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Edvard Munch (1863–1944)

Author of Edvard Munch: Leben und Werks

139+ Works 735 Members 6 Reviews

About the Author

Works by Edvard Munch

The Masterworks of Edvard Munch (1979) — Artist — 41 copies
Edvard Munch (2019) — Artist — 29 copies
Edvard Munch: Master Prints (2010) — Artist — 20 copies
Edvard Munch (1989) 17 copies, 1 review
Munch, 1863-1944 (1986) 15 copies
Munch (Delphi Masters of Art Book 38) (2017) 14 copies, 1 review
Lebensfries : 46 Graphiken (1984) 12 copies
Mapplethorpe + Munch (2016) — Artist — 11 copies
Munch and the workers (1984) 10 copies
Edvard Munch (2012) 4 copies
El friso de la vida (2015) 4 copies
Madonna : Munch Museum (2008) 4 copies
Edvard Munch Portraits (2025) 4 copies
Geniets notater (2000) 3 copies
Edvard Munch and Denmark (2010) 3 copies
"Notes on Vanishing" (2020) 3 copies
Munch, 1863-1944 (1994) 2 copies
Munch in Frankreich (1992) 2 copies
Edvard Munch (2013) 2 copies
Munch 2 copies
The Scream : Munch Museum (2008) 2 copies
Munch 2 copies, 1 review
Frammenti sull'arte (2019) 1 copy
Cuadernos del alma (2017) 1 copy
Six Munch Cards (2000) 1 copy
Ecrits (2011) 1 copy
Munch-Museet I Oslo (1966) 1 copy
Escritos (2013) 1 copy

Associated Works

Hunger (1890) — Cover artist, some editions — 5,431 copies, 138 reviews
The Gay Science (1882) — Cover artist, some editions — 3,578 copies, 28 reviews
Pan: From Lieutenant Thomas Glahn's Papers (1894) — Cover artist, some editions — 1,624 copies, 34 reviews
Mysteries (1892) — Cover artist, some editions — 1,573 copies, 26 reviews
Victoria (1898) — Cover artist, some editions — 936 copies, 15 reviews
Theories of Modern Art: A Source Book by Artists and Critics (1968) — Contributor — 850 copies, 5 reviews
Rosmersholm / The Master Builder / Little Eyolf / John Gabriel Borkman (1958) — Cover artist, some editions — 282 copies, 3 reviews
Late Victorian Gothic Tales (2005) — Cover artist, some editions — 220 copies
A Documentary History of Art, Volume 3 (1986) — Contributor — 165 copies
Edvard Munch: Behind the Scream (2005) — Artist — 114 copies, 3 reviews
Munch (1977) 111 copies, 1 review
Récits Fantastiques (1981) — Cover artist, some editions — 102 copies, 2 reviews
Edvard Munch: The Man and His Art (1977) 71 copies, 2 reviews
Munch (Crown Art Library) (1974) 65 copies
Munch : At the Munch Museum, Oslo (1996) — Artist — 55 copies
Edvard Munch (1972) 49 copies
Edvard Munch: The Early Masterpieces (1988) — Artist — 39 copies
Munch by Himself (2005) 31 copies
Edvard Munch (1989) 27 copies, 1 review
Edvard Munch (1950) — Illustrator — 18 copies
Tate Introductions : Munch (2012) — Artist — 10 copies
The Kiss of Judas & The Death of Halpin Frayser — Illustrator, some editions — 2 copies
Edvard Munch (2002) 2 copies
Becoming the Forest IV (2022) — Illustrator — 2 copies, 1 review

Tagged

Common Knowledge

Birthdate
1863-12-12
Date of death
1944-01-23
Education
Royal School of Art and Design, Christiania, Norway
Occupations
artist
printmaker
Nationality
Norway
Birthplace
Ådalsbruk, Løten, Norway
Places of residence
Oslo, Norway
Place of death
Oslo, Norway
Associated Place (for map)
Oslo, Norway

Members

Reviews

6 reviews
A great display of mesmerizing, powerful paintings that touch on the nature of human experience and what it means to encompass that. The brief biographical information is also extremely well-written and relevant to what you view. Even though I've read, and seen, another collection of Munch paintings, this one stands tall as a great addition to get a better glimpse into Munch's life and work.

