Picture of author.

John Singer Sargent (1856–1925)

Author of Sargent Portrait Drawings: 42 Works by John Singer Sargent

64+ Works 488 Members 8 Reviews

About the Author

Includes the names: Sargent John S, John Singer Sargent

Image credit: Self-Portrait, 1907 (Wikipedia)

Works by John Singer Sargent

John Singer Sargent: The Male Nudes (1999) — Artist — 91 copies, 2 reviews
The Age of Elegance: Paintings of John Singer Sargent (1996) — Subject — 35 copies, 1 review
Sargent (Delphi Masters of Art Book 18) (2015) 28 copies, 1 review
Sargent and Impressionism (2010) 11 copies
Sargent Paintings: 24 Cards (2003) 10 copies
Gassed 1 copy
John Singer Sargent 2000 1 copy, 1 review

Associated Works

The Man in the Red Coat (2019) — Cover artist, some editions — 650 copies, 15 reviews
The Kenneth Grahame book (1895) — Illustrator, some editions — 45 copies
Carnation, Lily, Lily, Rose: The Story of a Painting (2007) — Illustrator — 43 copies, 2 reviews
Theodore Roosevelt in the Field (2015) — Cover artist, some editions — 39 copies
Elizabeth: The Author of "Elizabeth and Her Garden" (1986) — Cover artist, some editions — 21 copies, 1 review

Tagged

Common Knowledge

Birthdate
1856-01-12
Date of death
1925-04-14
Gender
male
Occupations
painter
Organizations
National Institute of Arts and Letters (Art, 1905)
American Academy of Arts and Letters (Art, 1905)
Relationships
James, Henry (friend)
Short biography
John Singer Sargent (/ˈsɑːrdʒənt/; January 12, 1856 – April 14, 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era luxury. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida.

His parents were American, but he was trained in Paris prior to moving to London.

Sargent enjoyed international acclaim as a portrait painter, although not without controversy and some critical reservation; an early submission to the Paris Salon, his Portrait of Madame X, was intended to consolidate his position as a society painter, but it resulted in scandal instead. From the beginning his work was characterized by remarkable technical facility, particularly in his ability to draw with a brush, which in later years inspired admiration as well as criticism for a supposed superficiality. His commissioned works were consistent with the grand manner of portraiture, while his informal studies and landscape paintings displayed a familiarity with Impressionism. In later life Sargent expressed ambivalence about the restrictions of formal portrait work, and devoted much of his energy to mural painting and working en plein air. He lived most of his life in Europe. Art historians generally ignored the society artists such as Sargent until the late 20th century.

John Singer Sargent in Wikipedia
Nationality
USA
Birthplace
Florence, Italy
Places of residence
Florence, Italy
Paris, France
England, UK
Burial location
Brookwood Cemetery, Brookwood, Surrey, England, UK

Members

Reviews

8 reviews
I knew John Singer Sargent as a portraitest, but this book shows us so much more about his art. One gets to watch as this incredible artist studies, travels, and grows in his art. I was fascinated at how he composed his portrait studies, nearly always creating some visual interest away from the subject - a scarf, fan, painting, couch, or another person to draw the eye. In his travels he painted anything and everything, often in watercolor, which is a difficult medium to control, but show more obviously Sargent was a master. For me, though, the best were paintings that seemed to be architectural studies or studies of a scene where I didn't notice at first that there were people or animals in the picture at all until I looked wider and was surprised to discover it was so much more than it first appeared. I'm sure I will be turning again and again to this book over the years to discover more each time I look. show less
Following the foreword are two very brief essays which discuss Sargent's background and his work. A sensitive and intelligent appraisal of the artist and his approach to the studies under consideration here, one that especially in the light of the context does not skirt around the inclinations of the artist's heart, and addresses the possibility of a relationship with his loyal and devoted lithe young Italian valet and occasional model who resided in the Sargent household for twenty six show more years.

The work presented here is superb; sensitive yet dynamic drawings and paintings; the text makes an interesting observation to the observer's response to them, but however one views them one cannot deny their beauty. One of the first illustrated is an oil painting of a young boy lying on the beach, and the pose immediately brings to mind similar subject matter painted by Joaquin Sorolla, produced some twenty or so years after Sargent's effort.

The plates run from page twelve to page seventy eight, and include sketches, charcoal drawings, watercolours and oils, of which eighteen are in full colour, occasionally accompanied by a few relevant notes. The book concludes with a chronology and selected bibliography.

This is a delightful book, slim and not over large; the work contained within is unrestrained, evocative, seemingly effortless; unquestionably the work of a great master.
show less
This beautifully produced little volume provides an overview of the work of John Singer Sargent supplemented by a brief biography of the painter.
Worth it for the Nude Study of Thomas E. McKeller, though its reproduction pales in comparison to the life-sized version in Boston's MFA.

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Statistics

Works
64
Also by
7
Members
488
Popularity
#50,612
Rating
3.8
Reviews
8
ISBNs
23
Languages
1

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