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About the Author

Image credit: Guillermo Gómez-Peña

Works by Guillermo Gómez-Peña

Associated Works

First World, Ha, Ha, Ha! (1995) — Contributor — 127 copies, 2 reviews
Goddess of the Americas (1996) — Contributor — 115 copies, 1 review
Gone to Croatan: Origins of North American Dropout Culture (1994) — Contributor — 110 copies, 5 reviews
After Yesterday's Crash: The Avant-Pop Anthology (1995) — Contributor — 71 copies
The Norton Anthology of Latino Literature (2010) — Contributor — 68 copies
The Late Great Mexican Border: Reports from a Disappearing Line (1996) — Contributor — 26 copies, 1 review
Cointelshow: A Patriot Act (2011) — Introduction — 15 copies
Future Media (2011) — Contributor — 14 copies
Crawl Out Your Window #17 — Contributor — 2 copies
Crawl Out Your Window #12 — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Gómez-Peña, Guillermo
Birthdate
1955
Gender
male
Awards and honors
MacArthur Fellowship (1991)
Nationality
Mexico
Birthplace
Mexico City, Mexico
Map Location
USA

Members

Reviews

4 reviews
One of the most brilliant materialist textual experiments I have had the pleasure to see.
Library Journal: Performance artist and self-proclaimed "reverse anthropologist," Gomez-Pena slashes and burns his way through the social jungle like a Latino Berzerker. Clear and energetic, he levels all, and I mean all, cultural dragons. He is not the first to observe that change in the late 20th century has been so enormous that the entire world, especially the United States, has plunged into a deep identity crisis, but unlike some social critics, he offers hope. First, he argues, we must show more recognize that no one is innocent. Then, only by accepting the inevitability of our innate hybridization will we find a healthy context for genuine growth. Taken from several projects, the author's poems and texts are astute, biting, and often painfully funny. Like any good trickster, he tries to awaken us by teaching how important it is to laugh at ourselves. Read at risk to your own complacency. show less
Library Journal: A performance-and-installation piece that has appeared in museums across the country, "Temple of Confessions" features artists Gomez-Pe?a (The New World Border, LJ 8/15/96) and Sifuentes and their collaborators acting in such personae as Tex-Mex shaman and pregnant nun. Within an environment of humorous and provocative objects that serve "to open a Pandora box and let loose the colonial demons," visitors are invited to confess their secret desires either by kneeling and show more recording into a microphone, writing a postcard, or calling a phone number. The confessions are often emotional and reveal racism, tenderness, solidarity, or sexuality as visitors react to the Latino "other." This is art as serious social exploration. show less
Amazon: Performance artist Guillermo Gomez -Pena is an incredible talent who in this, his fifth book, has put together his thoughts and recollections on his art through the nineties. In this collection of essays, interviews, and scripts, Gomez-Pena describes the preparation, processes, goals and results of his work, and muses on the whole shebang. In this book you'll meet such notable creations as "Border Brujo," "El Naftaaztec," "El Mexterminator," "Cyber-Vato" and "El Mad Mex"(from the show more film "Natural Born Matones"), traverse the globe from Helsinki to Vladivostok, Montana to Buenos Aires, Chiapas to Ciudad Juarez, Wales to Tijuana or from Fort Collings to back "home" in San Francisco or Mexico City. show less

Awards

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Statistics

Works
18
Also by
11
Members
352
Popularity
#67,993
Rating
½ 3.6
Reviews
4
ISBNs
33
Languages
1

Charts & Graphs