Whit Masterson
Author of Branded Woman
About the Author
Disambiguation Notice:
Wade Miller, Whit Masterson, and Will Daemer (and possibly others) are pseudonyms for collaborative works by two authors, Robert Allison “Bob” Wade and H. Bill Miller.
Series
Works by Whit Masterson
The Morning After [short fiction] 2 copies
A tous les râteliers 1 copy
monsieur la panthère 1 copy
Du plomb dans l'aile 1 copy
L'arma del delitto 1 copy
A sud del sole 1 copy
Max thursday investigatore 1 copy
Pop Goes the Queen 1 copy
Quattro giorni di guai 1 copy
La scelta del Killer 1 copy
Pedido recomendado 1 copy
Il segno del pavone 1 copy
El arma mortal 1 copy
Donna rubata 1 copy
On liquide 1 copy
Dead Fall 1 copy
Associated Works
Reader's Digest Condensed Books: The Whispering Land / The Tuntsa / The Judas Tree / Fate is the Hunter / Evil Come, Evil Go (1961) — Contributor — 2 copies
Fountain of Death | Murder Can Be Fun | Uneasy Street | Echo My Tears (1948) — Contributor — 2 copies
Tagged
Common Knowledge
- Legal name
- Wade, Robert Allison (1920-2012)
Miller, H Bill (1920-1961) - Other names
- Miller, Wade
- Gender
- male
- Awards and honors
- Shamus Award (The Eye for Lifetime Achievement, 1988)
- Nationality
- Estados Unidos
- Disambiguation notice
- Wade Miller, Whit Masterson, and Will Daemer (and possibly others) are pseudonyms for collaborative works by two authors, Robert Allison “Bob” Wade and H. Bill Miller.
Members
Reviews
Wade Miller is actually the writing team of Robert wade and Bill Miller. They also wrote under a number of other psuedonyms, including Whit Masterson. They were junior high school friends and began their writing partnership in their teenage years, going on to write dozens of pulp novels, many of which were made into movies. Evil Come, Evil Go was the last published work of the partnership since Bill Miller died of a heart attack at the age of 41 in 1961.
Evil Come, Evil Go (not to be confused show more with the soft core porn horror movie of the same title) is a terrific paperback original and should appeal to a wide range of readers. It is a professional work and absolutely well crafted from beginning to end. It is a sort of remake of the Lindbergh kidnapping. A 1961 remake where the rich and famous man is not a famous aviator, but a pop idol, whose high-grossing tours were beset by thousands of screaming fans, clawing for a piece of him. Andy Paxton and his wife, Lissa, were the ultimate show business couple between his singing and her acting and the brutal kidnapping of their infant son captured every headline in the country and the cover of every newspaper. They were relentlessly pursued by the media to the point where a part of their house was turned into a twenty-four hour press room.
It is the story of a man who is a victim of a heinous crime, but because of his fame and position, is isolated. The police don’t trust him, accusing him of a media stunt for publicity purposes. Their marital difficulties are turning to a divorce just as the kidnapping occurs. The public distrusts him when he puts on a concert the very next night instead of combing the streets for his son. And, one by one, he begins to distrust his family and friends until he is alone and coming apart at the seams.
It is skillfully written so that the 200 pages feels quite short. Although not the hardboiled detective story one might have expected from the Wade Miller team, it is just a great read. show less
Evil Come, Evil Go (not to be confused show more with the soft core porn horror movie of the same title) is a terrific paperback original and should appeal to a wide range of readers. It is a professional work and absolutely well crafted from beginning to end. It is a sort of remake of the Lindbergh kidnapping. A 1961 remake where the rich and famous man is not a famous aviator, but a pop idol, whose high-grossing tours were beset by thousands of screaming fans, clawing for a piece of him. Andy Paxton and his wife, Lissa, were the ultimate show business couple between his singing and her acting and the brutal kidnapping of their infant son captured every headline in the country and the cover of every newspaper. They were relentlessly pursued by the media to the point where a part of their house was turned into a twenty-four hour press room.
