Richard Fortey (1946–2025)
Author of Life: A Natural History of the First Four Billion Years of Life on Earth
About the Author
Richard Fortey is a senior paleontologist at the Natural History Museum in London. (Bowker Author Biography)
Image credit: Catherine Eldridge
Works by Richard Fortey
Life: A Natural History of the First Four Billion Years of Life on Earth (1997) 1,469 copies, 16 reviews
Horseshoe Crabs and Velvet Worms: The Story of the Animals and Plants That Time Has Left Behind (2011) 494 copies, 15 reviews
Associated Works
Seeing Further: The Story of Science, Discovery, and the Genius of the Royal Society (2010) — Contributor — 1,158 copies, 19 reviews
Guardian science course. Part 3 earth — Contributor — 2 copies
Tagged
Common Knowledge
- Canonical name
- Fortey, Richard
- Legal name
- Fortey, Richard Alan
- Birthdate
- 1946-02-15
- Date of death
- 2025-03-07
- Gender
- male
- Education
- University of Cambridge (MA|1970|Ph.D|1971|D.Sc|1986)
King's College, University of Cambridge (BA|1968)
Ealing Grammar School - Occupations
- palaeontologist
natural historian
television presenter - Organizations
- Natural History Museum, London
Paleontological Society
Geological Society of London
Paleontological Association
British Mycological Society - Awards and honors
- Officer, Most Excellent Order of the British Empire (2023)
Fellow, Royal Society of Literature (2009)
Fellow, Royal Society (1997)
Linnean Medal for Zoology (2006)
Lyell Medal (1996)
Frink Medal (2000) (show all 12)
Lewis Thomas Prize for Writing about Science (2003)
Michael Faraday Prize (2006)
Natural World Book of the Year (1993)
T. N. George Medal (1997)
Fungal Outreach Award (2024)
Paleontological Society Medal (2016) - Short biography
- Richard Fortey was a well-known palaeontologist with a specific interest in trilobites (an extinct group of arthropods). He worked at the Natural History Museum in London and had a talent for science communication, publishing nine books and appearing in many television and radio programmes. His academic journey began in the Department of Earth Sciences at the University of Cambridge where he completed his undergraduate degree and PhD.
- Cause of death
- cancer
- Nationality
- UK
- Birthplace
- London, England, UK
- Places of residence
- Henley-on-Thames, Oxfordshire, England, UK
- Place of death
- Henley-on-Thames, Oxfordshire, England, UK
- Map Location
- England, UK
Members
Reviews
Professor Fortey takes the reader on a chronological tour of the the biological history of earth. However, his story is not a boring slog through the strata, but an eclectic stroll among fascinating organisms. Fortey includes many asides in his narrative, including important aspects of geology, portraits of eccentric paleontologists and personal anecdotes about fossil hunting is unusual locations. This book manages to summarise paleontological controversies in a fair manner without bogging show more down the story. I found the author's descriptive writing style to be rich and lyrical. show less
Wonderful and entertaining book about one of the humblest but most successful creatures in the long history. Far from just being simple bugs who crawled in the mud of long-gone oceans, trilobites dominated the seas of the planet for more than 200 million years and evolved an astonishing number of forms adapted to every type of sea habitat. Although they have become of the most popular fossils, mainly because of their astonishing proliferation all over the planet, few people know much about show more the. Simon Fortey rectifies this in a book that is a poem to his deep love affair with this modest creature. He waxes lyrical as he describes how trilobites first came to the attention of science, how their fragile shells were teased out of rock, the details of their lives pieced together, and how they continue to reveal new secrets to this day. More science books should be written like this, it is truly captivating stuff. I must admit, although I have always been fascinated by trilobites, I have never taken the time to really get to know their story, thanks to Fortey I have now rectified this and intend to seek out other books. Truly wonderful stuff. show less
Hundreds of millions of years ago, a special creature travelled through the world’s oceans. Covered in an calcite chitin exoskeleton, they were first discovered by Reverend Edward Lhwyd in 1698, and from there the fascination grew. To date, some 17,000 species have been described. Sadly, though, there are no extant species of trilobite and we only have the fossil record to go by. The closest we have is the horseshoe crab. Richard Fortey’s Trilobite takes us through the history, taxonomy, show more and science of the wondrous trilobite.
The art of finding of trilobites in the wild is equal parts geological prowess, immeasurable patience, and scientific fortitude. Fortey’s early experiences with trilobite investigation left him at the mercy of a microscope and thousands of tiny rock-drilling needles. Fortey’s writing is both scholarly and jovial, and he includes a fair number of pictures to show off the anatomy and diversity of trilobite species. Luckily, so many trilobite specimens have been found around the world, there is a great deal of information to be gleaned on how they lived.
