was able to charm everyone in Duncan's castle, man, woman, child and beast. The only problem I had with Madelyne is that for about the first 2/3 of the story, everything about her is just too extreme. She is extremely clumsy, extremely talkative, extremely bossy, extremely stubborn, extremely self-conscious, and extremely insecure. I'm used to a heroine embodying one or two of these characteristics, but having Madelyne imbued with all of them at once and in such an extravagant way, made her seem more like a caricature to me. At least she exhibited enough humor and sweetness to prevent her from becoming completely annoying, and for the final third of the book, she is much more even-tempered and finally comes into her own as well, finding her confidence. It was at this point that I really warmed up to both characters a lot more and ended up liking them both quite well.

There are other things that I really enjoyed about Honor's Splendour, one of which is it's strong cast of supporting characters. If this book had been written in the current glut of series romances, I'm absolutely certain that Duncan's two very eligible and honorable brothers, Edmond and Gilard, as well as his loyal vassal, Anthony, all would have made great heroes for future books, but it was written so long ago, it is incredibly doubtful that would ever happen. I also enjoyed Duncan's sister, Adela, and her beau, Gerald. Because of what Adela had been through, I found both characters to be very sympathetic, and the humor of their relationship mirrored that of Duncan and Madelyn. Madelyne's uncle, Father Berton, though heard about a lot, doesn't actually appear until near the end of the book, but I liked him a lot too, and Madelyne's evil brother, Baron Louddon, makes a great villain. Julie Garwood has a great sense of humor, and I often found myself smiling or chuckling during my reading of this book. I especially got a kick out of the parts where Duncan teases Madelyne by purposely pushing her buttons. I also loved the creative sweetness of their first meeting and how Madelyne captured Duncan's heart through the simple but unselfish act of warming his feet. As I mentioned earlier though, the last third of the story was my favorite part. I felt that the romance built gradually and became even stronger the further it progressed. I also liked the bit of royal intrigue which lent a mild air of suspense to the ending. The denouement itself was perhaps a tad bit rushed as the comeuppance of the main villain doesn't occur until the final pages, but overall it was pretty good. All in all, Honor's Splendour was a good read which turned out to be a nice way to reintroduce myself to a favorite author. show less

I’ve been a fan of Julie Garwood now for over twenty-five years. She came recommended to me by my mother-in-law, who is also a romance fan, and she was one of the first mainstream historical romance authors I tried. I remember reading The Gift way back when I was discovering her work. It was probably one of the first Garwood books I tried, but all I really remembered about it is that I’d liked it and that there was some high-seas adventure in it. At the time I first read it, though, I show more didn’t realize it was the third book of a series, so I only more recently read the first two. The Gift, however, is my favorite of the Crown’s Spies series so far and quite possibly my favorite of this author’s books that I’ve read at this point, too. It’s about Nathan St. James and Sara Winchester, who were married as children, a command that was handed down by King George III, himself, as a way to bring peace between their families who’ve been at odds since the medieval era. Nathan was only fourteen at the time, and Sara was a mere four years old. Their wedding is shown in the prologue and their first meeting is adorably sweet with little Sara placing her full trust in Nathan even then. Since then, they’ve lived separate lives, but Sara has dreamed of the day that Nathan will come to whisk her away. Needing the money that fulfilling the marriage contract will eventually bring him, Nathan finally shows up fourteen years later, intending to collect his bride and do just that, but with no designs on falling in love. However, Sara confounds him at every turn with her sweet, generous spirit and annoys the hell out of him when she brings one calamity after another upon his ship. But soon, he can no longer imagine his life without her, even though the word “love” isn’t exactly in his vocabulary. This book was a delightful reread that turned out to be equal parts sweet, sexy, and LOL funny.