It is the story of a man who is a victim of a heinous crime, but because of his fame and position, is isolated. The police don’t trust him, accusing him of a media stunt for publicity purposes. Their marital difficulties are turning to a divorce just as the kidnapping occurs. The public distrusts him when he puts on a concert the very next night instead of combing the streets for his son. And, one by one, he begins to distrust his family and friends until he is alone and coming apart at the seams.
It is skillfully written so that the 200 pages feels quite short. Although not the hardboiled detective story one might have expected from the Wade Miller team, it is just a great read. show less
“She had come to Mazatlán to kill a man.”
She is Cay Morgan, and the man is The Trader. And she’s waited five years to kill him! But then...
“All she had ever wanted…Except that she wanted Walt more.” Yeah, well that kind of killed it for me. Cay went from a vengeful take-no-prisoners warrior type to a mushy, romantic, sentimental type in one night. It was such a drastic switch that it jarred me right out of the story. The stunning last sentence of the book was awesome, but having show more the main character change that dramatically, that quickly, just didn't work for me. show less
She is Cay Morgan, and the man is The Trader. And she’s waited five years to kill him! But then...
“All she had ever wanted…Except that she wanted Walt more.” Yeah, well that kind of killed it for me. Cay went from a vengeful take-no-prisoners warrior type to a mushy, romantic, sentimental type in one night. It was such a drastic switch that it jarred me right out of the story. The stunning last sentence of the book was awesome, but having show more the main character change that dramatically, that quickly, just didn't work for me. show less
Wade Miller (the writing combo of Bob Wade and Bill Miller) may have succeeded better than they ever expected in writing "The Killer," a book that is kind of a cross between Hemingway and Gil Brewer. It is an excellent, brilliantly written, well-paced fifties novel. I highly recommend this for anyone who likes to read and, in particular, for those who have an appetite for crime novels.
Jacob Farrow is a big game hunter in Kenya, perhaps the greatest and most determined of all big game show more hunters. He is offered an impossible sum to track down and kill the most elusive and most dangerous quarry of all.
In a chase that takes him around the world, Farrow must track down the most feared bank robber in America. Through the swamps of the backwoods swamp, to the highest towers of the greatest cities, to the Great Plains, to the deserts, Farrow goes. Along the way, Farrow tangles with sexy swamp sirens whose every movement makes him sweat. He fights with big city toughs and finds himself on the wrong side of the law.
The book does an excellent job of capturing Farrow's moral quandaries as well as his laser-beam like focus on his job.
Not a word is misplaced in this book. It is expertly written.
The book opens with a rifle on the plains of Africa. It continues with a girl with thick blonde hair, "the tawny yellow color of a young lioness," but no dress on. The mere sight of her made him feel like an animal. He feels all of time slipping by him. But there is another femme fatale in this book, "sleek and sinuous as a python."
The book is filled with powerful emotions of revenge, of lust, of betrayal. It moves forward at breakneck speed. It's really good.
The second novel in this two-pack volume is by the same set of authors, but you wouldn't necessarily guess that as it is an entirely different type of book. This is a story about bookies and mobsters in San Diego with the organization facing investigation from the Department of Justice and concerns about an undercover operative in the organization and how to root him out. It is another well-written story, but nothing like "The Killer." show less
Jacob Farrow is a big game hunter in Kenya, perhaps the greatest and most determined of all big game show more hunters. He is offered an impossible sum to track down and kill the most elusive and most dangerous quarry of all.
In a chase that takes him around the world, Farrow must track down the most feared bank robber in America. Through the swamps of the backwoods swamp, to the highest towers of the greatest cities, to the Great Plains, to the deserts, Farrow goes. Along the way, Farrow tangles with sexy swamp sirens whose every movement makes him sweat. He fights with big city toughs and finds himself on the wrong side of the law.