Fortey makes you feel like you should rush out to the nearest mountain and starting hammering away (gingerly, though, you don’t want to break them) to find an ancient creature locked in the rocks. He is genuinely excited to share his collected experiences with the reader, and he wisely keeps his erudition at a decent level. If you’re an amateur scientist or simply a natural history nut (like me), then this one from the London Natural History Museum’s foremost paleontologist is well worth it. show less
The art of finding of trilobites in the wild is equal parts geological prowess, immeasurable patience, and scientific fortitude. Fortey’s early experiences with trilobite investigation left him at the mercy of a microscope and thousands of tiny rock-drilling needles. Fortey’s writing is both scholarly and jovial, and he includes a fair number of pictures to show off the anatomy and diversity of trilobite species. Luckily, so many trilobite specimens have been found around the world, there is a great deal of information to be gleaned on how they lived.
Fortey makes you feel like you should rush out to the nearest mountain and starting hammering away (gingerly, though, you don’t want to break them) to find an ancient creature locked in the rocks. He is genuinely excited to share his collected experiences with the reader, and he wisely keeps his erudition at a decent level. If you’re an amateur scientist or simply a natural history nut (like me), then this one from the London Natural History Museum’s foremost paleontologist is well worth it. show less
This book is fabulous, and I tried to do it justice by researching and linking some pictures from the Natural History Museum. But I can't be bothered to fuss with GR's system and annotating my references.
Blog review with pictures: https://clsiewert.wordpress.com/2015/05/21/the-secret-life-of-the-natural-histor...
Text review:
Fortey had me hooked with the idea of the behind-the-scenes maze at the British Museum. There’s something about that that appeals to me; not only knowing the stories, show more but the physicality of the space. In my first few years working at the hospital, I used to delight in knowing the back stairwells and unused corridors one could take to get from one decade of the building to another. How could a building like this not be filled with hidden mysteries?
Inside the Spirit Collection, Natural History Museum http://www.nhm.ac.uk/visit-us/whats-on/daytime-events/talks-and-tours/spirit-col...
“Tucked away, mostly out of view, there is a warren of corridors, obsolete galleries, offices, libraries and above all, collections. This is the natural habitat of the curator.“
It is a historical tour of the museum, staff and taxonomy by a knowledgeable, urbane, humorous guide. Fortey was hired as a Junior Researcher (specializing in trilobites, as one does) in 1970 and has been there ever since–even past his retirement in 2006. He is clearly a wit, apparent most often in the early chapters. In one anecdote, he shares his reaction to timekeeping requirements:
“The diary was a hangover from the early days of the Museum, being a little book into which the employee was supposed to write his activities, morning and afternoon, and which was collected every month and signed off by the head of the department… I took to writing “study trilobites” on the first day of the month and ditto marks for the rest of it.”
I devoured the first part of this book. I meant to read just a chapter before bed, a way of lulling my brain into imaginative sleepiness without catching me up into murders and anti-heroes, but Fortey’s enthusiasm engaged me. He clearly loves taxonomy and biology, and has a deep respect for the research process. Although he is generally apolitical, he does occasionally allow himself commentary on problematic aspects of the history of museums, the history of science and politics influencing research. He shares minor scandals about researchers, stories of discoveries, and anecdotes about the space inside the museum. In many ways, much of it is about the history of science and of taxonomy as much as a museum.
“Science is often like this: an idea has been around for a while before new evidence suddenly pushes it forwards. And then researchers start to think: maybe this example is not so surprising after all.”
From the herb collection in the Botany Department http://www.nhm.ac.uk/research-curation/collections/our-collections/plant-collect...
I confess, like a number of enthusiasts who’ve illegally sampled collections, I felt a little bit of atavistic greed when he talked about the Herbarium. I probably shouldn’t be allowed in there.
I stumbled at the section on bugs. I just could not read it before bed, no matter how engaging the story, particularly when he mentions their connection to forensics. Sill, I regained my footing as he continued with typical humor. The mineralogy section is perhaps the least engaging for both of us, though he does his best to liven it up with stories about gems and meteorites. There’s a nod to modern equipment and the machines in this section, which was the only place I skimmed–about 3 pages in total–because of the specificity and complexity of material. For the rest of it, Fortey deftly explains in a way that anyone can understand.
There’s something supremely eerie about the idea we can catalog life by reducing it to it’s essential, whether through description of DNA or through the “type” specimens, the first and ideal type of a thing described. I remember the first time I opened a drawer at my college’s biology department and saw specimen upon specimen of dead bird.
Diptera collection, from Natural History Museum http://www.nhm.ac.uk/research-curation/collections/our-collections/invertebrate-...
To be fair, I think Fortey understands life can’t be conceptualized down to its representation:
“Modern methods of characterizing species employ molecular sequencing to identify a characteristic part of the DNA… But this process leaves out everything else. Every species has its own tale, a story about how it earns its living , meets its mate or warns off its enemies: the interesting stuff. You don’t understand London just by reading the names in the telephone directory.”
The summary looks back at some of the influencers, for better or for worse, and includes a mention of significant female researchers while noting the sexism of the system. He finalizes with a bit of a lament about the requirements of funding and its effect on ‘pure’ research. However, there’s a note of hope–the very fact that so much information is available by way of the internet and through collaborations, we might once again see the rise of the amateur enthusiast contributing to the knowledge base. Overall, a fascinating and entertaining look through the corridors and boxes in one man’s memories in the British Natural History Museum, as well as the future of taxonomy.