Sara is a naive, idealistic dreamer who usually has her head in the clouds. She’s also a hopeless romantic who has built up the husband she hasn’t seen since their wedding day into the perfect fairy tale prince. When her uncle and his brothers try to have her beloved Aunt Nora, who is the black sheep of the family for marrying far beneath her station, committed to an asylum in order to steal her money, Sara writes, asking for Nathan’s help. What she doesn’t know, though, is that her missives went astray, so when he doesn’t come, she decides to take matters into her own hands. Sneaking out late at night, she walks the few blocks to her uncle’s town house where she believes Nora is being held captive and frees her, but little does she know that her husband coincidentally showed up anyway and protected her all along the way. When she goes to a tavern to confront her uncle and get Nora’s wedding ring back, then she finally meets her huge, handsome spouse, who once again saves her and takes her aboard his ship. At first, she’s a little afraid of him, but she gradually comes to realize that he’d never hurt her even though he frequently bellows at her for the wacky things that she does. Sara is one of the sweetest, most innocent and guileless heroines I believe I’ve ever read. She’s also a walking calamity who nearly destroys Nathan’s ship on more than one occasion, even driving his crew to wear garlic to ward off the bad luck she brings. But underneath it all, she has a genuinely good heart. She comes to deeply love and have absolute trust in Nathan pretty quickly, and once she does, she’s loyal to a fault, defending him even when he irritates her. She’s quite protective of those she loves and that comes to include Nathan. She’s extremely shy on their “wedding night,” but once sexually awakened, she becomes a very responsive lover and is quite demonstrative of her love in more ways than one.

Nathan lost his parents at a young age and became responsible for his younger sister, Jade, who found her HEA in the previous book, Guardian Angel. Although a marquess, he’s spent most of the intervening years since marrying Sara as a pirate and spy for the crown. With the bounty on his pirate persona growing larger by the day, he decides it’s time to go straight and start a legitimate shipping company with his best friend, Colin. In order to build it up, though, he needs more money, but he lost much of what he owned when both of his homes fell victim to arson. The marriage contract includes a gift of land and gold after Nathan has spent one year living as husband and wife with Sara and producing an heir, so he decides to finally go claim her. Most of the Winchester women are plain and plump, and the clan in general are pretty ill-tempered, so he doesn’t expect much, leaving him pleasantly surprised to discover that Sara is quite comely and pretty sweet-tempered, if a bit stubborn. Even though she seems to cause one catastrophe after another that tries his patience, he knows that she isn’t doing it deliberately, and her frequent tears and heartfelt apologies make it impossible for him to stay mad at her for long. Although he doesn’t recognize his emotions as love, the kind and gentle way he always treats her and his growing inability to imagine life without her make his feelings abundantly clear even if it takes him a while to admit it both to himself and to her. Even though Nathan can play the growly alpha, he never annoyed me. I loved him to pieces and found him nearly as amusing as Sara.

I can hardly express how much fun I had rereading The Gift. Even though I had vague recollections of enjoying it before, this revisit exceeded my expectations. I’m very particular about rom-coms, often finding them too shallow or not as humorous as they’re supposed to be, but this one tickled my funny bone just right. I think I spent the entire time I read it with a goofy grin on my face, if not outright laughing. It’s a little slap-sticky, but it totally worked for me. I can’t recall when I’ve read a more hilarious book. Yet, interspersed with all the fun and games was a sweet, tender love story that gave me all the feels that I expect in a romance. It was completely apparent from their adorable first meeting in the prologue that these two were star-crossed loves meant for each other. I love Sara’s complete faith and trust in Nathan even when he stubbornly refuses to tell her he loves her. Nathan may be a little rough around the edges, but he has a good heart, expressing his love in his own sweet way, through his kindness, gentleness, and protectiveness. I enjoyed the secondary romance between Nora and Matthew, one of Nathan’s seamen. There were plenty of other supporting characters to liven things up as well, including Caine and Jade (Guardian Angel) and Colin, who will become the hero of the next book, Castles. This series may have gotten off to a slow start for me, but after this charming and entertaining entry, I’m now looking forward to finishing it off soon, while hoping that Colin’s story will be equally as diverting as this one was. show less