The book does an excellent job of capturing Farrow's moral quandaries as well as his laser-beam like focus on his job.
Not a word is misplaced in this book. It is expertly written.
The book opens with a rifle on the plains of Africa. It continues with a girl with thick blonde hair, "the tawny yellow color of a young lioness," but no dress on. The mere sight of her made him feel like an animal. He feels all of time slipping by him. But there is another femme fatale in this book, "sleek and sinuous as a python."
The book is filled with powerful emotions of revenge, of lust, of betrayal. It moves forward at breakneck speed. It's really good.
The second novel in this two-pack volume is by the same set of authors, but you wouldn't necessarily guess that as it is an entirely different type of book. This is a story about bookies and mobsters in San Diego with the organization facing investigation from the Department of Justice and concerns about an undercover operative in the organization and how to root him out. It is another well-written story, but nothing like "The Killer." show less
One of the stronger reissues of the original Hard Case Crime series, Branded Woman is one of those deceptively simple Fawcett Gold Medal-type crime / revenge thrillers that fly by when you read them; you have to slow down a little, or perhaps know a fair modicum of something about writing yourself, to see the work and skill that went into it.
Wade Miller was the pseudonym of Robert Allison “Bob” Wade and H. Bill Miller, the same team who wrote, under the name of Whit Masterson, the novel show more Badge of Evil, which was the basis of the 1958 Orson Welles movie Touch of Evil.
The authors tipped their hands a bit here by having their protagonist, Catherine ("Cay") Morgan -- an international jewel smuggler just past 30 who is waging a private vendetta against a fellow smuggler known only as The Trader, whose goons branded a letter "T" on her forehead five years ago when she didn't have the good sense to be warned off of a score that The Trader wanted -- recite, in English, a bit of Roman verse. (Since, at the time that I read this, I happened to have been trying to wrap my thoughts around the first five books of Livy that I had recently finished, began reading H.J. Rose's Ancient Roman Religion [1948] and resumed picking my way through H.L. Havell's Republican Rome, one may imagine that this bit of authorial grandstanding greatly appealed to me, and sold me on Cay's character more than her simple desire for revenge did.) The ending was a double-reveal -- I'd guessed the first revelation, but not the second -- and had a very realistic "revenge-from-beyond-the-grave" bit that does not bode well for Cay (the book is, at minimum, set in the early 1950s, if not the late 1940s) or her future offspring.
Branded Woman is a definite keeper. show less
Wade Miller was the pseudonym of Robert Allison “Bob” Wade and H. Bill Miller, the same team who wrote, under the name of Whit Masterson, the novel show more Badge of Evil, which was the basis of the 1958 Orson Welles movie Touch of Evil.
The authors tipped their hands a bit here by having their protagonist, Catherine ("Cay") Morgan -- an international jewel smuggler just past 30 who is waging a private vendetta against a fellow smuggler known only as The Trader, whose goons branded a letter "T" on her forehead five years ago when she didn't have the good sense to be warned off of a score that The Trader wanted -- recite, in English, a bit of Roman verse. (Since, at the time that I read this, I happened to have been trying to wrap my thoughts around the first five books of Livy that I had recently finished, began reading H.J. Rose's Ancient Roman Religion [1948] and resumed picking my way through H.L. Havell's Republican Rome, one may imagine that this bit of authorial grandstanding greatly appealed to me, and sold me on Cay's character more than her simple desire for revenge did.) The ending was a double-reveal -- I'd guessed the first revelation, but not the second -- and had a very realistic "revenge-from-beyond-the-grave" bit that does not bode well for Cay (the book is, at minimum, set in the early 1950s, if not the late 1940s) or her future offspring.
Branded Woman is a definite keeper. show less
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Statistics
- Works
- 82
- Also by
- 26
- Members
- 767
- Popularity
- #33,178
- Rating
- 3.8
- Reviews
- 22
- ISBNs
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