“I could not suppress the thought that the storeroom was like the inside of my head, presenting a physical analogy for the jumbled lumber room of memory… This book opens a few cupboards, sifts through a few drawers. A life accumulates a collection: of people, work and perplexities. We are all our own curators.”
show less
Blog review with pictures: https://clsiewert.wordpress.com/2015/05/21/the-secret-life-of-the-natural-histor...
Text review:
Fortey had me hooked with the idea of the behind-the-scenes maze at the British Museum. There’s something about that that appeals to me; not only knowing the stories, show more but the physicality of the space. In my first few years working at the hospital, I used to delight in knowing the back stairwells and unused corridors one could take to get from one decade of the building to another. How could a building like this not be filled with hidden mysteries?
Inside the Spirit Collection, Natural History Museum http://www.nhm.ac.uk/visit-us/whats-on/daytime-events/talks-and-tours/spirit-col...
“Tucked away, mostly out of view, there is a warren of corridors, obsolete galleries, offices, libraries and above all, collections. This is the natural habitat of the curator.“
It is a historical tour of the museum, staff and taxonomy by a knowledgeable, urbane, humorous guide. Fortey was hired as a Junior Researcher (specializing in trilobites, as one does) in 1970 and has been there ever since–even past his retirement in 2006. He is clearly a wit, apparent most often in the early chapters. In one anecdote, he shares his reaction to timekeeping requirements:
“The diary was a hangover from the early days of the Museum, being a little book into which the employee was supposed to write his activities, morning and afternoon, and which was collected every month and signed off by the head of the department… I took to writing “study trilobites” on the first day of the month and ditto marks for the rest of it.”
I devoured the first part of this book. I meant to read just a chapter before bed, a way of lulling my brain into imaginative sleepiness without catching me up into murders and anti-heroes, but Fortey’s enthusiasm engaged me. He clearly loves taxonomy and biology, and has a deep respect for the research process. Although he is generally apolitical, he does occasionally allow himself commentary on problematic aspects of the history of museums, the history of science and politics influencing research. He shares minor scandals about researchers, stories of discoveries, and anecdotes about the space inside the museum. In many ways, much of it is about the history of science and of taxonomy as much as a museum.
“Science is often like this: an idea has been around for a while before new evidence suddenly pushes it forwards. And then researchers start to think: maybe this example is not so surprising after all.”
From the herb collection in the Botany Department http://www.nhm.ac.uk/research-curation/collections/our-collections/plant-collect...
I confess, like a number of enthusiasts who’ve illegally sampled collections, I felt a little bit of atavistic greed when he talked about the Herbarium. I probably shouldn’t be allowed in there.
I stumbled at the section on bugs. I just could not read it before bed, no matter how engaging the story, particularly when he mentions their connection to forensics. Sill, I regained my footing as he continued with typical humor. The mineralogy section is perhaps the least engaging for both of us, though he does his best to liven it up with stories about gems and meteorites. There’s a nod to modern equipment and the machines in this section, which was the only place I skimmed–about 3 pages in total–because of the specificity and complexity of material. For the rest of it, Fortey deftly explains in a way that anyone can understand.
There’s something supremely eerie about the idea we can catalog life by reducing it to it’s essential, whether through description of DNA or through the “type” specimens, the first and ideal type of a thing described. I remember the first time I opened a drawer at my college’s biology department and saw specimen upon specimen of dead bird.
Diptera collection, from Natural History Museum http://www.nhm.ac.uk/research-curation/collections/our-collections/invertebrate-...
To be fair, I think Fortey understands life can’t be conceptualized down to its representation:
“Modern methods of characterizing species employ molecular sequencing to identify a characteristic part of the DNA… But this process leaves out everything else. Every species has its own tale, a story about how it earns its living , meets its mate or warns off its enemies: the interesting stuff. You don’t understand London just by reading the names in the telephone directory.”
The summary looks back at some of the influencers, for better or for worse, and includes a mention of significant female researchers while noting the sexism of the system. He finalizes with a bit of a lament about the requirements of funding and its effect on ‘pure’ research. However, there’s a note of hope–the very fact that so much information is available by way of the internet and through collaborations, we might once again see the rise of the amateur enthusiast contributing to the knowledge base. Overall, a fascinating and entertaining look through the corridors and boxes in one man’s memories in the British Natural History Museum, as well as the future of taxonomy.
“I could not suppress the thought that the storeroom was like the inside of my head, presenting a physical analogy for the jumbled lumber room of memory… This book opens a few cupboards, sifts through a few drawers. A life accumulates a collection: of people, work and perplexities. We are all our own curators.”
show less
Lists
Folio Society (2)
Geology (1)
Awards
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Associated Authors
Statistics
- Works
- 19
- Also by
- 4
- Members
- 5,433
- Popularity
- #4,582
- Rating
- 3.8
- Reviews
- 103
- ISBNs
- 99
- Languages
- 7
- Favorited
- 17
























