Picture of author.

Whit Masterson

Author of Branded Woman

82+ Works 767 Members 22 Reviews

About the Author

Disambiguation Notice:

Wade Miller, Whit Masterson, and Will Daemer (and possibly others) are pseudonyms for collaborative works by two authors, Robert Allison “Bob” Wade and H. Bill Miller.

Series

Works by Whit Masterson

Branded Woman (2005) 195 copies, 4 reviews
Badge of Evil (1956) 69 copies, 2 reviews
Deadly Weapon (1946) 41 copies, 1 review
Guilty Bystander (1947) 39 copies, 2 reviews
Fatal Step (1948) 31 copies, 1 review
Calamity Fair (1993) 26 copies, 1 review
Murder Charge (1951) 24 copies
Uneasy Street (1983) 23 copies, 1 review
Kitten With a Whip / Kiss Her Goodbye (2013) — Author — 22 copies, 2 reviews
The Killer (2004) 20 copies, 1 review
Shoot to Kill (1951) 19 copies
Evil Come, Evil Go (2012) 16 copies, 1 review
Warning Shot (1976) 15 copies
The Dark Fantastic (2012) 13 copies, 1 review
Stolen Woman (1950) 13 copies
Devil May Care (2020) 12 copies
All Through the Night (2012) 11 copies
The Big Guy (1953) 9 copies, 1 review
The Girl from Midnight (1962) — Author — 9 copies
The Gravy Train (1972) 8 copies
Killer's Choice (1949) 7 copies
Dead, She Was Beautiful (Prologue Books) (2012) 7 copies, 1 review
Hunter of the Blood (1977) 6 copies
The Slow Gallows (1979) 6 copies
The tiger's wife (1951) 5 copies
The Man on a Nylon String (1975) 5 copies
The Last One Kills (1972) 5 copies
Kiss Her Goodbye (1956) 5 copies
Mad Baxter (1963) 5 copies
Sinner Take All (1960) 5 copies, 1 review
South of the Sun (1953) 5 copies
A Hammer in His Hand (1974) 4 copies, 1 review
The undertaker wind (1974) 3 copies
The Man with Two Clocks (1974) 3 copies
Et ta soeur ?. (1900) 2 copies
A Shadow in the Wild (1964) 2 copies
Killer with a badge (1969) 2 copies
Dead Fall (1956) 2 copies
The Death of Me Yet (1975) 2 copies
Play Like You're Dead (1967) 2 copies
Marca da Maldade, A (2000) 2 copies
Livsvarigt (1971) 1 copy
Shadow in the Wild (1957) 1 copy
The Great Train Hijack (1971) 1 copy
La mèche brûle (1974) 1 copy
Jungle Heat (1954) 1 copy
Galgeøen (1980) 1 copy
Une nuit pour tuer (1982) 1 copy
Attentatet mod paven (1979) 1 copy
Chapeau ! (1954) 1 copy
Beck et ongles (1952) 1 copy
La Mare aux crocodiles (1900) 1 copy
Monsieur la panthère (1953) 1 copy
Donna rubata 1 copy
On liquide 1 copy
Dead Fall 1 copy

Associated Works

Touch of Evil [1958 film] (1958) — Original novel — 268 copies, 6 reviews
American Pulp (1997) — Contributor — 90 copies
Masterpieces of Mystery : The Fifties (1978) — Contributor — 31 copies
Kill or Cure (1985) — Contributor — 19 copies
Masterpieces of Mystery : More from the Sixties (1979) — Contributor — 19 copies
Ellery Queen's Awards : Tenth Series (1955) — Contributor — 14 copies
Man Missing, Dead Fall, Murder Most Familiar (1954) — Contributor — 6 copies
The Queen's Awards: Eleventh Series (1956) — Contributor — 6 copies

Tagged

Common Knowledge

Legal name
Wade, Robert Allison (1920-2012)
Miller, H Bill (1920-1961)
Other names
Miller, Wade
Gender
male
Awards and honors
Shamus Award (The Eye for Lifetime Achievement, 1988)
Nationality
Estados Unidos
Disambiguation notice
Wade Miller, Whit Masterson, and Will Daemer (and possibly others) are pseudonyms for collaborative works by two authors, Robert Allison “Bob” Wade and H. Bill Miller.

Members

Reviews

24 reviews
Wade Miller is actually the writing team of Robert wade and Bill Miller. They also wrote under a number of other psuedonyms, including Whit Masterson. They were junior high school friends and began their writing partnership in their teenage years, going on to write dozens of pulp novels, many of which were made into movies. Evil Come, Evil Go was the last published work of the partnership since Bill Miller died of a heart attack at the age of 41 in 1961.

