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Nicolas Bourriaud

Author of Relational Aesthetics

47 Works 645 Members 3 Reviews

About the Author

Includes the name: Nikolā Burjo

Works by Nicolas Bourriaud

Relational Aesthetics (1998) 316 copies
Postproduction (2002) — Author — 108 copies, 1 review
The Exform (Futures) (2016) 52 copies, 1 review
The Radicant (2009) — Author — 42 copies
Altermodern (2009) 21 copies
Frequencies [Hz] (2002) 7 copies
Michael Lin (2010) 6 copies
La exforma (2015) 4 copies
İlişkisel Estetik (2018) 3 copies
L'ange de l'histoire (2013) 2 copies
Traffic (1996) 2 copies, 1 review
Relációesztétika (2007) 1 copy
Neighbourhood Secrets (2010) 1 copy
Plamen Dejanoff (2008) 1 copy

Tagged

Common Knowledge

Birthdate
1965
Gender
male
Nationality
France
Associated Place (for map)
France

Members

Reviews

3 reviews
Tomorrow, who knows what point of view will offer the best way to revisit the ruins of the world today?


The Exform felt like a necessary read after the first volume of Vollmann on Climate Change. One of the chief concerns about this crisis for WTV is the idea of waste and the consequent detritus in furthering the harm to planet. This accumulation of garbage, defunct ideas, post dated people is the point of departure for Bourriaud, who following Althusser sees the world as a series of show more constructive collisions, all the way building and discarding. Never cited is Marx's dustbin, which leaves me pondering Noddy Boffin and turns of fortune.


While the author appears concerned about artistic production and thus cites all sorts of aesthetic examples, his lodestars aside from Althusser appear to be the benchmarks Benjamin and Bataille, the latter's potlach in the Accursed Share demonstrating our present worth--as we toss our smartphones and flat screens into a landfill in an orgiastic triumph of our identity. Urban Planning leads to more favelas and Walmart will process your tax return.
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BORDEAUX, capcMusée d'art contemporain --> 26 gennaio - 24 marzo 1996
Un libro molto interessante che dimostra come l'arte contemporanea trasfigura e trasforma qualsiasi residuo di realtà (oppure riutilizza opere d'arte già sul mercato culturale) e lo amalgama in una produzione nuova, in contesti nuovi e con significati nuovi. L'arte come magazzino infinito con cui comporre nuovi significati.

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Associated Authors

Ieva Lapinska Translator
Jeanine Herman Translator
James Gussen Translator
Lili Porten Translator

Statistics

Works
47
Members
645
Popularity
#39,134
Rating
½ 3.5
Reviews
3
ISBNs
69
Languages
9

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