5 stars!
an old book. art books are so much better now. colour, paintings all facing the same way. discussion of individual paintings with the painting.
½
No doubt, art starts with a drawing. Often science too starts with a drawing! A drawing is, in fact, a bridge between Art and Science. Learning to draw well puts students of science and Maths on a firm pursuit of learning (I speak from personal experience). I have not seen another teacher who can draw a perfect circle before a class on a black (white)-board, instantly, like my Math school-teacher did back in the day. He taught us fourteen theorems of trigonometry in final-year of our school, show more with elan. He always started the class by drawing a perfect circle on blackboard, effortlessly in one shot, without lifting the chalk piece. The level of his confidence in doing so inspired the students to learn not only the subject of trigonometry but also to draw!

Some Art teachers become an inspiration for young students to take up painting. Some have a penchant for making colored-pencil drawings of famous monuments of our metropolis - old Gothic buildings, driveways, and other inspiring architectures. He recently held a full-fledged exhibition of all his paintings in an art gallery. Dr. Homi J. Bhabha, the architect of Indian nuclear energy program, was an accomplished artist too, who drew pencil drawings (portraits) of several celebrities, among them two famous Nobel laureates - Sir C.V. Raman and Prof. P.M.S. Blackett. The layout of the beautiful gardens maintained at the Tata Institute of Fundamental Research and at Bhabha Atomic Research Centre, both in Mumbai were all planned by Bhabha after sketching them at his drawing board. The famous painting Starry Night (1889) by van Gogh drew inspiration from the depiction of a spiralling whirlpool galaxy by the astronomer, W. Parsons in 1845. Neuroscientists are giving profound meanings to what goes on in our minds when we look at drawings/paintings made by celebrated masters, such as the Woman in Gold, a portrait of Adele Bloch-Bauer I, by Klimt in 1907. Eric Kandel, the 2000 Nobel Laureate, proposed that as we walk and forth in front of this painting, the eyes of Adele seem to follow us because our visual systems convert a 2D image into a 3D portrait in our minds. Though the picture that forms in our visual and cerebral cortex, when we look at a sketch or a painting, is same for all individuals, the way it is processed, analyzed, resolved visually and emotionally, and reconstructed in our brains based on our past experiences and lifestyles, makes each person see a different view. In fact, the boost that each one of us gets in the number of synaptic contacts between our nerve cells is specific to the individual, and that alone decides the capacity of an individual to think and feel about what he/she makes out of the sketch/paintings. That also largely explains why different onlookers make out the extent of the hidden smile of 'Mona Lisa' to different levels when they are looking at it in The Louvre Museum in Paris. Similarly, it is up to the onlooker to decide whether it is a human figure shrieking or an inverted Edison's bulb in The Scream, the 1893 painting by Edvard Munch.
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Publsihed on the occasion of Edvard Munch Exhibition held at The Vancouver Art Gallery 31 May - 4 August 1986

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Associated Authors

Arne Eggum Author, Commentaries
Reinhold Heller Contributor, Introduction
Gerd Woll Author
Ragna Stang Contributor
John Elderfield Introduction
Alan M. Fern Introduction
Carol Ravenal Introduction
John Spencer Foreword
Ragna Thiis Stang Introduction
Frank Hoifodt Foreword
Patricia Berman Contributor
Kynaston McShine Introduction
Robert Rosenblum Introduction
Katja Tangen Foreword
Frances Carey Contributor
Peter Dawson Designer
Stephen Coppel Contributor
Charles Emmerson Contributor
Ute Kuhlemann Falk Contributor
Walter Urbanek Introduction
Ferdinand Eckhardt Introduction
Jennifer Barnes Translator
Timo Huusko (Toim.)
Leena Mannila (KÄÄnt.)
Snøhetta, Book & cover design
Leena Talvio (KÄÄnt.)

Statistics

Works
139
Also by
33
Members
735
Popularity
#34,565
Rating
4.0
Reviews
6
ISBNs
88
Languages
10

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