Evil Come, Evil Go (not to be confused show more with the soft core porn horror movie of the same title) is a terrific paperback original and should appeal to a wide range of readers. It is a professional work and absolutely well crafted from beginning to end. It is a sort of remake of the Lindbergh kidnapping. A 1961 remake where the rich and famous man is not a famous aviator, but a pop idol, whose high-grossing tours were beset by thousands of screaming fans, clawing for a piece of him. Andy Paxton and his wife, Lissa, were the ultimate show business couple between his singing and her acting and the brutal kidnapping of their infant son captured every headline in the country and the cover of every newspaper. They were relentlessly pursued by the media to the point where a part of their house was turned into a twenty-four hour press room.

It is the story of a man who is a victim of a heinous crime, but because of his fame and position, is isolated. The police don’t trust him, accusing him of a media stunt for publicity purposes. Their marital difficulties are turning to a divorce just as the kidnapping occurs. The public distrusts him when he puts on a concert the very next night instead of combing the streets for his son. And, one by one, he begins to distrust his family and friends until he is alone and coming apart at the seams.
It is skillfully written so that the 200 pages feels quite short. Although not the hardboiled detective story one might have expected from the Wade Miller team, it is just a great read.
show less
“She had come to Mazatlán to kill a man.”

She is Cay Morgan, and the man is The Trader. And she’s waited five years to kill him! But then...

“All she had ever wanted…Except that she wanted Walt more.” Yeah, well that kind of killed it for me. Cay went from a vengeful take-no-prisoners warrior type to a mushy, romantic, sentimental type in one night. It was such a drastic switch that it jarred me right out of the story. The stunning last sentence of the book was awesome, but having show more the main character change that dramatically, that quickly, just didn't work for me. show less
½
Wade Miller (the writing combo of Bob Wade and Bill Miller) may have succeeded better than they ever expected in writing "The Killer," a book that is kind of a cross between Hemingway and Gil Brewer. It is an excellent, brilliantly written, well-paced fifties novel. I highly recommend this for anyone who likes to read and, in particular, for those who have an appetite for crime novels.
Jacob Farrow is a big game hunter in Kenya, perhaps the greatest and most determined of all big game show more hunters. He is offered an impossible sum to track down and kill the most elusive and most dangerous quarry of all.

In a chase that takes him around the world, Farrow must track down the most feared bank robber in America. Through the swamps of the backwoods swamp, to the highest towers of the greatest cities, to the Great Plains, to the deserts, Farrow goes. Along the way, Farrow tangles with sexy swamp sirens whose every movement makes him sweat. He fights with big city toughs and finds himself on the wrong side of the law.

The book does an excellent job of capturing Farrow's moral quandaries as well as his laser-beam like focus on his job.

Not a word is misplaced in this book. It is expertly written.

The book opens with a rifle on the plains of Africa. It continues with a girl with thick blonde hair, "the tawny yellow color of a young lioness," but no dress on. The mere sight of her made him feel like an animal. He feels all of time slipping by him. But there is another femme fatale in this book, "sleek and sinuous as a python."

The book is filled with powerful emotions of revenge, of lust, of betrayal. It moves forward at breakneck speed. It's really good.

The second novel in this two-pack volume is by the same set of authors, but you wouldn't necessarily guess that as it is an entirely different type of book. This is a story about bookies and mobsters in San Diego with the organization facing investigation from the Department of Justice and concerns about an undercover operative in the organization and how to root him out. It is another well-written story, but nothing like "The Killer."
show less
One of the stronger reissues of the original Hard Case Crime series, Branded Woman is one of those deceptively simple Fawcett Gold Medal-type crime / revenge thrillers that fly by when you read them; you have to slow down a little, or perhaps know a fair modicum of something about writing yourself, to see the work and skill that went into it.

Wade Miller was the pseudonym of Robert Allison “Bob” Wade and H. Bill Miller, the same team who wrote, under the name of Whit Masterson, the novel show more Badge of Evil, which was the basis of the 1958 Orson Welles movie Touch of Evil.

The authors tipped their hands a bit here by having their protagonist, Catherine ("Cay") Morgan -- an international jewel smuggler just past 30 who is waging a private vendetta against a fellow smuggler known only as The Trader, whose goons branded a letter "T" on her forehead five years ago when she didn't have the good sense to be warned off of a score that The Trader wanted -- recite, in English, a bit of Roman verse. (Since, at the time that I read this, I happened to have been trying to wrap my thoughts around the first five books of Livy that I had recently finished, began reading H.J. Rose's Ancient Roman Religion [1948] and resumed picking my way through H.L. Havell's Republican Rome, one may imagine that this bit of authorial grandstanding greatly appealed to me, and sold me on Cay's character more than her simple desire for revenge did.) The ending was a double-reveal -- I'd guessed the first revelation, but not the second -- and had a very realistic "revenge-from-beyond-the-grave" bit that does not bode well for Cay (the book is, at minimum, set in the early 1950s, if not the late 1940s) or her future offspring.

Branded Woman is a definite keeper.
show less
½

Lists

Awards

You May Also Like

Associated Authors

Statistics

Works
82
Also by
26
Members
767
Popularity
#33,178
Rating
½ 3.8
Reviews
22
ISBNs
90
Languages
6

Charts & Graphs